Tim Flach

Family Group - Contemporary British Art, Animal Photography, Tim Flach

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Simiform 6' is a stunning C-Type print by contemporary British photographer T...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Djala' is a stunning C-Type print by contemporary British photographer Tim Fl...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Monkey Eyes' is a stunning C-Type print by contemporary British photographer ...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Monkey Licking' is a stunning C-Type print by contemporary British photograph...

The House of Orange, Color Portrait of a Mother and Baby Orangutan in the Jungle, photographed by David Yarrow. All prints are limited edition. Available in multiple sizes. High-end ...

Borneo, 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 53 inches...

'Orangutan #1, Los Angeles, CA, 2011' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which features studio portraits of wild animals. ...

Borneo, 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 54 x 48 inches 76 x 67 inches Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "​Another memorable moment from a charred forest in Southern Borneo. There is no doubt that these images have made quite an impression and are raising awareness of the plight of the orangutan. She looks more human than a number of Scots I know. This mother and child were much easier to work with than the big male. She seemed largely comfortable with our presence. My instinct was to work with my “go to” 58mm lens and set the camera for as much detail as possible. The trick was to be in the water and to make myself look small and unthreatening (harder now than it once was!). But I needed some protection because on the way up river we had noticed several crocodiles and I am terrified of crocs. They could have been anywhere, skulking in the water reeds, but after some manoeuvring, the two motor boats formed a V shape and blocked off the water behind and to the left and right of me. It was only later that our lead guide told me, with a mischievous grin, that there had been a recent crocodile attack...