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Marisa CulattoFlora 19, 2015 - Chinese Lantern Portrait Photography2015
2015
$2,181.32
£1,620
€1,910.33
CA$3,021.92
A$3,389.29
CHF 1,774.92
MX$41,183.17
NOK 22,538.49
SEK 21,368.07
DKK 14,259.62
About the Item
Flora 19, 2015 - Chinese Lantern Portrait Photography by Marisa Culatto
Flora 19 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited Edition of 6.
Culatto's new series 'Flora' features a selection of plant life that has been composed, frozen in water, and then photographed in the manner of a classical still life.
There is a conscious act of staging, which is clear from the composition, but there is also a complementary and serendipitous element to these portraits: Culatto restricted herself to only collecting vegetation she came across on walks, or in the day-to-day tasks of her life. As a consequence, each still life features plants that were found both near one another and in a specific part of the world, in this case South East England.
The conceptual argument underpinning the entire construction is the notion of beauty, the loss thereof, and the vain attempt to desperately hold on to it. 'Flora' is Culatto's way of understanding the value of youth, and its ultimate fate.
While the concept might address the traditional notions of fading beauty, the key, frozen component of 'Flora' speaks to a much more immediate idea; that of photography itself.
'Flora' was recently published as 'Flora: A Frozen English Garden' by Black Dog Press.
All prints are produced to order. Lead times are expected between 10-15 days.
- Creator:Marisa Culatto (Spanish)
- Creation Year:2015
- Dimensions:Height: 23.63 in (60 cm)Width: 15.75 in (40 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Brighton, GB
- Reference Number:1stDibs: LU722316272522
Born in the Canary Islands, visual artist Marisa Culatto now lives and works the UK. Culatto spent a decade working exclusively through digital photography, preoccupied with blurring the boundaries of photography into the language and practice usually associated with other mediums – mostly painting. Constraints, domesticity and daily rituals are at the centre of her practice. Culatto is interested in the concept of reality being a construct. Much of her work addresses such contradictions, misperceptions and/or a degree of visual ambiguity. She has even explored photography itself as subject.
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