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Stefanie SchneiderDust Bowl Weary (Wastelands) - Polaroid, Expired. Contemporary, Color2003
2003
About the Item
Dust Bowl Weary (Wastelands) - 2003
Edition of 10,
38x37cm,
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory No 1185.01
Not mounted.
Offered is a piece from the Wastelands series.
Published in: Wastelands, published by edition braus, Wachter Verlag, Heidelberg, 2006 (monograph)
Exhibited:
Wastelands, Städtische Galerie, Waldkraiburg, Germany (S) (2006) / Wastelands, Zephyr, Mannheim, Germany (S) (catalog) (2006) Wastelands, Kunstverein Recklinghausen, Germany (S) (2007), Stranger Than Paradise, Scott White Contemporary, San Diego, (S) (2012)
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own.
He was cocksure and free, young and unaccountable, with dark hair and aquiline features.
His expression was always pensive, a little troubled, but not of a maniacal sort.
He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity.
Dust bowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
(James Scarborough)
Schneider's Polaroid photography is often described as "timeless," "nostalgic," and "dreamlike." Her use of expired Polaroid film, with its unpredictable colors and textures, creates a sense of unreality in her images and creating a sense of fragmentation and ambiguity that blurs the boundaries between past and present, and it creates a sense of memory as a fluid, shifting concept.
Schneider's interest in Americana motifs, particularly those associated with the 1950s and 1960s, speaks to a sense of longing for a bygone era. Her images of motels, diners, and vintage cars evoke a sense of nostalgia for a time that may never have existed in reality. At the same time, these motifs are often paired with images of decay and abandonment, which suggest a darker, more complex interpretation of the American dream.
Schneider's depictions of women are also a significant aspect of her art. Her female subjects are often depicted in states of undress, but the images are not intended to be exploitative or objectifying. Rather, they are intended to explore the complexity of human relationships and emotions. Schneider's women are often depicted in moments of vulnerability, suggesting a sense of shared humanity and a challenge to traditional notions of female beauty and perfection.
Overall, Schneider's Polaroid photography is a deeply evocative exploration of memory, nostalgia, and the human experience. Her art challenges viewers to question their own perceptions of reality and to consider the complex, shifting nature of time and memory.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2003
- Dimensions:Height: 14.97 in (38 cm)Width: 14.57 in (37 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652312283012
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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