Crocodile Photography

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

NINE FRANCOIS produces close-up photographs of animals which are presented against a stark white background. The artist shoots up close – very close – with a wide angle lens, and fr...

Closeup Black and White Portrait of Wild Crocodile, photographed by David Yarrow in 2024. All prints are limited edition. Available in multiple sizes. High-end framing on request. ...

"Jurassic Park" Durban, South Africa - 2024 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: Standard Image Size: 37" x 49"...

Signed by the photographer

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 41 x 85 inches 51 x 110 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. " This is the first photograph that I have taken of a big Nile crocodile that is strong enough to be released as a print. It’s taken me 30 odd years, but in crocodile years that is nothing. These monsters were around long before man and can live to 100 years old. Big crocs are not easy to capture in a way that conveys their enormity, their primeval menace or indeed their textural magnificence. But this image works and when I saw it in large size at the printers in LA, my heart skipped a beat. It has been worth the wait. I think we pushed a few boundaries here. The picture was made as opposed to taken as I had a preconceived idea of what I was trying to do. The starting point was my acceptance that head on images of crocodiles struggle as there is never enough depth of field with a telephoto to do them justice. The teeth can be in focus, but then probably not their eyes and certainly not their back or tail. I don't like to have my focal point half way back in an image - it creates a tension point if the nearest point of a portrait is out of focus. A head on portrait fails to convey length and length is the key variable. I knew I needed to work at 90 degrees, with the croc perpendicular to the camera. I also wanted to be low and close and I wanted a big crocodile - why on earth photograph...