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Colin See-Paynton (b.1946) - Framed 20th Century Woodcut, Eider & Cod

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This energetic drypoint shows a salmon taking an instinctive leap up a rapid river cascade. Signed below the plate. Newly mounted in a matt black frame. On paper.

Frank Taylor- original woodcut. Inscribed, signed and dated (1940) to the lower margin. Presented in a fine black frame with a crisp white mount. On paper.

Signed in graphite and numbered 4/75. On laid paper.

A well presented tonal etching of Pendeen Watch, Penzance by printmaker Adrienne Peverall. Depicted within this scene is a atmospheric view along the Cornwall coastline, with undulat...

The print 'Jones Island' is something of a self portrait. In the image, an artist stands before and easel, depicting the docks and buildings on the coast. The title indicates that this is Jones Island in Milwaukee, the peninsula along Lake Michigan that today is home to largely industrial buildings. The buildings and figures in the print suggest that this might be a view of the last of the Kashubian or German immigrant settlements on the peninsula before they were evicted in the 1940s to make way for the development of the harbor. The artist in the image thus acts as a documentarian of these peoples. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures and buildings looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression. This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints – one for each week of the year. 6 x 5 inches, image 10 x 7.13 inches, sheet 13.43 x 12.43 inches, frame Signed "GS" in the print block,upper left Entitled "Jones Island" lower left (covered by matting) Inscribed "Wood Engraving" lower center (covered by matting) Artist name "Gerrit V. Sinclair" lower right (covered by matting) Framed to conservation standards using 100 percent rag matting and museum glass, all housed in a silver gilded moulding. Gerrit Sinclair studied at the Art Institute of Chicago from 1910 - 1915, under Vanderpoel, Norton, and Walcott. In World War I, he served in the Army Ambulance Corps and later recorded his experiences in a series of oil paintings. He taught in Minneapolis before arriving in Milwaukee in 1920 to become a member of the original faculty of the Layton School of Art. He was also a member of the Wisconsin Painters & Sculptors. Sinclair's paintings and drawings were executed in a lyrical, representational style, usually expressing a mood rather than a narrative. His paintings reveal a great sensitivity for color and atmosphere. His subject matter focused on cityscapes, industrial valleys, and working-class neighborhoods, captured from eye-level. A decade before the popularity of Regionalism, Sinclair's strong interest in the community was reflected not only in his paintings, but also in his encouragement to students to return to their communities as artists and teachers. Joseph Friebert...

Marine is an original artwork realized by Giancarlo Isola in 1970s. Mixed colored woodcut print. Includes metal frame: 32 x 2.5 x 38 cm. Hand signed on the lower margin. Numbered...

Sea Creature is an original etching artwork on paper realized by Christian Despic (1901-1978), numbered, edition of 35/80 prints, Hand-signed on the lower right in pencil. The state...

Ducks is an original woodcut print realized by Giselle Halff. Good condition, no signature. Included a white cardboard passpartout (39x29 cm).