(after) André Derain

"Nature morte aux Poissons" lithograph

1970

Medium: lithograph (after the 1935 Andre Derain painting). Printed in Paris on Arches paper at the Mourlot studio in 1970 in an edition of 1000 for the Collection Pierre Lévy deluxe ...

Medium: original lithograph. Catalogue reference: Cailler 135. This is an interpretation by Maurice Denis of one of Paul Cezannes's still life compositions, printed in 1914 and publi...

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image ...

Medium: lithograph (after the watercolor). This lithograph was printed on Arjomari wove paper by Mourlot Frères in 1965 for Marcelle Oury's "Lettre à mon peintre". Image size: 6 3/4 ...

Medium: Lithograph on vélin d'Arches paper Year: 1970 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, André Derain entre ...

Original 'Fish and still life' color lithograph by André Derain. Lithograph printed from an original painting made by the author in France, circa 1939. Published by Mourlot in Collection Pierre Levy in 1970, Paris. Framed and signed in the stone. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. About the Artist: André Derain (10 June 1880 – 8 September 1954) was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse. Derain and Matisse worked together through the summer of 1905 in the Mediterranean village of Collioure and later that year displayed their highly innovative paintings at the Salon d'Automne. The vivid, unnatural colors led the critic Louis Vauxcelles to derisively dub their works as les Fauves, or "the wild beasts", marking the start of the Fauvist movement. In March 1906, the noted art dealer Ambroise Vollard sent Derain to London to produce a series of paintings with the city as subject. In 30 paintings (29 of which are still extant), Derain presented a portrait of London that was radically different from anything done by previous painters of the city such as Whistler or Monet. With bold colors and compositions, Derain painted multiple pictures of the Thames and Tower Bridge. These London paintings remain among his most popular work. Art critic T. G Rosenthal: "Not since Monet has anyone made London seem so fresh and yet remain quintessentially English. Some of his views of the Thames use the Pointillist technique of multiple dots, although by this time, because the dots have become much larger, it is rather more simply the separation of colours called Divisionism and it is peculiarly effective in conveying the fragmentation of colour in moving water in sunlight." He experimented with stone sculpture and moved to Montmartre to be near his friend Pablo Picasso and other noted artists. Fernande Olivier...

Original 'Nature Morte' color lithograph by André Derain. Lithograph printed from an original painting made by the author in France, circa 1948. Published by Mourlot in Collection Pierre Levy in 1970, Paris. Framed and signed in the stone. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. About the Artist: André Derain (10 June 1880 – 8 September 1954) was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse. Derain and Matisse worked together through the summer of 1905 in the Mediterranean village of Collioure and later that year displayed their highly innovative paintings at the Salon d'Automne. The vivid, unnatural colors led the critic Louis Vauxcelles to derisively dub their works as les Fauves, or "the wild beasts", marking the start of the Fauvist movement. In March 1906, the noted art dealer Ambroise Vollard sent Derain to London to produce a series of paintings with the city as subject. In 30 paintings (29 of which are still extant), Derain presented a portrait of London that was radically different from anything done by previous painters of the city such as Whistler or Monet. With bold colors and compositions, Derain painted multiple pictures of the Thames and Tower Bridge. These London paintings remain among his most popular work. Art critic T. G Rosenthal: "Not since Monet has anyone made London seem so fresh and yet remain quintessentially English. Some of his views of the Thames use the Pointillist technique of multiple dots, although by this time, because the dots have become much larger, it is rather more simply the separation of colours called Divisionism and it is peculiarly effective in conveying the fragmentation of colour in moving water in sunlight." He experimented with stone sculpture and moved to Montmartre to be near his friend Pablo Picasso and other noted artists. Fernande Olivier...

Medium: Lithograph on vélin d'Arches paper Year: 1970 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, André Derain entre ...