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David HallidayYellow Zucchini Flower (Contemporary Still Life Study in Light Box)2000
2000
$3,200
£2,446.57
€2,817.95
CA$4,484.18
A$5,006.17
CHF 2,623.16
MX$61,280.39
NOK 33,314.11
SEK 31,410.97
DKK 21,030.69
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About the Item
11.25 x 11.25 inches unframed
Archival pigment print
edition of 12
Some of David Halliday's most engaging works are those from his Box Series in which he merges traditional ideas about light and composition with contemporary experiments. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude.
In this particular image, the bright yellow spiky petals of the zucchini's flower is gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting!
About the work:
The Past Still Present: A master of light, New Orleans photographer David Halliday produces lush and elegant images that are both classical and modern. Using window light to illuminate his subjects, Halliday's direct formal approach offers a fresh take on the historic art prototypes of still life and portraiture. The simplicity of his visual language produces images that transcend time.
- Creator:David Halliday (1958, American)
- Creation Year:2000
- Dimensions:Height: 11.25 in (28.58 cm)Width: 11.25 in (28.58 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU2271386703
David Halliday
David Halliday's photographs are about beauty, pure and simple. His primary subjects are carefully composed still lifes, portraits and landscapes which he shoots in black and white film with only natural light. He is a purist behind the lens, rarely manipulating his negatives in any way and a master in the darkroom. His work has an ethereal quality that's translated not only through the subject, but also by the warm colors and sepia tones he uses in his printing.
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View AllCeramic Pitcher (Still Life Photograph of Lemons, Olives, Zucchini, & Chestnuts)
By David Halliday
Located in Hudson, NY
Contemporary color still life photograph of a ceramic pitcher with assorted fruits and vegetables
Archival pigment print, ed. of 25
15 x 19.5 inches unframed
Signed and editioned, verso
In this series, Halliday captures the beauty of everyday life with a contemporary still life image of various objects and vegetation arranged on a wooden plank. The imagery calls to mind a Baroque still life, highlighting the beauty and simplicity found in every day objects. Here a sienna colored ceramic pitcher is captured besides an arrangement of yellow lemons, curly green zucchini, black olives, and brown nuts. The pop of white from the napkin in addition to the stark black background accentuates the simplistic color and shapes of the fruits and vegetables.
About the Artist:
David Halliday's photographs are about beauty, pure and simple. His primary subjects are carefully composed still lifes, portraits and landscapes which he shoots in black and white film with only natural light. He is a purist behind the lens, rarely manipulating his negatives in any way, and a master in the darkroom. His work has an ethereal quality that's translated not only through the subject, but also by the warm colors and sepia tones he uses in his printing.
More about the work:
A master of light, David Halliday produces lush and elegant images that are both classical and modern. Celebrated for his ‘purist’ eye, he poetically captures the nude male body in a selection of sepia-toned prints from 1996. Rarely revealing the model's face, Halliday prefers to focus on the natural drape of limbs, soft folds of flawless skin, and curvature of the spine. Overall, a stunningly intimate portrayal of the male form done with elegance and charm.
Resume:
Born 1958, Glen Cove, New York
Lives in Schodack Landing, NY
EDUCATION
1998 Penland School of Crafts, Penland, North Carolina
1988 The Maine Photographic Workshops, Rockport, Maine
1976-79 Syracuse University, New York
1974-76 Wooster School Community Art Center, Danbury, Connecticut
SELECTED SOLO EXHIBITIONS
2013 Threadbare/New Photographs, Arthur Roger Galley, New Orleans, LA
McMurtrey Gallery, Houston, TX
2012 The Past Still Present, Ogden Museum of Southern Art, New Orleans, LA
2010 Arthur Roger Gallery, New Orleans, LA
Wessel+O’Connor Fine Art, Lambertville, NJ
Julie Heller Gallery, Provincetown, MA
Graficas Gallery, Nantucket, MA
2009 Culinary Delights, San Antonio Museum of Art, San Antonio, TX
Two Decades: David Halliday, Carrie Haddad Photographs, Hudson, NY
2008 Arthur Roger Gallery, New Orleans, LA
Still-Life, Stephen Cohen Gallery, Los Angeles, CA
Carrie Haddad Gallery, Hudson, NY
Watermark Gallery, Houston TX
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11.25 x 11.25 inches unframed
Archival pigment print
edition of 12
Some of David Halliday's most engaging works are those from his Box Series in which he merges traditional ideas about light and composition with contemporary experiments. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude.
In this particular image, a bunch of radishes with their deep pink skins are are gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting!
About the work:
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