Face Photography

24 x 22.25 inches - Edition 1 of 5 with 2 APs STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the his...

Portrait of Marty 1999 Titled, dated and inscribed in black ink, recto; Also signed, dated, numbered, and inscribed in black ink, verso Gelatin silver pr...

"The Lips" Figurative Photography 24" x 24" Edition of 15 by Larsen Sotelo Not framed. Ships in tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish S...

Film star Britt Ekland (Britt-Marie Eklund) in Porto Ercole, Italy. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stampe...

"Faces 3" Black & White Photography 24" x 24" in Edition 1/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube...

American film star Katharine Hepburn (1907 - 2003) driving along the waterfront with Irene Mayer Selznick at Montego Bay, Jamaica. Katharine Hepburn Drivi...

This is a series of black and white Nude abstract contemporary art photography (13 in series). We present this series of the human form - that which has inspired artists from time im...

"Shari Belafonte," an original Silver Gelatin Print by photographer Greg Gorman, is a piece for the true collector. Impressively vivid emotion and detail projects from the work, highlighting Gorman's exceptional talent at capturing the essence of his subjects. Both Gorman's technical talent as a photographer and his choreography pair perfectly. This piece of art would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for black and white photography, portraits, or figurative works. This work is #1 of the small edition size of 25. Greg Gorman is one of the most well-known and sought-after celebrity photographers, having photographed countless stars, such as Al Pacino, Mark Wahlberg...

Aretha Franklin photograph by Leni Sinclair The 'queen of soul,' Aretha Franklin shot in Motown by legendary Detroit photographer Leni Sinclair, 2016's Kresge Foundation's Eminent Artist of the year (see The Guardian UK Photo Section, Jan. 28, 2016) Archival inkjet print Dimensions: 11 x 14 inches including borders (image: 9x 12 inches) Hand signed, titled & dated in ink on the lower margins. Very good condition. Acquired directly from artist. Lot 180 is an authorized primary dealer rep of Leni Sinclair About Leni Sinclair Sinclair is a recognized leader of the 1960s-70s counter cultural movement in Detroit, which she amply documented through vivid and dramatic photography...

Andy Warhol Portrait, 1986 by Christopher Makos is an 10 x 8in vintage gelatin silver print on fiber paper. The photograph is stamped (in black ink) on verso (photo back). Provenance: Private Collector *** Artist’s Bio: Christopher Makos (1948- ) is an American photographer and visual artist. He studied architecture in Paris and was an apprentice to Man Ray. Andy Warhol was Makos' good friend and frequent portrait subject. His photographs of Andy Warhol have been exhibited in galleries and museums, including the Guggenheim Museum in Bilbao,Tate Modern in London, Whitney Museum of American Art in New York, IVAM in Valencia (Spain), Reina Sofia Museum in Madrid, among others. Makos’ pictures have appeared in publications, including Paris Match and the Wall Street Journal. The visual artist is the author of numerous books, such as Warhol/Makos In Context (2007), Andy Warhol China...

'Female Bronco Rider Close Up' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the 2024 posthumous solo exhib...

Prince, George WILLIAM HOWARD TAFT AND JAMES S. SHERMAN CAMPAIGN POSTERS, 1908. The Taft with edge losses and a black line running from Taft's head to the right edge; the Sherman wit...

Archival Pigment Print on Cotton Rag Paper Including COA Printed by Eve Arnold's own bespoke printer Danny Pope USA. New York city. Waldorf Astoria Ballroom. Prior to the filming of...

BROOKE SHADEN The Painted Spirit, 2020 Photo on Velvet Fine Art Paper 10 × 10 in. Unframed 18.25 x 18.25 in. Framed Edition 1 of 15 Channeling the light and darkness inherent in hu...

Nicholas Taylor Jean-Michel Basquiat photograph 1979; This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. Silver Gelatin Print. 1979. 11 x 14 inches. Hand singed and numbered in the margins from an edition of 5 A/P's. Good to very good overall vintage condition, with the exception of some minor surface waving commensurate with medium. Provenance: Obtained directly from artist. Lot 180 Gallery New York is a primary dealer rep of Nicholas Taylor. Whilst Basquiat often provided glimpses into his conflicted character through his own art, Taylor’s photograph offers an intimate, and perhaps more honest, portrait from the outside. The clever exploration of light and dark reveals the dichotomies that divided the artist; both his fragile and playful, tender and brazen sides are unveiled. A soft glow is cast across Basquiat’s face, communicating a tenderness and affection that only a close friend could capture. About Nicholas Taylor: Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the seminal No Wave band “Gray” and live together in the East Village, before Taylor launched a successful career as a DJ famous for track-looping. His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Taylor has been directly referenced in at least two works by Basquiat and is responsible for first introducing the artist to Madonna before the two dated. Taylor's photographs of Basquiat were recently exhibited at London's Barbican and Frankfurt's Schirn Kunsthalle as part of the landmark Basquiat: Boom for Real exhibition; with Gray (Michael Holman & Nick Taylor...

Radio Operator - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series on American life in the 20th Century. ...

This fine art print features actress and model Jane March, posed topless on the rooftop of the Hotel Le Bristol in Paris in 1992. This risqué iconic b...

Zest - 2024 - 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. inventory PL2024-045. Not mounted....

Marilyn Arabian Bern Stern Print on photo paper Inkjet technique Paper dimension: 48 X 33 cms Photo dimension: 35.6 X 25.4 72 copies Photo of 1962 Dra...

Bert stern Marilyn in Vogue The last sitting (1962) superb and large photo of Marilyn Monroe in Christian Dior's mythical black dress for Vogue magazine photographic paper format 9...

Albert WATSON (*1942, Scotland) Bowie, 'The Finger', 1996 Archival pigment print Sheet 76 x 61 cm (29 7/8 x 24 in.) Edition of 25, plus 2 AP; AP2/2 (last available edition) Albert Watson print...

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Arts...

Bert stern Marilyn laughing in the famous Dior dress The last sitting (1962) superb and large photo of Marilyn Monroe in Christian Dior's mythical black dress for Vogue magazine phot...

Limited Ediiton number 1 on 15 - numbered and signed on the back of the print Framed black wood and glass About this iconinc series : At times Thierry Le Goues...

Professional bodybuilder Arnold Schwarzenegger posing at the top of his form in October 1976 for a cover and feature article in After Dark magazine. One of Mitchell's most beautiful ...

Lolita (Stanley Kubrick) Bern Stern Print on photo paper Inkjet technique Paper dimension: 48 X 33 cms Photo dimension: 38 X 25.4cms 50 copies Photo of 19...

Shaolin Monks Training. Zhengzhou. China, 2004 c print 20 x 24 inches edition of 30 Shaolin monks training Kung Fu from Shaolin Monastery takes martial arts to a brand new level. ...

First wife of Greek ship owner Aristotle Onassis, Athina Livanos Onassis, at Palm Beach after her divorce, April, 1968. Estate stamped and hand numbe...

'Sunbathing In Antibes' Dani Geneux (left) and Marie-Eugenie Gaudfrin sunbathing at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. 30 x 20" inches / 76 x 51 cm paper siz...

Finnish Photographer Christoffer Relander’s We Are Nature series blurs the line between the natural world and the human form to such a degree that it is impossible to tell where one ...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

Signed Julian Schnabel 'Tableaux Tati Les Plus Bas Prix' catalog: Front cover is hand-signed (J.S.) and inscribed by Schnabel to the historic critic and downtown art scene fixture Edit Deak. Published on the occasion of Schnabel’s 1990 show at the Yvon Lambert Gallery, Paris - the paintings from this series, painted on “Vichy” fabric, inspired by the Parisian department store Tati, are reproduced along with an excerpt of a dialogue from the Wim Wenders movie Paris Texas. Medium: Offset printed exhibition catalog. Dimensions: 11 x 8.25 inches. Good overall vintage condition with the exception of some minor signs of handling and scattered finger prints on reverse cover. Hand signed (initialed J.S) and inscribed on front cover from an edition of unknown. About the artist: Julian Schnabel is a painter and filmmaker known as an integral member of the American Neo-Expressionists along with Jean-Michel Basquiat and Eric Fischl. Schnabel’s application of paint on massive canvases, use of unconventional materials such as broken plates, and representation of human figure(s) are hallmarks of his most famous works. “My paintings take up room, they make a stand. People will always react to that,” he said of his work. “Some people get inspired, others get offended. But, that's good. I like that.” Born on October 26, 1951 in Brooklyn, NY, Schnabel participated in the Independent Study Program at the Whitney Museum of American Art in New York in the late 1970s, after his public persona grew. The artist turned to feature-filmmaking in the 1990s with his film Basquiat (1996), an intimate fictionalized account of the life of his late friend. Schnabel went on to win the Grand Jury Prize for Before Night Falls (2000) at the Venice Film Festival and the Best Director Prize at the Cannes Film Festival for The Diving Bell...

4" x 5" Unframed Closed Edition Photograph MAGNUM Photography Hand Signed by Steve McCurry

"No title (No 70)" Ballet Photography 32x26 in Ed of 25 by Yevgeniy Repiashenko No title (No 70) Photography Edition of 25 (32 x 26 inch) by Yevgeniy Repiashenko Year photo was ta...

Henry Jones #3237-6 Stamped and inscribed in blue ink, verso Vintage silver print 6.875 x 4.875 inches, sheet 6.5 x 4.5 inches, image

'Bath Time Story III' 2016, Edition 2/7 plus 2 Artist Proofs Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory PL2016-164 ...

A young Madonna striking a prayer pose for the camera. This image was captured in October 1983 at the Danceteria benefit for Michael Stewart, a graffit...

David Ogburn, American (1942 - ) - Cab Calloway, Medium: Gelatin Silver Print, Image Size: 9.5 x 7.5 inches, Size: 10 x 8 in. (25.4 x 20.32 cm)

José Sierra painted his body as a tribute to Afro-Colombian and pre-Columbian cultures, documenting the performance in photographs that portray him in erotic and suggestive positions...

This photograph, taken in Naples in 1954, depicts a group of street musicians performing in what appears to be an urban setting. The scene is lively and intimate, featuring a woman i...

Rare 1979 Photograph of Jean Michel Basquiat: This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basq...

Jewish Refugees, Lydda Airport, Tel Aviv, Israel by Ruth Orkin depicts a window with three faces peering out into the world. A reflection of a large ship is cast onto these young fac...

All about narcissism. The series, which he started during the exhibition of the Don't Tell Mama photography series at the European Nu Photo Festival (Europeen de la Photo de NU) held...

#396, 2016 Silver Gelatin Luminogram Print, Framed (classic museum style white book mount board and black frame) Image size: 40.6 x 30.5 cm Framed: 58 x 49 cm Unique Series: The Self Representation of Light Signed and dated in pen on verso © Michael Jackson The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting. After moving to Wales in 2007, Michael Jackson spent the next eight years creating an extensive study of a single local beach - Poppit Sands. After years of examining the beach, he realised that in effect he was studying himself and his reaction to the beach - rather than the physical landscape. He then started looking at the beach as simply a way of dividing up the camera frame - the lines and curves and focal points. It was during the long period of producing Poppit Sands prints in the darkroom that he discovered how to start making luminograms. "I feel strongly that the luminograms represent a form of moulded light. You use your process to direct and mould the light and the paper receives it in its own magical way and translates that into a form that seems fantastical but also it has one foot in reality. The piece itself so often seems like a photograph of a sculpture, when it fact it is neither. I imagine that I am taking something that you cannot feel and I am making it appear in a seemingly three dimensional form that is balanced and controlled. Just like sculpting clay." Michael G Jackson...

Bert stern Marilyn Monroe black and white scarf Mythical photo of the last seance (1962) Ink jet print by bert stern 2012 signed on both sides ...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cecil Beaton, Electa Editrice Portfolios, 1981. Published and pri...

Clarence Sinclair Bull was one of the great masters of the Hollywood portrait. As head of the stills department at MGM for over thirty years, he helped to pioneer the art and craft o...

Case 47 #08, 2006 [From the series Le Fan d’O] Outtake from the series published in TicKL #01, 2007 20x20cm, Edition of 7, this is nr 2 of 7 Archival color...

Vintage silver print 10 x 8 inches, sheet size This artwork is offered by ClampArt, located in New York City. One of the most famous names in physique photography, Bruce Bellas (1909–1974)—best known under the pseudonym Bruce of Los Angeles—is remembered today as a pioneer of beefcake. Beginning in the 1940s and continuing until his death in the 1970s, Bruce of LA photographed...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 11 x 14 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport, and are unforgettable. Taylor's images are built, layer by layer and object by object, through a...

Sombras, 2023 by Ricky Cohete Archival pigment print Image size: 36 in H x 24 in W. Edition of 10 + 1AP Unframed _________________________ Ricky Cohete was born in a coastal city i...

Unknown photographer, 1950's nude, printed on Epson paper, original was handtinted 13.375 x9 in Colors: Pink, Brown, Skin color with hand tinting,

Franco Battiato is a photograph realized in the 1980s. Good conditions.

Vintage Photo. The Italian Actress Antonella Lualdi.

This is a unique work. Little Edie visits The Factory and is photographed by Warhol. An image from this photoshoot is later published in Andy Warhol's Exposures. Stamped on verso b...

"Beautiful Lies" Photography 24" x 36" inch Edition of 7 by Brendan North Available sizes: Edition of 15: 16" x 24" inch Edition of 7: 24" x 36" inch Edition of 3: 40" x 60" inch ...

Edition of 35 Signed, titled, dated and numbered. Keith Carter is an American photographer who is known for his dreamlike black and white photographs of the figure, animals, and mea...

Vintage Photo. The Italian Actress Ornella Muti with her husband.

Signed and titled. Paper size: 20 x 16 in. Image size: 19 x 13 3/4 in. Earlie Hudnall, who is one of the most notable African American photographers living today, has extensively...