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Style: Post-War
Bandstand II, Eastbourne, UK - Black and White Vintage Photography
By Samuel Field
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by.
This artwork is a...
Category
1980s Post-War Photography
Materials
Photographic Paper, Black and White, C Print, Silver Gelatin
POSTWAR Rare BRILLO Andy WARHOL Index Book Brillo Hologram
By Andy Warhol
Located in New York, NY
An original hard copy of Andy Warhol's Brillo book.
11.25" h x 8.75" w.
Wear consistent with age and use. Some wear at corners, as in the images.
Andy Warhol, an American artist,...
Category
Mid-20th Century Post-War Photography
Materials
Lithograph
Watching the horse races with binoculars, Deauville, France
By Robert Capa
Located in Los Angeles, CA
Robert Capa (born Endre Ernő Friedmann October 22, 1913 – May 25, 1954) was a Hungarian–American war photographer and photojournalist. He is considered by some to be the greatest com...
Category
1950s Post-War Photography
Materials
Silver Gelatin
Bandstand I, Eastbourne, UK - Black and White Vintage Photography
By Samuel Field
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by.
This artwork is a...
Category
1980s Post-War Photography
Materials
Photographic Paper, Black and White, C Print, Silver Gelatin
Elderly Husband and Wife Group Street Portrait Against a Manhattan Red Wall
Located in Miami, FL
Street Photographer Mitchell Funk breaks with tradition and shoots street photography in color. Today in 2022, this does not seem like a big deal. But 50 years ago, in 1972, it was q...
Category
1970s Post-War Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
521 – René Groebli, Black and White, Nude, Photography, Body, Woman, Erotic, Art
By René Groebli
Located in Zurich, CH
René GROEBLI (*1927, Switzerland)
521, 1952
Vintage silver gelatin print on Baryta paper
Image 27.6 x 19 cm (10 7/8 x 7 1/2 in.)
Sheet 34 x 23 cm (13 3/8 x 9 in.)
Unique
Framed
Signed and dated on verso
This photograph is part of the MoMA permanent collection.
René Groebli (born in Zurich, Switzerland in 1927) secured his place among the elite of Swiss post-war photographers with his 1949 portfolio MAGIE DER SCHIENE (RAIL MAGIC). In the early fifties Groebli worked as reporter for Life, Picture Post and other international magazines. During the following years he owned a studio for industrial and advertising photography. In 1957 the American Color Annual named him MASTER OF COLOR.
In the early 80s Groebli stopped working for advertising and rediscovered for himself the possibilities of expression that black & white photography offers. In 1999 the Zurich Kunsthaus (Art Museum) showed a representative selection of his photographs from the years 1946 to 1996.
With NUDES René Groebli gives us a work for sensuous pleasure that had grown over half a century. In the long history of sensual art photography one is hard pressed to find anyone comparable to the Swiss photo...
Category
1950s Post-War Photography
Materials
Silver Gelatin
307 – René Groebli, Black and White, Street Photography, Art, Vintage Print
By René Groebli
Located in Zurich, CH
René GROEBLI (*1927, Switzerland)
307, 1946 / 1952
Vintage silver gelatin print on Baryta paper
Sheet 21.5 x 17 cm (8 1/2 x 6 3/4 in.)
Unique
Print only
S...
Category
1940s Post-War Photography
Materials
Silver Gelatin
Marilyn Monroe
Located in Palm Desert, CA
A photograph by Lawrence Schiller. ""Marilyn Monroe"" is a nude, figurative vintage silver gelatin photograph in black and white by American Post-War artist Lawrence Schiller. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. ""It was a time in which things happened awfully fast,"" Schiller says of the decade. ""It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future.""
When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...
Category
Mid-20th Century Post-War Photography
Materials
Silver Gelatin
Elliott Gould, Donald Sutherland, Jo Anne Pflug
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Elliott Gould, Donald Sutherland, Jo Anne Pflug” is a vintage silver gelatin photograph in black and white by Ame...
Category
Mid-20th Century Post-War Photography
Materials
Silver Gelatin
Paul Newman and Robert Redford, Butch Cassidy and the Sundance Kid
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Paul Newman and Robert Redford, Butch Cassidy and the Sundance Kid” is a vintage silver gelatin photograph in black and white by American artist L...
Category
Mid-20th Century Post-War Photography
Materials
Silver Gelatin
"Beuys in New York", photography ZOA at Guggenheim, signed by Beuys, one of ten
By Joseph Beuys
Located in Cologne, DE
Joseph Beuys (12 May 1921 – 23 January 1986) was one of the most influential German artists of the second half of the 20th century. He also was a teacher at the “Kunstakademie Düsseldorf” and a theorist of art with high influence in the international contemporary art. As a professor he tought students like Sigmar Polke, Anna Herzfeld, Jörg Immendorff...
Category
Late 20th Century Post-War Photography
Materials
Photographic Paper, Black and White
Robert Kennedy, San Diego
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Robert Kennedy, San Diego” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso.
Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future."
When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...
Category
Mid-20th Century Post-War Photography
Materials
Silver Gelatin
Barbra Streisand (fur hat)
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Barbra Streisand (fur hat)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso.
Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future."
When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...
Category
Mid-20th Century Post-War Photography
Materials
Silver Gelatin
Marilyn 12, No. 29
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Marilyn 12, No. 29” is a chromogenic print in color by American artist Lawrence Schiller. The artwork is unsigned and editioned 72/75.
Lawrence Sc...
Category
Mid-20th Century Post-War Photography
Materials
Color
Paul Newman in the motion picture "Cool Hand Luke"
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Paul Newman in the motion picture "Cool Hand Luke” is a figurative, silver gelatin photograph in black and white by ...
Category
Mid-20th Century Post-War Photography
Materials
Silver Gelatin
Barbra Streisand (in her hotel room)
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Barbra Streisand (in her hotel room)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso.
Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future."
When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...
Category
Mid-20th Century Post-War Photography
Materials
Silver Gelatin
Barbra Streisand (photo session)
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Barbra Streisand (photo session)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Sch...
Category
Mid-20th Century Post-War Photography
Materials
Silver Gelatin
Picasso Ceramics Exhibition 2012-13 Invitation with pendant by Joan Dvorsky
Located in Milwaukee, WI
Presented here is an invitation to the Picasso Ceramics exhibition held at the Museu Picasso de Barcelona in 2012-13. The front of the invitation displays David Douglas Duncan...
Category
2010s Post-War Photography
Materials
Photographic Paper, Offset
Bandstand I, Eastbourne, UK - Black and White Vintage Photography
By Samuel Field
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by.
This artwork is a...
Category
1980s Post-War Photography
Materials
Photographic Paper, Black and White, C Print, Silver Gelatin
Grace Jones
Located in Palm Desert, CA
A photograph by Tseng Kwong Chi. "Grace Jones" is a contemporary chromogenic print in a palette of black and white by East Village artist Tseng Kwong Chi. ...
Category
Late 20th Century Post-War Photography
Materials
C Print
"The Tree that grew hollow because of me", unframed black and white print
By Sigmar Polke
Located in Cologne, DE
Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of K...
Category
Late 20th Century Post-War Photography
Materials
Paper, Lithograph, Offset
"The Correction of the Handlines", unframed black and white print, Berlin 1960s
By Sigmar Polke
Located in Cologne, DE
Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of Karl Otto Götz at the Kunstakademie Düsseldorf and these four upcoming artists presented their latest works in an in their own initiative curated exhibition to bring the newest art movements from oversea and Paris to Germany. On the invitation cards they printed the terminologies „Pop Art, Junk Culture, Nouveau Realisme, Common Object Painting, Neo Dada, New Vulgarismus, Antikunst, Know-Nothing-Genre“ and they proclaimed for theirselves to be the first artists to show a indepently grown Pop Art in Germany, not just as a copy or American import.
But Polke showed right from the beginning an ironic distance to the sociocritical style of his combatants, that will run through his entire Ouevre. Influenced by the Fluxus and Neo Dada scene around Joseph Beuys, Daniel Spoerri, Dick Higgins...
Category
Late 20th Century Post-War Photography
Materials
Paper, Lithograph, Offset
"Whip", unframed black and white print, Berlin 1960s
By Sigmar Polke
Located in Cologne, DE
Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of Karl Otto Götz at the Kunstakademie Düsseldorf and these four upcoming artists presented their latest works in an in their own initiative curated exhibition to bring the newest art movements from oversea and Paris to Germany. On the invitation cards they printed the terminologies „Pop Art, Junk Culture, Nouveau Realisme, Common Object Painting, Neo Dada, New Vulgarismus, Antikunst, Know-Nothing-Genre“ and they proclaimed for theirselves to be the first artists to show a indepently grown Pop Art in Germany, not just as a copy or American import.
But Polke showed right from the beginning an ironic distance to the sociocritical style of his combatants, that will run through his entire Ouevre. Influenced by the Fluxus and Neo Dada scene around Joseph Beuys, Daniel Spoerri, Dick Higgins and others in the early 1960s Polke developed is own style characterised by an anarchic mind and esprit. Simliar to the Pop Art Polke searched for the asthetic in the trivial but here too he simoultanesly disavowed the trivial through irony.
Very typical for Polke are the famous grid images, known from newspaper printings, where there are horizontal, uniform lines of small dots and by combining certain dots there arises a form. By using perforated sheets and airbrush he could overlay more monochrome grids to create vibrating images and he often played in the printing process with enforced mistakes and errors to disassemble the firm surface of an image to a process of dekomposition.
Next to irony and anarchy other keywords to his works are heterogeneity, polyperspectivity and multivalent metamorphoses in which every reality could be something possibly different at the same time. A world where everything is connected; not by fundamental unity but by fragmentary dispersion. Because there is no one true reality, he transfers his works in an intermediate state of transformability.
Peitsche (The Whip, 1968)
From the portfolio ".....Höhere Wesen befehlen" (.....Higher beings ordain)
Offset lithograph after photographs by Polke and Chris Kohlhöfer on beige art...
Category
Late 20th Century Post-War Photography
Materials
Paper, Lithograph, Offset
"The Defoliation of a Tree", unframed black and white print, Berlin 1960s
By Sigmar Polke
Located in Cologne, DE
Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of K...
Category
Late 20th Century Post-War Photography
Materials
Paper, Lithograph, Offset
Jean-Michel Basquiat
Located in Palm Desert, CA
A photograph by Tseng Kwong Chi. "Jean-Michel Basquiat" is a contemporary Cibachrome print in a palette of whites, purples, and browns by East Village artist Tseng Kwong Chi. The art...
Category
Late 20th Century Post-War Photography
Materials
C Print
"Blanket", unframed black and white print, Berlin 1960s
By Sigmar Polke
Located in Cologne, DE
Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of K...
Category
Late 20th Century Post-War Photography
Materials
Offset, Paper, Lithograph
"Human Palm", framed black and white print, Berlin 1960s
By Sigmar Polke
Located in Cologne, DE
Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of K...
Category
Late 20th Century Post-War Photography
Materials
Offset, Paper, Lithograph
"Glaspalm", unframed black and white print, Berlin 1960s
By Sigmar Polke
Located in Cologne, DE
Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of K...
Category
Late 20th Century Post-War Photography
Materials
Paper, Lithograph, Offset
"Balloon Palm", unframed black and white print, Berlin 1960s
By Sigmar Polke
Located in Cologne, DE
Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of K...
Category
Late 20th Century Post-War Photography
Materials
Offset, Paper, Lithograph
"Breadpalm", unframed black and white print, Berlin 1960s
By Sigmar Polke
Located in Cologne, DE
Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of K...
Category
Late 20th Century Post-War Photography
Materials
Paper, Lithograph, Offset
"Cotton Palm", unframed black and white print, Berlin 1960s
By Sigmar Polke
Located in Cologne, DE
Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of K...
Category
Late 20th Century Post-War Photography
Materials
Paper, Lithograph, Offset
"Higher Beings Ordain", complete portfolio of 14 framed prints, Berlin 1960s
By Sigmar Polke
Located in Cologne, DE
Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of K...
Category
Late 20th Century Post-War Photography
Materials
Paper, Offset, Lithograph
Bandstand III, Eastbourne, UK - Black and White Vintage Photography
By Samuel Field
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by.
This artwork is a...
Category
1980s Post-War Photography
Materials
C Print, Silver Gelatin, Photographic Paper, Black and White
Bandstand I, Eastbourne, UK - Black and White Vintage Photography
By Samuel Field
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by.
This artwork is a...
Category
1980s Post-War Photography
Materials
Photographic Paper, Black and White, C Print, Silver Gelatin
Bandstand II, Eastbourne, UK - Black and White Vintage Photography
By Samuel Field
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by.
This artwork is a...
Category
1980s Post-War Photography
Materials
Photographic Paper, Black and White, C Print, Silver Gelatin
Bandstand II, Eastbourne, UK - Black and White Vintage Photography
By Samuel Field
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by.
This artwork is a...
Category
1980s Post-War Photography
Materials
Photographic Paper, Black and White, C Print, Silver Gelatin
Bandstand III, Eastbourne, UK - Black and White Vintage Photography
By Samuel Field
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by.
This artwork is a...
Category
1980s Post-War Photography
Materials
Photographic Paper, Black and White, C Print, Silver Gelatin
Bandstand III, Eastbourne, UK - Black and White Vintage Photography
By Samuel Field
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by.
This artwork is a...
Category
1980s Post-War Photography
Materials
Black and White, C Print, Silver Gelatin, Photographic Paper
Violin Shop
Located in Toronto, Ontario
This black-and-white photograph printed one year before his death is a classic example of Kertész's work. The image shows a still-life composition taken within a violin shop. Utilizi...
Category
Late 20th Century Post-War Photography
Materials
Silver Gelatin
FLOATING GREEN APPLES OVER NAPKIN
Located in New York, NY
hand colored photograph of green apples. Still-Life.
framed in wood with gold leaf corners.
Category
1970s Post-War Photography
Materials
Photographic Paper, Color Pencil
Bandstand III, Eastbourne - Black and White Vintage Portrait Photography
By Samuel Field
Located in Cambridge, GB
Captured on a visit to Samuel Field's grandparents in Eastbourne, this collection is a beautiful reminder of days gone by.
This artwork is a limited edition of 25, gloss photographi...
Category
1980s Post-War Photography
Materials
Photographic Paper, Black and White, C Print, Silver Gelatin
Bandstand II, Eastbourne - Black and White Vintage Portrait Photography
By Samuel Field
Located in Cambridge, GB
Captured on a visit to Samuel Field's grandparents in Eastbourne, this collection is a beautiful reminder of days gone by.
This artwork is a limited edition of 25, gloss photographi...
Category
1980s Post-War Photography
Materials
Photographic Paper, Black and White, C Print, Silver Gelatin
Bandstand I, Eastbourne - Black and White Vintage Portrait Photography
By Samuel Field
Located in Cambridge, GB
Captured on a visit to Samuel Field's grandparents in Eastbourne, this collection is a beautiful reminder of days gone by.
This artwork is a limited edition of 25, gloss photographi...
Category
1980s Post-War Photography
Materials
Photographic Paper, Black and White, C Print, Silver Gelatin
Paul Newman in the motion picture "Cool Hand Luke", black and white portrait
Located in Palm Desert, CA
This black and white portrait of actor Paul Newman was taken by Lawrence Schiller in 1967 on the set of the movie "Cool Hand Luke".
A silver gelatin photograph by Post War artist Larry Schiller. This celebrity photograph...
Category
Mid-20th Century Post-War Photography
Materials
Silver Gelatin
End of the Day, Marilyn Monroe, "Something's Got to Give"
Located in Palm Desert, CA
A silver gelatin print by Post War artist Lawrence Schiller. "End of the Day, Marilyn Monroe, "Something's Got to Give"" is a black and white photographic print of Marilyn Monroe, he...
Category
1960s Post-War Photography
Materials
Silver Gelatin
"Let's Make Love", Marilyn Monroe
Located in Palm Desert, CA
A silver gelatin print by Post War artist Lawrence Schiller. ""Let's Make Love", Marilyn Monroe" is a black and white photograph of Marilyn Monroe...
Category
1960s Post-War Photography
Materials
Silver Gelatin
Aerial View of the Empire State Building, Manhattan, May 21, 1969
Located in New York, NY
Born in 1935, Jean-Pierre Laffont studied photography at Arts et Métiers in Vevey, Switzerland before immigrating to the United States in 1965 where he began his career as a photojou...
Category
1960s Post-War Photography
Materials
Archival Pigment
Marilyn 12, No. 37, Black and White Photograph of Marilyn Monroe
Located in Palm Desert, CA
This is a black and white portrait of Marilyn Monroe with sparklers photographed by Lawrence Schiller in 1962. Edition 72/75
Lawrence Schiller only remembers the 60s in this way: Fa...
Category
1960s Post-War Photography
Materials
Platinum
Marilyn 12, No. 17
Located in Palm Desert, CA
Marilyn Monroe (splash), Something's Got To Give, May 23, 1962
Edition 6 of 15
Category
1960s Post-War Photography
Materials
Platinum
Marilyn Platinums #35
Located in Palm Desert, CA
Edition 72/75
Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find...
Category
1960s Post-War Photography
Materials
Platinum
Marilyn 12, No. 15
Located in Palm Desert, CA
A chromeogenic print by Post War artist Lawrence Schiller. "Marilyn 12, No. 15" is a color, photographic print depicting a close up of Marilyn Monroe, fresh from the pool on the set ...
Category
1960s Post-War Photography
Materials
Photographic Paper
Rufuse Veil
Located in Morton Grove, IL
C- Print
A very rare photograph by Hendrik Kerstens.
Edition of 6
Perfect condition and beautifully framed.
"In 1995, Hendrik Kerstens picked up his camera to document the fleeting ...
Category
Early 2000s Post-War Photography
Materials
Photographic Paper
Post-war photography for sale on 1stDibs.
Find a wide variety of authentic Post-War photography available for sale on 1stDibs. Works in this style were very popular during the 20th Century, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including Samuel Field, Sigmar Polke, Lawrence Schiller, and René Groebli. Frequently made by artists working with C Print, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-War photography, so small editions measuring 19.690000534057617 inches across are also available. Prices for photography made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $191 and tops out at $636, while the average work sells for $503.