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Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges
Category

19th Century Naturalistic Animal Prints

Materials

Engraving

Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges
Category

19th Century Naturalistic Animal Prints

Materials

Engraving

Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges
Category

19th Century Naturalistic Animal Prints

Materials

Engraving

Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges
Category

19th Century Naturalistic Animal Prints

Materials

Engraving

Crustaceans, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Crustaceans, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Crustaceans, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Crustaceans, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Crustaceans, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Horses, Antique French 19th century natural history engraving print
Located in Melbourne, Victoria
'Cheval Barbe - Cheval Normand' French engraving with original hand-colouring by Madame Fournier
Category

1840s Victorian Animal Prints

Materials

Engraving

Crustaceans - Crab & Lobster, English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Crustaceans - shrimps, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Crustaceans - lobsters, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Crustaceans - shrimps, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Crustaceans - Coconut and hermit crabs, natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Crustaceans - cyclops etc, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

The Natural History of Moths: An Antique Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of Pinkunderwing Moths, Cream
Category

Mid-19th Century Realist Landscape Prints

Materials

Engraving

Natural History of Moths and a Beetle: A Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of moths and a beetle, which is
Category

Mid-19th Century Realist Landscape Prints

Materials

Engraving

The Aurelian, A Natural History of English Moths Butterflies Plate XXXVIII
By Moses Harris
Located in Paonia, CO
Moses Harris ( British 1731-1785 ) Plate XXXVIII ,The Aurelian, A Natural History of English Moths
Category

1770s More Prints

Materials

Engraving

Bird and Beetle - Etching and watercolor (Natural History of Birds, 1741)
By George Edwards
Located in Paris, FR
Printed signature in the plate Dated, 1741 28.8 x 23.3 cm Created for Volume I of the Natural History of
Category

1740s Academic Animal Prints

Materials

Watercolor, Engraving

Le Millouinan /// Ornithology Martinet Bird Animal Art Duck Natural History
By François Nicolas Martinet
Located in Saint Augustine, FL
naturalist. Martinet engraved the plates for numerous works on natural history, especially ornithology
Category

1770s Realist Animal Prints

Materials

Engraving, Watercolor, Laid Paper, Intaglio

The Aurelian, A Natural History English Moths Butterflies Moses Harris pl. IX
By Moses Harris
Located in Paonia, CO
Moses Harris ( British 1731-1785) The Aurelian, A Natural History of English Moths and Butterflies
Category

1770s Animal Prints

Materials

Engraving

The Aurelian, A Natural History English Moths Butterflies Plate XXVII 1778 ed.
By Moses Harris
Located in Paonia, CO
Moses Harris ( British 1731-1785 ) The Aurelian, A Natural History of English Moths and
Category

1770s More Prints

Materials

Engraving

The Aurelian, A Natural History of English Moths and Butterflies Plate XLII
By Moses Harris
Located in Paonia, CO
Moses Harris ( British 1731-1785 ) The Aurelian, A Natural History of English Moths and Butterflies
Category

1770s More Prints

Materials

Engraving

Empress of Silence
By William B. Montgomery
Located in Dallas, TX
history engravings, these scientifically accurate, yet artistically exquisite, etchings and lithographs
Category

21st Century and Contemporary Contemporary Animal Prints

Cetaces - Dauphin ordinaire (Dolphin), French antique engraving
Located in Melbourne, Victoria
Travies (1809-1865). From Dictionaire Universel d'Histoire Naturelle, c1849, a French natural history
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

George Edwards: 18th Century Engravings of Birds
By George Edwards
Located in Richmond, GB
ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural History of Uncommon Birds
Category

18th Century Animal Drawings and Watercolors

Materials

Engraving, Watercolor

George Edwards: 18th Century Engravings of Birds
By George Edwards
Located in Richmond, GB
ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural History of Uncommon Birds
Category

18th Century Animal Drawings and Watercolors

Materials

Engraving, Watercolor

George Edwards: 18th Century Engravings of Birds
By George Edwards
Located in Richmond, GB
ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural History of Uncommon Birds
Category

18th Century Animal Drawings and Watercolors

Materials

Engraving, Watercolor

George Edwards: 18th Century Engravings of Birds
By George Edwards
Located in Richmond, GB
ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural History of Uncommon Birds
Category

18th Century Animal Drawings and Watercolors

Materials

Engraving, Watercolor

George Edwards: 18th Century Engravings of Birds
By George Edwards
Located in Richmond, GB
ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural History of Uncommon Birds
Category

18th Century Animal Drawings and Watercolors

Materials

Engraving, Watercolor

George Edwards: 18th Century Engravings of Birds
By George Edwards
Located in Richmond, GB
ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural History of Uncommon Birds
Category

18th Century Animal Drawings and Watercolors

Materials

Engraving, Watercolor

George Edwards: 18th Century Engravings of Birds
By George Edwards
Located in Richmond, GB
ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural History of Uncommon Birds
Category

18th Century Animal Drawings and Watercolors

Materials

Engraving, Watercolor

George Edwards: 18th Century Engravings of Birds
By George Edwards
Located in Richmond, GB
ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural History of Uncommon Birds
Category

18th Century Animal Drawings and Watercolors

Materials

Engraving, Watercolor

George Edwards: 18th Century Engravings of Birds
By George Edwards
Located in Richmond, GB
ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural History of Uncommon Birds
Category

18th Century Animal Drawings and Watercolors

Materials

Engraving, Watercolor

Clam Engraving on Laid Paper with Orange Tints
Located in Houston, TX
" ('Discourse on Natural History'), the monumental multi-volume work of the Bavarian clergyman and naturalist
Category

18th Century Naturalistic Animal Prints

Materials

Engraving

Set of Twelve 18th Century Engravings of Birds
By George Edwards
Located in Richmond, GB
ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural History of Uncommon Birds
Category

18th Century Animal Drawings and Watercolors

Materials

Engraving, Watercolor

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Natural History Engraving For Sale on 1stDibs

Find the exact natural history engraving you’re shopping for in the variety available on 1stDibs. Making the right choice when shopping for a natural history engraving may mean carefully reviewing examples of this item dating from different eras — you can find an early iteration of this piece from the 18th Century and a newer version made as recently as the 19th Century. When looking for the right natural history engraving for your space, you can search on 1stDibs by color — popular works were created in bold and neutral palettes with elements of beige and white. A natural history engraving from Moses Harris and George Edwards — each of whom created distinctive versions of this kind of work — is worth considering. Frequently made by artists working in engraving, paint and watercolour, these artworks are unique and have attracted attention over the years. A large natural history engraving can prove too dominant for some spaces — a smaller natural history engraving, measuring 8.27 high and 4.93 wide, may better suit your needs.

How Much is a Natural History Engraving?

A natural history engraving can differ in price owing to various characteristics — the average selling price for items in our inventory is $85, while the lowest priced sells for $45 and the highest can go for as much as $850.

Finding the Right Prints and Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.

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