Antoni Gaudí

1971 exhibition poster for Antoni Gaudí at the Van Abbemuseum in Eindhoven

1971

This striking 1982 vintage poster, designed by Razzia, was created to promote the Paris Posters exhibition at the Musée de l’Affiche et de la Publicité during the summer (Été 82). Featuring a bold and graphic collage-style composition, the artwork embodies the dynamic energy of 1980s design. Razzia, a renowned French graphic artist, is celebrated for his iconic Art Deco-inspired poster designs with a modern twist. In this piece, he juxtaposes a stylized black-and-white Eiffel Tower, a monochrome portrait of a woman, and an accordion transformed into the Arc de Triomphe, all set against a dramatic black background with vivid color accents. The use of cutout-style imagery and neon-inspired typography reflects the postmodern aesthetic of the early 1980s, capturing the bold creativity of the era. The vibrant contrast of yellow, red, and blue highlights adds to the poster’s visual impact, making it a standout example of contemporary French graphic design. A rare and collectible piece, this original Razzia poster...

The 1974 original poster for the retrospective exhibition of Alberto Giacometti at the Solomon R. Guggenheim Museum in New York is a remarkable piece that blends fine art and masterf...

The 1966 original poster by Pablo Picasso, titled "Arlequin Barcelona Espagne", is a striking piece that was created to promote the Museu Picasso in Barcelona, Spain. The image on th...

The 1964 "España Libre" poster is a powerful and evocative piece that embodies both the artistic genius of Pablo Picasso and the political turmoil of Spain during the mid-20th century. This original poster was created for the "España Libre" exhibition, a significant showcase of contemporary Spanish art that highlighted the resistance to the oppressive Franco regime. The exhibition traveled to various Italian cities, including Rimini, Ferrara, Reggio Emilia, and Venice, bringing attention to the plight of Spanish artists in exile and those under Franco’s censorship. At the heart of the poster is a series of etchings by Pablo Picasso titled "Sueño y mentira de Franco...

Jean-Michel Folon (1 March 1934 – 20 October 2005) was a Belgian artist, illustrator, painter, and sculptor The first exhibition of his watercolors was in New York in 1969 in the Lefebre Gallery. One year later he exhibited in Tokyo and in the Il Milione gallery in Milan. He also participated in the XXVth Venice Biennale. In 1973 he joined the selection of Belgian artists in the XXVth São Paulo Biennale, where he was granted the Grand Prize in Painting. Over the years his work concentrated on different techniques, including watercolor, etching, silkscreen, illustrations, mosaics, and stained glass, which showed the diversity of his art. His work Ein Baum stirbt - Un albero muore, 1974, is by Museo Cantonale d’Arte [de] of Lugano. He also designed numerous posters, often for humanitarian causes. Around 1988 he created his first sculptures made out of wood. He then moved on to creating sculptures in clay, plaster, bronze and marble, while continuing to paint. Several museums dedicated exhibitions to him, among them the Musée des Arts Décoratifs in Paris in 1971, the Museum Boijmans Van Beuningen in Rotterdam in 1976, the Institute of Contemporary Arts in London in 1977, the Musée Picasso in Antibes...

Original Poster – Joan Claret, Sala Gaspar, 1972 Description: Details: Artist: Joan Claret Exhibition: Sala Gaspar, Barcelona Year: 1972 Dimensions: 75 x 55.5 cm Condition: Go...

Antoni Clavé (5 April 1913 – 1 September 2005) was a Catalan master painter, printmaker, sculptor, stage designer and costume designer. He was nominated for two Academy Awards (Best Art Direction and Best Costume Design) for his work on the 1952 film Hans Christian Andersen. Clavé was one of Spain's best known and most celebrated artists. His work evolved from a baroque, ornamental style to a pure, minimal aesthetic. In his later years, his work is completely abstract, employing expressive lines and exploring the boundaries of collage, objet trove, shading, texture and color. He was trained at the School of Fine Arts, Barcelona, where he was taught by Angel Ferrant and Felix Mestres. With his works being influenced by artists such as Bonnard, Vuillard and Roualt. He is best known for his lyrical abstractions, works which combine paint with collage. Clavé fought in the Republican Army in the Spanish Civil War, and served as draughtsman for the Republican government. He arrived in France as a refugee in 1939 and went straight to Paris to work as an illustrator. His first one-man exhibition was held at the Au sans Pareil bookshop, 37 Avenue Kleber in Paris in 1940, where Max Ernst and other leading figures from the Dada movement had their first exhibitions in the 1920s. In 1944 Clavé met Picasso and began making figure compositions that were deeply influenced by Picasso's work, featuring kings, harlequins, children, and still lives. His theatrical designs have appeared on stages in New York, Munich, London and Paris, as well as in the 1952 film Hans Christian Andersen. His works include sets for opera, theatre, and ballet, most notably for Roland Petit's ballet company, Les Ballets des Champs Elysees (1945-1951) including Los Caprichos (1946) Carmen (1949) and a comic ballet choreographed by Roland Petit called Deuil en 24 Heures.In 1951 he designed La maison de Bernarda Alba (The House of Bernarda Alba) for director Marcel Achard at the Theatre de l'Oeuvre in Paris, and in 1962, a production of The Marriage of Figaro for Maurice Sarrazin at Théatre de la cour de l'Archeveché in Aix-en-Provence. In 1957 Clavé began to design carpets and from 1960 he began to work on sculptural bas reliefs...

Josep Guinovart (20 March 1927 in Barcelona – 12 December 2007 in Barcelona) was a Catalan painter most famous for his informalist or abstract expressi...