Archival Paper Still-life Photography
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Medium: Archival Paper
Macaw #1 - Animal signed limited edition bird contemporary fine art print, Black
By Tim Platt
Located in Sant Cugat del Vallès, Barcelona
" Macaw #1 ” - Signed limited edition archival pigment print - Edition of 3
Oversize print
This sequence of a Green Winged Macaw in flight is cap...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment, Paper, Photogr...
Life and death - Signed limited edition still life fine art print, contemporary
By Peter Ridge
Located in Sant Cugat del Vallès, Barcelona
Life and Death Still Life - Strelitzia reginae - Birds of Paradise
Posed in a Moroccan hand made vase
Signed limited edition archival pigment print, Edition of 5
This is an Arch...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
Dragonfly- Signed limited edition nature print, Color photo, insect, Yellow
Located in Sant Cugat del Vallès, Barcelona
Dragonfly - Signed limited edition archival pigment print - Edition of 8
Photography and Bichromate print : 2016
Pigment print : 2020
Several negatives was used to create a ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment, Photographic P...
Macaw #6 -Animal signed limited edition bird contemporary fine art print, Green
By Tim Platt
Located in Sant Cugat del Vallès, Barcelona
" Macaw #6 ” - Signed limited edition archival pigment print - Edition of 10
Green-Winged Macaw in flight. These large parrots can be mistaken for a Scarlet Macaw as their plumage is mainly red from the front. They are the second largest parrots next to the Hyacinth Macaw...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
Macaw #4 - Animal signed limited edition bird contemporary fine art print, Red
By Tim Platt
Located in Sant Cugat del Vallès, Barcelona
" Macaw #4 ” - Signed limited edition archival pigment print - Edition of 10
Green-Winged Macaws are monogamous and pair for life. They mate once in a lifetime, remaining and travelling together even out of the breeding season. Their beaks are powerful, allowing them to easily crack hard shelled nuts like the Brazil nut. The beak of the Green-Winged macaw can generate a pressure of 2000 pounds per square inch.
Animal photography is about being ready for the split-second moment when it happens. This takes a certain amount of production. The studio set-up, the lighting and the camera settings can all be planned but the magic moment is seldom planned. It just happens naturally and you need to be prepared. Whether you capture it will depend on patience, concentration and reflex.
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and lignin-free, Museum quality for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity.
Signed + numbered by artist with certificate of authenticity.
Please note that prices increase as editions sell.
Archival pigment print available sizes :
106 x 69 cm / 41.5 x 27” - Edition of 10
152.4 cm x 101.63 cm / 60 x 39,76 in - Edition of 3
Tim Platt specialises in creating minimal stylised studio portraits of birds and animals, which he describes as beauty shots. A frozen moment in time allows us to observe the world in suspension and will often reveal a graphic beauty that might otherwise flash by in the blink of an eye and remain unnoticed.
Whether observing the magnified eye of a bullfrog, or an eagle captured at several thousandths of a second in mid-flight, he is fascinated by the level of detail that can be revealed in a large format print. It is the stillness of a photograph that gives us time to pause and marvel at the myriad levels of detail in Nature’s grand design and allows us to reflect on the wonderful diversity of life on Earth.
Styles:
Color photography, 21st century, Archival pigment print, Animal, Portrait, Beauty, Fine Art , Parrot, Colourful, Red, Black, animal photographer, animal photography, bird, bird photography...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
Platters, Vases & Fish, Grapes, Berries, Pomegranate, Deer Skulls (Memento Mori)
Located in Kansas City, MO
Limited Edition: 5 of 25
Signed, dated and numbered in ink on label affixed verso
COA provided
In Sherman's photographs she is experimenting with groupings of different objects wit...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Photographic Paper, Digital
" Macaw #2 ” - Signed limited edition fine art print
By Tim Platt
Located in Sant Cugat del Vallès, Barcelona
" Macaw #2 ” - Signed limited edition archival pigment print - Edition of 10
Green Winged Macaws are monogamous and pair for life. They become inseparable, so wherever they go t...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
Animal signed limited edition bird contemporary fine art print, Blue- Macaw #8
By Tim Platt
Located in Sant Cugat del Vallès, Barcelona
" Macaw #8 ” - Signed limited edition archival pigment print - Edition of 10
The iconic Blue and Gold Macaw is a sociable and playful large parrot which is is mainly blue and yellow in colour. It’s beak is black and very powerful. The bird has white skin, with it’s face having nearly no feathers apart from a few black ones spaced apart from each other forming a striking striped patterns around the eyes. Other distinct details are a black ‘chin strap’ and lime-green feathers on the forehead.
Animal photography is about being ready for the split-second moment when it happens. This takes a certain amount of production. The studio set-up, the lighting and the camera settings can all be planned but the magic moment is seldom planned. It just happens naturally and you need to be prepared. Whether you capture it will depend on patience, concentration and reflex. This is seldom more true than when capturing birds in flight. The human eye can’t process the speed at which birds fly. The only way we can fully appreciate the beauty of feathered flight is to watch it in slow motion or freeze it at several thousandths of a second.
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and lignin-free, Museum quality for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity.
Signed + numbered by artist with certificate of authenticity.
Please note that prices increase as editions sell.
Archival pigment print available sizes :
106 x 85 cm / 41.5 x 33.5” - Edition of 10
129 x 103.2 cm/ 51 x 40.55 in - Edition of 3
Tim Platt specialises in creating minimal stylised studio portraits of birds and animals, which he describes as beauty shots. A frozen moment in time allows us to observe the world in suspension and will often reveal a graphic beauty that might otherwise flash by in the blink of an eye and remain unnoticed.
Whether observing the magnified eye of a bullfrog, or an eagle captured at several thousandths of a second in mid-flight, he is fascinated by the level of detail that can be revealed in a large format print. It is the stillness of a photograph that gives us time to pause and marvel at the myriad levels of detail in Nature’s grand design and allows us to reflect on the wonderful diversity of life on Earth.
categories :
Color photography, 21st century, Archival pigment print, Animal, Portrait, Slow motion, Beauty, Fine Art , Parrot, Colourful, blue, yellow, bird in flight, animal photographer, animal photography, bird, bird photography...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
Macaw #3- Animal signed limited edition bird contemporary fine art print, Blue
By Tim Platt
Located in Sant Cugat del Vallès, Barcelona
Macaw #3 - Signed limited edition archival pigment print - Edition of 10
The Green-Winged Macaw can be mistaken for a Scarlet Macaw as from the front it is almost entirely red. It is distinguished by a greenish band of feathers below the shoulders and wings. The green band transitions to dark blue on the wings, and there is light blue on the rump and on the tail feathers.
Animal photography is about being ready for the split-second moment when it happens. This takes a certain amount of production. The studio set-up, the lighting and the camera settings can all be planned but the magic moment is seldom planned. It just happens naturally and you need to be prepared. Whether you capture it will depend on patience, concentration and reflex. This is seldom more true than when capturing birds in flight. The human eye can’t process the speed at which birds fly. The only way we can fully appreciate the beauty of feathered flight is to watch it in slow motion or freeze it at several thousandths of a second.
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and lignin-free, Museum quality for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity.
Signed + numbered by artist with certificate of authenticity.
Please note that prices increase as editions sell.
Archival pigment print available sizes ( Image size , the white margin is not counted):
106 x 69 cm / 41.5 x 27” - Edition of 10
152.4 cm x 101.63 cm / 60 x 39,76 in - Edition of 3
Tim Platt specialises in creating minimal stylised studio portraits of birds and animals, which he describes as beauty shots. A frozen moment in time allows us to observe the world in suspension and will often reveal a graphic beauty that might otherwise flash by in the blink of an eye and remain unnoticed.
Whether observing the magnified eye of a bullfrog, or an eagle captured at several thousandths of a second in mid-flight, he is fascinated by the level of detail that can be revealed in a large format print. It is the stillness of a photograph that gives us time to pause and marvel at the myriad levels of detail in Nature’s grand design and allows us to reflect on the wonderful diversity of life on Earth.
categories :
Color photography, 21st century, Archival pigment print, Animal, Portrait, Slow motion, Beauty, Fine Art , Parrot, Colourful, Red, Blue, Green, Black, bird in flight, animal photographer, animal photography, bird, bird photography...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
Spirit Away
Located in Kansas City, MO
Title: "Spirit Away"
Medium: Custom Archival Pigment Print on Archival Paper
Date: 2019
Dimensions: 10 x 8 in.
Signed, dated and inscribed on label
COA provided
Multiple Sizes Available (please inquire within)
Framing Available (please inquire within)
Born in Córdoba, Argentina, photographer Pablo Saccinto had a unique journey to discovering his passion for photography. Before he ever picked up a camera, Saccinto studied "Dramatic Arts" at the Royal Theatre, seminary by Jolie Libois and attended the National University of Cinema and Television whilst practicing figure skating as a hobby. However, Pablo wanted his dream to became a reality. In 2009 He decided to try out and audition for Disney On Ice.
One year later, Saccinto became part of the magic. Since then He had the opportunity to participate in different productions of the company as Disney on Ice presents, “Toy Story 3", "Rockin’ ever after", "Let’s Celebrate", "100 years of magic", the big phenomenon "Frozen", and his current show "Dare to Dream", traveling to over 20 countries.
Some of the roles Pablo portrayed were, Le Fou from Beauty and the Beast, Pinocchio, and Miguel from the movie Coco Disney/Pixar.
It was through his career as a figure skater that Saccinto found new opportunities in his ever-changing surroundings. Traveling around the globe and seeing all the beauty that this world has to offer opened the door to pursue photography further.
Traveling has opened his mind and inspires him to photograph different cultures and even allows him to get to know himself on a before unknown level.
Contemporary, contemporary art, contemporary photography, travel photography, cities, Japan, Hiroshima, urban photography, street photography, fine art, architecture, architectural photography, black and white, black and white photography, nature, nature photography, photographers, travel, Edward Weston, William Eggleston, André Kertész, Frans Lanting, Berenice Abbott, Chris Burkard...
Category
2010s Photorealist Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
Itsukushima
Located in Kansas City, MO
Title: Itsukushima
Medium: Custom Archival Pigment Print on Archival Paper
Date: 2019
Dimensions: 10 x 8 in.
Signed, dated and inscribed on label
COA provided
Multiple Sizes Available (please inquire within)
Framing Available (please inquire within)
Born in Córdoba, Argentina, photographer Pablo Saccinto had a unique journey to discovering his passion for photography. Before he ever picked up a camera, Saccinto studied "Dramatic Arts" at the Royal Theatre, seminary by Jolie Libois and attended the National University of Cinema and Television whilst practicing figure skating as a hobby. However, Pablo wanted his dream to became a reality. In 2009 He decided to try out and audition for Disney On Ice.
One year later, Saccinto became part of the magic. Since then He had the opportunity to participate in different productions of the company as Disney on Ice presents, “Toy Story 3", "Rockin’ ever after", "Let’s Celebrate", "100 years of magic", the big phenomenon "Frozen", and his current show "Dare to Dream", traveling to over 20 countries.
Some of the roles Pablo portrayed were, Le Fou from Beauty and the Beast, Pinocchio, and Miguel from the movie Coco Disney/Pixar.
It was through his career as a figure skater that Saccinto found new opportunities in his ever-changing surroundings. Traveling around the globe and seeing all the beauty that this world has to offer opened the door to pursue photography further.
Traveling has opened his mind and inspires him to photograph different cultures and even allows him to get to know himself on a before unknown level.
Contemporary, contemporary art, contemporary photography, travel photography, cities, Japan, Hiroshima, urban photography, street photography, fine art, architecture, architectural photography, black and white, black and white photography, nature, nature photography, photographers, travel, Edward Weston, William Eggleston, André Kertész, Frans Lanting, Berenice Abbott, Chris Burkard...
Category
2010s Photorealist Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
Macaw #1 -Animal signed limited edition bird contemporary fine art print, Blue
By Tim Platt
Located in Sant Cugat del Vallès, Barcelona
" Macaw #1 ” - Signed limited edition archival pigment print - Edition of 10
This sequence of a Green Winged Macaw in flight is captured in a sin...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
Café- Signed limited edition still life print, Black white, France
Located in Sant Cugat del Vallès, Barcelona
Café - Signed limited edition archival pigment print, 2003 - Edition of 5
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-fr...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Black and White, Archival Pigment, Giclée, Pigment, Phot...
Madonna- Signed limited edition still life print, Black, Large Contemporary
Located in Sant Cugat del Vallès, Barcelona
Madonna - Limited edition archival pigment print - Edition of 5
This is an Archival Piment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Black and White, Archival Pigment, Photographic Film, Pi...
Cactus- Signed limited edition still life print, Black white nature, Contemporary
Located in Sant Cugat del Vallès, Barcelona
Cactus - Signed limited edition archival pigment print, 1989 - Edition of 5
This image was captured on film.
The negative was scanned creating a digital file which was then prin...
Category
1980s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Black and White, Archival Pigment, Photographic Film, Pi...
Café- Signed limited edition architecture print, Black white photo, Contemporary
Located in Sant Cugat del Vallès, Barcelona
Café - Signed limited edition archival pigment print, 2003 - Edition of 5
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-fr...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Black and White, Archival Pigment, Giclée, Pigment, Phot...
La Défense 1 - Signed limited edition architectural print, Black white, City Paris
Located in Sant Cugat del Vallès, Barcelona
La Défense 1 - Signed limited edition archival pigment print, 2004 - Edition of 5
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gs...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Black and White, Archival Pigment, Giclée, Pigment, Phot...
La Défense 2 -Signed limited edition print, Black white Architecture, Contemporary
Located in Sant Cugat del Vallès, Barcelona
La Défense 2 - Signed limited edition archival pigment print, 2004 - Edition of 5
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gs...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment, Black and White, Giclée, Pigment, Phot...
Trout - Signed limited edition fine art print, Color photography, Fish
Located in Sant Cugat del Vallès, Barcelona
Trout - Signed limited edition archival pigment print - Edition of 5
This print that is being offered is a high-quality Archival Pigment print which has been printed on fiber b...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Color, Archival Pigment, Giclée, Pigment, Photographic P...
Sardines- Signed limited edition still life print, Black white photo, Nature, Fish
Located in Sant Cugat del Vallès, Barcelona
Sardines - Limited edition archival pigment print , 1993 - Edition of 5
This image was captured on film.
The negative was scanned creating a digital file which was then printed ...
Category
1990s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Black and White, Archival Pigment, Photographic Film, Pi...
"Ideal", 2007
By Ian Gittler
Located in Hudson, NY
“IDEAL" features a 1.5 horsepower lawnmower engine manufactured in 1924 that still works. And the brand name-Ideal-speaks to an attitude about fabrication and manufacture linking pri...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
Mara van Rüdipuss - Ernie, Portraits of a Studiodog
Located in Kansas City, MO
Monogrammed by hand
Publisher: Griffelkunst Hamburg
Condition: in mint condition
Size: 11.5 × 8.6 on 15.4 × 12.5 inches
Thorsten Brinkmann was born in Herne, Germany in 1971. He studied Visual Communication at Kunsthochschule Kassel and Fine Arts at Hochschule für Bildende Künste, Hamburg. Brinkmann is known internationally for his unconventional photographic portraits and still lifes, featured recently in T: The New York Times Style Magazine article, “Witty Photos That Play With Centuries-Old Artistic Tradition” (September 2015).
Brinkmann has had solo exhibitions in Belgium, Germany, and Mexico. His work is represented in museums throughout Europe and was included in Beyond Borders, The Fifth Beaufort Triennial, Belgium (2015); and Dress Codes: The Third ICP Triennial of Photography and Video, International Center for Photography, New York (2009). Following his 2012 residency at The Andy Warhol Museum, Pittsburgh, Pennsylvania, Brinkmann undertook La Hütte Royal, a yearlong installation project of transforming a dilapidated house in the Troy Hill area of Pittsburgh into a permanent artwork.
A self-proclaimed serialsammler (“serial collector”), Thorsten Brinkmann keeps whatever catches his eye as he sifts through the broken and discarded items sitting in purgatory on thrift store shelves...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Photographic Paper
"Surrounded" Southern, ants, staged photography, feet, figurative black & white
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
"Freedom" - Southern, horses, staged photography, shadow, still life
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
"Pressure Gauge", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Gas & Gasoline", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Speed Lever", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Cummins Steam Pump", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
Untitled (2845): still life photograph w/ white vases, bone & cast hands & feet
Located in Bryn Mawr, PA
This is an archival pigment print depicting an abstracted still life printed on Hahnemuhle Photo Rag 308 gsm by artist Paul Cava. It is from the artist's "Still Life" series, which i...
Category
2010s Realist Archival Paper Still-life Photography
Materials
Archival Ink, Archival Paper, Inkjet, Archival Pigment
Untitled (2155): still life photograph w/ antler, bone & abstract shadows, large
Located in Bryn Mawr, PA
This is an archival pigment print depicting an abstracted still life printed on Hahnemuhle Photo Rag 308 gsm by artist Paul Cava. It is from the "Table Top" ...
Category
2010s Abstract Archival Paper Still-life Photography
Materials
Archival Ink, Archival Paper, Inkjet, Archival Pigment
"Leftover" Southern, turtle, food, conceptual, still life photography, white
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
In Between the Shadows, #Cubist, Custom Framed with antireflective Art Glass
Located in London, GB
Artist Name : Sander Vos
Width (cm) x Height (cm): 30 x 21Year : 2021Edition : Edition of 7 + 2 AP
Medium :
Photography, Print
Description:
The series ‘In ...
Category
2010s Cubist Archival Paper Still-life Photography
Materials
Color, Archival Pigment, Black and White, Photographic Paper, Archival P...
"Kin" - Southern, red clay, landscape, silver platter, still life photography
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
"Protection" - Southern, flowers, botanical, abstract, dark colors
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
ATO>MIC #11, Unique Silver Luminogram Print, Two Spheres; Moon and Sun like...
Located in London, GB
ATO>MIC #11, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed: custom made frame with anti-reflective art glass
Print size: 23 x 18 cm
Framed: 38 x 35.5 cm
Unique
Series: ATO>MIC
Signed and dated in pencil on print's verso
Certificate of Authenticity provided
"At first glance the viewer may only see geometric spherical shapes with added lines and rectangles on tea toned Silver Gelatin paper. "The supremacy of pure artistic feeling" rather than the visual depiction of objects assign to the art movement of Suprematism comes to one's mind. Similarly, like a giant of abstract art Kasimir Malevich, Jackson wants the viewer to look further, deeper than one might usually.
The feeling of 'sensation' of the ATO>MIC prints, the sharpness of the forms, the intensity defying its size to condensed 9 x 7 inches' paper, make it all the more dramatic to look at. It takes the viewer to another level of fantastical world of creation."
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
About the Artist:
Michael G...
Category
2010s Suprematist Archival Paper Still-life Photography
Materials
Archival Paper, Black and White, Photogram, Silver Gelatin
Jelly, Signed Contemporary Black and White Oceanic Photography Print
Located in Boston, MA
Jelly, Contemporary Black and White Oceanic Photography Print
20" x 16" (HxW) Inkjet print on Epson lustre paper
1" white margins on top and bottom; ...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Digital, Inkjet
"I am" Black & White Photography 24" x 24" inch Edition of 15 by Olha Stepanian
Located in Culver City, CA
"I am" Black & White Photography 24" x 24" inch Edition of 15 by Olha Stepanian
Printed on Epson Professional Paper
Signed and numbered by the artist
Not framed. Ships in a tube...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
Poppy V
Located in New York, NY
Limited edition, signed and numbered with certificate of authenticity - 60x60cm - 15 proofs + 4 AP
About the Artist:
Pascal Goet, a French artist and phot...
Category
2010s Other Art Style Archival Paper Still-life Photography
Materials
Board, Archival Paper, Photographic Paper, Color, Pigment, Archival Pigment
A Helping Hand
Located in New Orleans, LA
edition 3/7
TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Photographic Paper
Ivy
By Sarah Hadley
Located in Los Angeles, CA
Archival pigment print
Hand printed by Sarah Hadley on Canson Baryta Photo paper
From the series The Whispering Dark
Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory.
Hadley's photographs have been exhibited at the Milan Photo...
Category
2010s Romantic Archival Paper Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper
Ship, from the Chasing the Fog:Learning How to Breathe Series
Located in Los Angeles, CA
Chasing the Fog :: Learning how to Breathe is an exploration of personal identity specific to love, loss, and what lives in between them. This project investigates the unspoken dialogue, the “subtext” that’s always happening while moving through the multifaceted experience of relationship...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Thread, Acrylic, Archival Paper
Calla Lilies • # 3 of 9 • 42 cm x 29 cm
Located in Aramits, Nouvelle-Aquitaine
Calla Lilies • 2005 • Edition of 18 prints in 3 different sizes.
All prints are numbered and signed. Printed on Hahnemühle Archival Paper.
Three different sizes are available, the ...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment, Digital Pigment
Butterfly with Mended Wing #1
Located in Los Angeles, CA
Butterfly with Mended Wing is a study of the human condition and the work we all do in our own lives to belong more fully to ourselves. The red stitch on the wing is symbolic of our ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Thread, Acrylic, Archival Paper
Pumpkin Blossom - #3 of 7
Located in Aramits, Nouvelle-Aquitaine
Printed on archival fine art paper and signed, dated and numbered by the artist.
Edition # 3 of 7.
About the artist: "I always felt that plants have a secret life. First, you don't...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Pigment, Archival Paper
Butterfly with Mended Wing #2
Located in Los Angeles, CA
Butterfly with Mended Wing is a study of the human condition and the work we all do in our own lives to belong more fully to ourselves. The red stitch on the wing is symbolic of our ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Thread, Acrylic, Archival Paper
Before Night Fall
Located in Los Angeles, CA
Edition 2/15 +2 AP
Sharon Johnson-Tennant is a photographer living in Los Angeles, California. She received a degree in Fine Arts from Skidmore College in New York and continued wit...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
The quietness of strength
Located in Los Angeles, CA
Edition 2/15 +2 AP
Sharon Johnson-Tennant is a photographer living in Los Angeles, California. She received a degree in Fine Arts from Skidmore College in New York and continued wit...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
Vintage Glasses
By Sarah Hadley
Located in Los Angeles, CA
Archival pigment print
Hand printed by Sarah Hadley on Canson Baryta Photo paper
From the series The Whispering Dark
Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory.
Hadley's photographs have been exhibited at the Milan Photo...
Category
2010s Romantic Archival Paper Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper
Light
By Sarah Hadley
Located in Los Angeles, CA
Archival pigment print
Hand printed by Sarah Hadley on Canson Baryta Photo paper
From the series The Whispering Dark
Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory.
Hadley's photographs have been exhibited at the Milan Photo...
Category
2010s Romantic Archival Paper Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper
Calla Lilies • # 3 of 6 • 59 cm x 42 cm
Located in Aramits, Nouvelle-Aquitaine
Calla Lilies • 2005 • Edition of 18 prints in 3 different sizes.
All prints are numbered and signed. Printed on Hahnemühle Archival Paper.
Three different sizes are available, the ...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Pigment, Archival Paper, Digital Pigment
Crushed Coke Can Street Asphalt - Real Life Street Art
Located in Miami, FL
Mitchell Funk's color photograph of "Crushed Coke Can on Street Asphalt" documents street art created by a pedestrian. Funk transforms it into a graphic and ...
Category
2010s American Realist Archival Paper Still-life Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
"Knotted Wire Brush", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Oil Distribution Manifold", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Marston Excelsior", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
Dark Flower
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 2 of 25.
If the...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
"Trip Hammer", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Solex Carburetor 1928", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Cutting Dies", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
Archival Paper still-life photography for sale on 1stDibs.
Find a wide variety of authentic Archival Paper still-life photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add still-life photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of red, purple, orange, blue and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Chad Kleitsch, Tyler Shields, Ian Sanderson, and Stefanie Schneider. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Archival Paper still-life photography, so small editions measuring 0.5 inches across are also available Prices for still-life photography made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $48 and tops out at $185,000, while the average work can sell for $2,200.