E. Cvik

1990 silkscreen poster Against German fascism and Stalinism

1990

This 1990 original screenprint (sérigraphie) by Pierre Fix-Masseau, titled "Train et Globes", is a striking example of the artist’s signature style, blending streamlined modernism wi...

In 1992, the Earth Summit (Sommet de la Terre) in Rio de Janeiro marked a historic moment in global environmental action. Designed by Willy Niprinz, this original poster was created ...

This original 1964 screen print by Earl Newman captures the vibrant and artistic essence of Sausalito, California. Known for his bold use of color and minimalist design, Newman's wor...

The circa 1960 travel sérigraphie, Meet All of the East in Malaya, is a captivating piece of promotional art designed to attract tourists to Southeast Asia, particularly Malaya (now part of Malaysia). Created during a time when international travel was booming, the poster was intended to highlight the region’s appeal as a destination, focusing on the richness of its culture, landscapes, and the dynamic contrast between tradition and modernity. The poster was produced using the sérigraphie (screen printing) technique, which was widely used during the mid-20th century for creating bold, vibrant advertisements. Sérigraphie allowed for the mass production of posters with striking colors, making it an effective medium for catching the attention of potential travelers. Posters like this one were instrumental in promoting tourism by visually presenting a destination as a place full of adventure, cultural discovery, and natural beauty. The Meet All of the East in Malaya poster...

And Then Red is a screenprint on paper from the edition of 50, 15.75 x 15.75" image size, signed and dated 'Takashi '99' and numbered 45/50 in pencil verso. Framed in a custom, gold-...

Skulls (FS.II.157) is a screenprint on paper with an image size of 30 x 40 inches, signed 'Andy Warhol' and annotated lower left. From the edition of 60, numbered 36/50 (there were also 10 APs), and framed in a custom, closed-corner, gold-leaf frame. Catalogue - Feldman Schellmann, #157 (II.157 Skulls 1976) Andy Warhol’s Skulls from 1976 are part of the transition he began initially in 1972 with the Mao series – incorporating hand-drawn lines into the image – and with Ladies and Gentlemen and Mick Jagger in 1975 where he began the print process with his own photographs rather than appropriated ones. Additionally, in the 1975 prints, he began using collaged elements – torn paper, photographic elements, etc. Donna de Salvo writes about the Skulls series, “Skulls (II.157 – 160) lies somewhere between the genres of still life and portraiture and is based on a photograph of a skull taken by Warhol’s studio assistant, Ronnie Cutrone. The theme of skulls became a major preoccupation for Warhol, and he produced numerous versions of it in paintings. In this image, Warhol combined all three pictorial forms...

Anne Youkeles Gemini, ca. 1969 Three-dimensional silkscreen on folded sheets of thin card Hand-signed by artist in pencil, titled and annotated Artist's Proof I from the edition of 1...

Vintage American pop art show poster. In excellent original condition. Handsomely framed . Excellent condition, ready to hang and enjoy.