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(after) Keith Haring
Keith Haring Skateboard Deck (Keith Haring snakes)

c.2012

Price:$475

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Takashi Murakami Skateboard Decks set of 2 (Murakami Flowers)
By Takashi Murakami
Located in NEW YORK, NY
Takashi Murakami Flowers Skateboard Decks (set of 2 works): The black & white deck marks a collaboration between Takashi Murakami and his friend, the rising Japanese artist 'Madsaki' (bio below). The impression is an urban twist on Takashi Murakami’s otherwise highly polished flowers motif - a beautiful juxtaposition between two very different styles from two masters of their craft. This limited work was published by Murakami’s Kaikai Kiki Gallery Japan in 2017. The blue was published circa 2017 in conjunction with the Murakami exhibit: The Octopus Eats Its Own Leg, MCA Chicago. A brilliant set that makes for vibrant, one of a kind wall-art that hangs with ease. Medium: Silkscreen on 2 individual Maple Wood skateboard decks. Crisp colors. Dimensions: 8.0 x 31 inches (20.5 x 79 cm) Condition: each housed in its original packaging; excellent overall condition. Each from a sold out limited edition of unknown; stamped by the artist on the reverse of each. Perhaps Murakami's most iconic motif, these candy-colored, smiling flowers came into the artist's work when he was preparing for his entrance exams for the Tokyo National University of Fine Arts, and he embraced the form over nine years teaching prep-school students to draw flowers. One of the most acclaimed artists to emerge from postwar Asia, Takashi Murakami—“the Warhol of Japan”—is known for his contemporary Pop synthesis of fine art and popular culture, particularly his use of a boldly graphic and colorful anime and manga cartoon style. MADSAKI (b. Japan 1974) Joining Murakami has led to a rapid evolution of Madsaki. Now with three Kaikai exhibitions under his belt––Hickory Dickory Dock; Here Today, Gone Tomorrow; and MADSAKI Says “Yo! snipe1 & UFO907, Get Your Asses Over Here!” Madsaki has made a firm imprint on the Murakami canon. In his introduction to Madsaki’s second solo exhibit, Here Today, Gone Tomorrow from 2017, Murakami jokingly points out how his direction and guidance successfully shaped Madsaki’s work. While the debt Madsaki owes to Murakami is patently clear, in an abrupt turnabout it appears that the apprentice guides the master in some ways as well...
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21st Century and Contemporary Pop Art Sculptures

Materials

Wood, Lithograph, Screen

Takashi Murakami Skateboard Deck (Murakami Flowers)
By Takashi Murakami
Located in NEW YORK, NY
Takashi Murakami Flowers Skateboard Deck: A collaboration between Takashi Murakami and his friend, the rising Japanese artist 'Madsaki' (bio below). The impression is an urban twist...
Category

21st Century and Contemporary Pop Art Animal Prints

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Wood, Lithograph, Screen

Keith Haring Stedelijk Museum 1986 (Keith Haring Stedelijk Museum poster 1986)
By Keith Haring
Located in NEW YORK, NY
Keith Haring Stedelijk Museum 1986: Rare original, silkscreened Keith Haring Stedelijk Museum exhibition poster, 1986. Designed & illustr...
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Keith Haring 1990 memorial (Keith Haring baby)
By (after) Keith Haring
Located in NEW YORK, NY
Keith Haring Memorial 1990 (Keith Haring Baby, Keith Haring Barking Dog: Original screen-printed folding invitation with double-sided artwork publish...
Category

1980s Pop Art Animal Prints

Materials

Screen, Lithograph

Jeff Koons Monkey Train beach towel (Jeff Koons Monkey Train blue)
By Jeff Koons
Located in NEW YORK, NY
Jeff Koons Monkey Train beach towel 2008: A highly decorative limited edition 2008 Jeff Koons Monkey Train towel. Measuring 70x60 inches - this work would look outstanding framed. This outstanding Jeff Koons Monkey Train collectible...
Category

Early 2000s Pop Art Animal Prints

Materials

Cotton, Digital, Lithograph, Screen

Andy Warhol Cow Skate Deck 2010
By (after) Andy Warhol
Located in NEW YORK, NY
Vintage Andy Warhol Cow Skateboard Deck: This work originated circa 2010 as a result of the collaboration between Alien Workshop and the Andy Warhol Foundation. A brilliant piece of...
Category

1960s Pop Art More Art

Materials

Offset, Wood

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Brooch Oiseau (Bird) Zamak, gold tone finished, nickel free (Incised Signature)
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Niki de Saint Phalle Brooch (Oiseau), ca. 2005 Zamak, gold tone finished, nickel free (Incised Signature) Incised signature on the back of the jewelry (Niki De Saint Phalle) and the clasp (Niki). 2 3/10 × 1 3/5 inches Authorized by the Estate of Niki de Saint Phalle! This colorful, whimsical piece - "Oiseau" (Bird) can be worn both as a brooch and as a necklace. Bears the Niki de Saint Phalle's incised signature. Collectible work. Makes a terrific gift. Biography of Niki de Saint Phalle Childhood Niki de Saint Phalle was born in France in 1930 to an aristocratic Catholic family. She had an American mother, a French banker father, four siblings, and grew up bilingual in French and English. Her father lost his wealth during the Great Depression and the family moved to the US in 1933, where Saint Phalle attended Brearley School, a girls' school in New York City. Saint Phalle reported later in her life, in an autobiography titled Mon Secret (1994), that her father had sexually abused her from age 11. From an early age, Saint Phalle pushed boundaries in her artistic and personal life. Though she found Brearley School to be a formative experience, later claiming that it was there she became a feminist, she was expelled for painting the fig leaves covering the genitals of statues on the school's campus red. She then attended Oldfields School in Maryland, graduating in 1947. As a young woman, Saint Phalle also worked as a model, appearing on the front covers of Life Magazine and Vogue. When she was 18, Saint Phalle eloped with Henry Matthews, an author and childhood friend. While Matthews studied music at Harvard University, Saint Phalle began to explore painting, and gave birth to her daughter Laura in 1951, when she was 20 years old. Early Training and work In 1952, the Matthews and Saint Phalle moved to Paris, where he continued to study music and Saint Phalle studied theater. The couple traveled extensively in Europe, gaining exposure to art by the Old Masters. The following year, Saint Phalle was diagnosed with a "nervous breakdown" and hospitalized in a psychiatric facility. She was encouraged to paint as a form of therapy, and consequently gave up her theater studies in favor of becoming an artist. The couple moved to Mallorca off the coast of Spain, where their son Philip was born in 1955. During this time, Saint Phalle developed her imaginative, self-taught style of painting, experimenting with a variety of forms and materials. She also discovered the architecture of Antonio Gaudi, which had a strong influence on her work. Gaudi's Park Guell in Barcelona was instrumental in Saint Phalle's early conceptualization of the elaborate sculpture garden she would fulfill much later in her career. Mature Period At the end of the 1950s, Saint Phalle and her husband moved back to Paris. In 1960, however, the couple separated and Saint Phalle moved to a new apartment, established a studio, and met artist Jean Tinguely, with whom she would collaborate artistically. Within a year, they had moved in together and begun a romantic relationship. Saint Phalle became part of the Nouveau Réalisme movement along with Tinguely, Yves Klein, Arman and others. She was the only woman in the group. Her first solo exhibition in 1961 punctuated a dynamic period of Saint Phalle's early career, and she met a number of influential artists living in Paris at the time, such as Robert Rauschenberg and Jasper Johns, whose use of found objects was to have a strong influence on Saint Phalle's work. She was also friendly with Marcel Duchamp, who first introduced her and Tinguely to Salvador Dalí. The three artists traveled to Spain together to an event celebrating Dali's work, in which a life-sized bull sculpture was detonated with fireworks. In 1963, Tinguely and Saint Phalle moved to an old house just outside Paris, where she began to work on architectural projects as well as her renowned shooting...
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