Scenery Photography

Artwork/photo is sold unframed, only the art print. Printed on Hahnemuhle Fine Art Baryta 325 gsm paper, the most premium quality fine art paper which delivers the most accurate and ...

The photograph was taken in the north of Spain. The photograph is sold unframed, only the art print. Printed on Hahnemuhle Fine Art Baryta 325 gsm paper, the most premium quality ...

Igal Pardo, Beach Bay Photograph, c-print on diasec, minimalist art, Israeli art, art,

Signed, dated, numbered lower right, recto. Edition 3 of 15, Unframed. Other size available Another version of this was on the cover of New York Magazine. Mitchell Funk is a pionee...

This photograph was taken by Philippe Blin, photographer who sails across the world, in hot and cold waters. The picture was shot while sailing across the Antarctic Ocean, leading t...

Dominique TEUFEN (*1975, Switzerland) Weite, from the series 'Rays of Light', 2020 Hahnemühle Fine Art Baryta Sheet 120 x 180 cm (47 1/4 x 70 7/8 in.) Edition of 5, plus 2 AP, 1/5 Fr...

Mixed media, photography and acrylic paint on canvas. One of a kind. O. Devan paints that which he doesn't really see. His camera captures a second in time, as if he stops at his tracks and takes a step back to embrace that particular second in time and space. Devan's works are eternal; he does not pretend to reinvent the wheel in his paintings but to redefine it. The skies, the ocean, clouds and cityscapes are for anyone to recreate, but capturing these layers that surround the image is where Devan's genius lies. Layers of paint on photography...

Rodrigo Katayama Nature Abstraction #12, Elephant (Color Abstract Photography) 71 x 48 inches Edition of 5 Archival Pigment Print Framed

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

'Capri Beach Club, Capri, Italy' by DJ Leon. Archival C-print photograph of the famed beach club scene during the Summer months, mounted on sintra, and face mounted in plexiglas. T...

30"x40" photograph of created landscape of paper. from the series: "The Hundred- Acre Wood" signed on reverse edition of 5. The installation landscape scene created by Ken Ragsdale exisits only to be photographed. With each scene, the artist meticulously cuts paper and folds each component to be captured by his lens. This photograph of cut paper constructions depicts a bus ride through a forest scene from the artists memory. The hues of ambient amber, green, red and blue are created through lighting the staged scene created in white paper Ken Ragsdale’s process begins with rough sketches of places and things from his past that are relevant to current themes he is considering. This series focuses on a time period of 1974-78, in the regions of Northern Idaho, to Eastern Oregon and the areas between. As his working drawings solidify the dimensions of the objects which represent his memories from that era, Ragsdale considers the landscape, terrain and weather, filtered through his personal memories and experiences. 

Once the composition and components are determined as to capture the aura of a memory, schematic drawings are documented and prepared for hand assembly. Laboriously the schematics are cut out, folded and tabbed to create their final 3-dimensional formats. As each object is placed and the structures oriented, Ragsdale modifies the scenes to perfectly frame each scenario for the final photograph. From simple sheets of white Bristol Vellum, the atmosphere and lighting brings each image to life and allows for a reminiscent view of a wistful past. Pacific Northwest native Kenneth Ragsdale’s work, derived from personal memories, involves a mixture of drawing, painting, sculpture, paper-craft, theatre...

Il Canille 1978 (printed later) C print Estate stamped and numbered edition 1 of 150 with Certificate of authenticity Caption: Sunbathers lounge on the white-painted terrace of Il ...

Il Pellicano Pool 1986 (printed later) C print Estate stamped and numbered edition 1 of 150 with Certificate of authenticity Caption: The seaside pool at the Hotel Il Pellicano in ...

Taormina 1975 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: A swimming pool in Taormina, Sicily, 1975. Slim Aarons,...

Mario Arroyave Timeline Kite Surf, 2015 C Print on plexiglass 23.50h x 79w in 59.69h x 200.66w cm Edition 4/5 + 2 A.P.

The present work is from the artist’s “Becoming” series, which consists of 147 photographs documenting the transformation of a green field into Beijing’s new national airport, the la...

ALBERT WATSON (*1942, Scotland) A855 Road Car Headlights 2013 C-print Sheet 243 x 183 cm (95 5/8 x 72 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 unframed...

A sunset seen through an icy window :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes ...

c. 44 x 55 inch archival pigment print. Edition of 15 (includes several different sizes - please inquire). Signed, titled, dated and editioned on frame label provided. Luca Campigo...

Autumn Pond reflection outside of Sag Harbor, N.Y. Printed on archival fine art paper, mounted on dibond aluminum with a float mount backing. Available in a wide variety of custom s...

Impressionistic photo of an autumn sunset reflected in tidal flats at low tide. Shot in Glen Cove, Long Island. Printed on archival fine art paper, mounted on dibond aluminum with ...

Limited edition Photograph by David Burdeny

Towboat At Hotel Du Cap-Eden-Roc 1969 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: A motorboat, used to tow waterski...

Presumably artist James Baker (b. 1952) Cibachrome photograph Unsigned Provenance: Reader's Digest Association Collection (1992-2011; inventory no. 71575) 16 x 20" (Sheet dimensions ...

Original digital art on photographic DIBON paper Jean-Claude ByandB is a French artist born in 1949 who lives and works in Saint Cyr sur Loire in France. His artistic research was m...

20"x24" paper size, with print image size: 16"x20" signed by the artist- edition 1 of 5 From the series: "The Hundred Acre Wood" This photographic print depicts a woodland scene cre...

Mid Century Modern Palm Springs Architecture. White BMW Camino CSL vintage Car photographed in Palm Desert. Archival Inkjet Print on Cotton Paper. Mid Century Modern Architecture ...

David Drebin Parting Waves, 2019 48 x 96 inches Edition of 7 C-Print Framed

David Burdeny Man Watching Sunrise, Hangzhou, China, 2011 Archival Pigment Print Signature Label Print only. Ask us for framing options. Also available in...

40 x 50 type-c print, edition 10 Signed, titled, dated and editioned on frame label. Mounting and framing options available at additional cost. Toshio Shibata is one of Japan's lead...

Edition of 10 Please inquire for additional sizes Signed verso Debranne Cingari has always found inspiration for her photographs in the places and people she loves, fueled by a natu...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

RISAKU SUZUKI (*1963, Japan) Water Mirror 17, WM-788, 787 (diptych) 2017 Chromogenic print (2x) Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 3/5 Framed ‘Water Mirror’i...

Blue Duck Fantasy - Fairy Tale World - Signed dated numbered 2/15 on lower right, other size available, unframed, printed later, Printed on Hahnemühle Fine Art paper

Toshio Shibata is one of Japan's leading landscape photographers. But he has chosen a most unconventional subject for his landscape photography - infrastructure. He photographs dams ...

The crystal clear rivers make this the most unique place I have ever slept. Time seems to have stopped. It feels good to be in a place where the human hasn't left his footprint yet. All photos are printed on a EPSON 9900 STYLUS PRO and on Fine Art Hahnemühle Matt FineArt PhotoRag 308 gsm 100% Cotton Paper, which is the best paper to create high quality fine art prints. This combination complies with the highest archival standards according to the very well known Willhelm-Research archival authority. Every print is only printed on demand...

The mountains of Lapland stand in front of me. My adventure starts now. Swedish Mountains is a photo series through the wilderness of northern Sweden. A mixture of wildlife, rainstorms and mesmerizing landscapes. All photos are printed on a EPSON 9900 STYLUS PRO and on Fine Art Hahnemühle Matt FineArt PhotoRag 308 gsm 100% Cotton Paper, which is the best paper to create high quality fine art prints. This combination complies with the highest archival standards according to the very well known Willhelm-Research archival authority. Every print is only printed on demand...

Over the last decade, Johnson has rigorously pursued the possibilities of timeline photography. His artwork captures the fluid gestures of Tai Chi and dance, the rush of cars, trains and people, and the infinite cycling of beachfront waves. But within his images the rules for representing reality have shifted. Shadows are crisscrossed and the relative speed of an object determines its size. Moving objects...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

A magical evening on Isla Holbox, Mexico. Printed on archival fine art paper, mounted on dibond aluminum with a float mount backing. Available in a wide variety of custom sizes, pri...

20 x 24 inch archival pigment print, edition 15. Signed, titled, dated and editioned on label provided. Luca Campigotto uses big equipment to capture big subjects, from the absol...

The United Nations with adjacent Chrysler Building is wrapped in Divine Light while a man on a Jet Ski glides on the East River in the foreground. Bright golde...

Daniel Mansur Epecuen #5, Argentina, 2017 40 x 60 inches 100 x 150cm 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archival Pigment Prin...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Dominique TEUFEN (*1975, Switzerland) Nordic Spring, from the series 'Rays of Light', 2019 Hahnemühle Fine Art Baryta Sheet 80 x 120 cm (31 1/2 x 47 1/4 in.) Frame 91 x 130 x 4 cm (3...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Bernhard Quade Sea Scotland III, 2009 Archival Pigment Print 49 x 75 cm on a 64 x 90 cm paper 20 x 30 inches on a 25 x 35 in paper Edition of 7 85 x 130 cm on a 105 x 150 cm pape...

Return to Paradise, making a little reference to this time of the Anthropocene. This series works as a meeting point, to rethink and overcome this separation of humanity with the en...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Any framed photographs purchased during the show will be available after June 12th. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

This price is the unframed price. Any framed photographs purchased during the show will be available after June 12th. If the exhibition piece is sold or the customer orders a differ...

This listing is for an unframed price. April 10th through June 12th, 2016. Any framed photographs purchased during the show will be available after June 12th. If the exhibition piece...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Timeline Operahuset I, 2015 C Print on plexiglass 43.50h x 71w in Edition 2/5 + 2 A.P. Mario Arroyave captures the innate elegance in seemingly ordinary and everyday actions. His p...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Dominique TEUFEN (*1975, Switzerland) Himmelblau, from the series 'Rays of Light', 2021 Hahnemühle Fine Art Baryta Sheet 180 x 120 cm (70 7/8 x 47 1/4 in.) Frame 194 x 133 x 5 cm (7...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017. Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience. Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly 
is the originator of art that is tactile, archival and organic. In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny subjects painted against a vast landscape offer a point of reference for our own trifling experiences and memories. Kelly's fascination with photography began at an early age. Born in England in 1966, grew up in West Germany. After leaving school he enrolled in a photography course with the Royal Air Force Photographic Unit, based in Wildenrath, Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveler, Kelly initially decided to return to the UK, to study Graphic Design and Advertising at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in the United States, worked as a Photographers Assistant; working closely with a range of photographers allowed him to intrinsically develop his own refined sense of aesthetic as well as develop and master photographic theory and technique. Pete has taught Photo Encaustic...

RISAKU SUZUKI (*1963, Japan) Water Mirror 15, WM-272, 270 (Diptych), 2015 Chromogenic print (2x) Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5 (#3/5) Print only A Label signed b...

Camel Caravan, Southern Afghanistan, 1980 - Steve McCurry (Colour Landscape) Signed and numbered on photographer's edition label on reverse Digital C-typ...