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Miro Joan Tribute to joan Pratt Litho Limited Edition 127/500

1980

$1,280List Price

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After Antoni Clavé Clavé- Vision Nouvelle - poster signed
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Located in Pasadena, CA
After Antoni Clavé Clavé- Vision Nouvelle - Relief, Gravé, Métal color print on poster paper signed by himself Prints & Graphic Art Custom framed Antoni Clavé was a Spanish painter,...
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Mid-20th Century Abstract Geometric Abstract Prints

Materials

Lithograph

After Antoni Clavé Clavé- Vision Nouvelle - poster signed
By Antoni Clavé
Located in Pasadena, CA
After Antoni Clavé Clavé- Vision Nouvelle - Relief, Gravé, Métal color print on poster paper signed by himself Prints & Graphic Art Custom framed Antoni Clavé was a Spanish painter,...
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Black Abstract by Pierre Soulage Exhibition Poster
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Pierre Soulages is considered a major figure of post-war European abstraction, alongside Hans Hartung, Georges Mathieu, Serge Poliakoff, and Jean-Paul Riopelle. He’s particularly ren...
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Black Abstract by Pierre Soulage Exhibition Poster
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Pierre Soulages is considered a major figure of post-war European abstraction, alongside Hans Hartung, Georges Mathieu, Serge Poliakoff, and Jean-Paul Riopelle. He’s particularly ren...
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Late 20th Century Abstract Abstract Prints

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Black Abstract by Pierre Soulage Exhibition Poster
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Located in Pasadena, CA
Pierre Soulages is considered a major figure of post-war European abstraction, alongside Hans Hartung, Georges Mathieu, Serge Poliakoff, and Jean-Paul Riopelle. He’s particularly ren...
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Pierre Soulages, Original Stone Lithograph n¨28 by Mourlot, Paris 1970, Signed
By Pierre Soulages
Located in Pasadena, CA
Pierre Soulages Lithographie sur papier Papier: 12.25 x 9.5in Cat Bnf n° 76 Signée au dos a droite, datée 70. Provenance : Collection privée Épreuve parue dans le n. 34 de la revue XXe Siècle. Mourlot, Paris, imprimeur ; XXe Siècle, Paris, éditeur. About Pierre Soulages : Pierre Soulages est né le 24 décembre 1919 à Rodez et décédé le mardi 25 octobre 2022 à l’âge de 102 ans. Il a été inhumé le vendredi 4 novembre au cimetière Montparnasse. Très jeune il est attiré par l’art roman et la préhistoire. Il commence à peindre dans cette province isolée que n’ont pas pénétré les courants artistiques contemporains. À 18 ans, il se rend à Paris pour préparer le professorat de dessin et le concours d’entrée à l’École Nationale supérieure des Beaux-Arts. Il y est admis mais convaincu de la médiocrité de l’enseignement qu’on y reçoit refuse d’y entrer et repart aussitôt pour Rodez. Pendant ce bref séjour à Paris il fréquente le musée du Louvre, il voit des expositions de Cézanne et Picasso qui sont pour lui des révélations. Mobilisé en 1940,il sera démobilisé en 1941. Paris occupé, il se rend à Montpellier et fréquente assidûment le musée Fabre. Montpellier à son tour occupé, commence pour lui une période de clandestinité pour échapper au STO pendant laquelle il ne peint plus. Ce n’est qu’en 1946 qu’il peut consacrer tout son temps à la peinture. Il s’installe alors dans la banlieue parisienne. Ses toiles où le noir domine sont abstraites et sombres. Elles sont aussitôt remarquées tant elles diffèrent de la peinture demi-figurative et très colorée de l’après-guerre. Il trouve un atelier à Paris, rue Schoelcher, près de Montparnasse. En 1948, il participe à des expositions à Paris et en Europe, notamment à « Französische abstrakte malerei » dans plusieurs musées allemands. Il est de beaucoup le plus jeune de ce petit groupe de peintres où se trouvent les premiers maîtres de l’art abstrait, Kupka, Domela, Herbin, etc. L’affiche est faite avec une de ses peintures en noir et blanc. 1949, exposition personnelle à Paris, galerie Lydia...
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1970s Abstract Abstract Prints

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Lithograph

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M. Peter Piening was born on March 14, 1908 in Grabow, Germany. He began his education at a private school in Italy, studied at the Jesuit school of Kloster Ettal in Bavaria, and attended the German Stettin Gymnasium, where he graduated in 1926. Between 1926 and 1928 Piening studied design at the Bauhaus in Dessau, Germany. There he was taught by multiple famous twentieth-century artists, including Joseph Albers, Paul Klee and Mies van der Rohe. After receiving his master’s degree from the Bauhaus in 1929, Piening enrolled at the University of Berlin and obtained his PhD in philosophy in 1931. Piening spent his early career free-lancing as an illustrator and artist for various publishing companies, eventually settling in Paris to work for Condé-Nast’s French publication of Vogue. In 1934 he moved to the United States to work in Condé-Nast’s New York City office. For the next two decades, Piening worked for many important advertising agencies and magazine publishers, including the N. W. Ayer and J. Walker Thompson agencies and Life and Fortune magazines. As art director for Life in the 1930s and for Fortune in the 1940s, Piening completely redesigned the layout of each magazine. He also redesigned the layouts for thirty-four other major American magazines, including Town & Country and Cosmopolitan. Through his design work, Piening had a great impact on the American public, although the millions who encountered his work most likely never knew his name. Between 1934 and 1964, Piening designed over sixty logos and trademarks for internationally-known products and companies. His most widely-recognized logo may have been the three interlocking rings of Ballantine beer. Piening’s other trademark designs include the Lincoln Zephyr...
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