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(after) Keith HaringKeith Haring 1990 memorial (Keith Haring crawling baby)1990
1990
About the Item
Keith Haring A Memorial Tribute 1990:
Rare, historic silkscreened, folding invitation program featuring double-sided, gold-foiled artwork - published on the occasion of Keith Haring’s memorial service; held, May 4, 1990 (on Haring’s birthday) at the Cathedral of St. John the Divine, New York.
Includes a touching 1989 statement by Haring and a triumphant Haring figure holding the artist’s signature crawling baby (originally constructed by Haring in 1988); plus the artist’s much iconic radiant baby on the reverse. Rare & not to be passed upon. A must have for the true Haring collector.
Silkscreen on folding card stock; 9 x 16.25 inches folded open (approx 9 x 5.4 in folded closed).
Fair overall vintage condition; minor surface wear & signs of handling; 1 inch tear to reverse side. Otherwise well preserved.
Printed signature lower right; from a scarce edition of unknown. Published by the Estate of Keith Haring.
"Now with AIDS I don't really have any dreams any more. Whatever dreams I did have, because of having a completely different view of the future because of being sick, there's nothing I want to do that I haven't done. I won't be disappointed if there's some things that don't get done. Inevitably, no matter how long you work, it's always going to end some time. And there's always going to be things left undone. And it wouldn't matter if you lived until you were seventy-five, there would still be new ideas. There would still be things that you wished you would have accom-plished. You could work for several lifetimes. If I could clone myself there would still be too much work to do, even if there were five of me. And there are no regrets, really. Part of the reason that I'm not having trouble facing the reality of death is that it's not a limitation, in a way. It could have happened any time and it is going to happen to someone any time.
If you live your life according to that, death is ir-relevant. Everything I'm doing right now is exactly what I want to do." -Keith Haring May 3, 1989
Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C.
Related Categories:
Keith Haring figurative. Keith Haring foundation. Keith Haring crawling baby. Keith Haring death. Keith Haring radiant baby. Keith Haring posters. Keith Haring prints. Vintage Keith Haring. Keith Haring 1990
- Creator:(after) Keith Haring (1958 - 1990, American)
- Creation Year:1990
- Dimensions:Height: 9 in (22.86 cm)Width: 5.4 in (13.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU354314311322
(after) Keith Haring
Keith Allen Haring was an American artist whose pop art emerged from the New York City graffiti subculture of the 1980s.
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Located in NEW YORK, NY
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A must have for any true Jean Michel Basquiat, Keith Haring collector - this piece is featured in the 2017 Jean-Michel Basquiat documentary, 'Boom For Real.'
Promotional poster. 1979.
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Very good overall vintage condition condition; some minor fading consistent with age.
Provenance: Obtained directly from the original art designer.
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Dimensions ranging from: 19.5 x 16 inches to 24x36 inches.
Each work is hand-signed; works are either numbered from their respective main editions or notated 'AP' (see last listing image); a few or several works are signed, but not numbered.
Excellent overall condition with the exception of perhaps some minor signs of handling on a few examples.
Provenance: Private collection New York via Shepard Fairey.
Listing images beginning with image 2 represent the actual works.
These works will be shipped flat using protective materials. Please feel free to contact us with any additional questions.
Titles & Years:
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Keith Haring 1990 memorial (Keith Haring baby)
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By Fernando Natalici
Located in NEW YORK, NY
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Promotional poster. 1979.
Dimensions: 18x24 inches.
Very good overall vintage condition condition; some minor fading consistent with age.
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The Mudd Club was founded by filmmaker Steve Mass, art curator Diego Cortez, and downtown punk scene figure Anya Phillips in 1978.
Mudd Club featured an art gallery curated by Keith Haring on the upper floor. Live performances by New York No Wave bands such as, DNA, the Contortions, Talking Heads & Basquiat's band Gray.
On the dance floor, DJs, Anita Sarko and Johnny Dynell played an eclectic mix of punk, funk and curiosities.
From the start it functioned as an antidote to the uptown disco glitz of Studio 54. Six months after it opened, the Mudd Club was mentioned in People: "New York's fly-by-night crowd of punks, posers and the ultra-hip has discovered new turf on which to flaunt its manic chic. It is the Mudd Club ... . For sheer kinkiness, there has been nothing like it since the cabaret scene in 1920s Berlin".
After its first few years, Studio 54 celebrities like Andy Warhol, Grace Jones and David Bowie began to show up. In 1981, the Mudd Club's Steve Mass began showing up at the more informal Club 57 on St. Mark's Place, and began hiring Club 57 regulars including Keith Haring to help attract the downtown art & music scene.
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Andy Warhol Bodley Gallery announcement 1957 (1950s Andy Warhol)
By Andy Warhol
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Andy Warhol Bodley Gallery 1957:
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Good overall vintage condition. Minor signs of aging & handling. Well-preserved.
Unsigned from an edition of unknown.
Warhol Foundation annotations in pencil on one side.
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The Andy Warhol Foundation for the Visual Arts, New York.
Susan Sheehan Gallery, New York.
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Warhol’s career began as a commercial illustrator on New York’s Madison Avenue in 1949, during the massive post-war economic boom. His arrival additionally coincided with an extensive change in the motivations and strategies behind advertising, utilizing applied psychology to influence American consumers to purchase products. This stint as an ad man would further his Pop interest in cultural commercialization and start his artistic career; thus began the first chapter of Warhol’s oeuvre.
Several of Andy Warhol's earliest exhibitions in New York were at the Bodley during the 1950s, starting with two in 1956.
_
Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions.
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