Bernice Abbott

Berenice Abbott "Rockefeller Center" Silver Print

Circa 1965

Anne Sager (American, 1930-2024), Industrial Composition, Chromogenic Print, apparently unsigned, with artist's estate stamp to verso, unframed. Image: 12" H x 16" W; sheet: 13" H x ...

Anne Sager (American, 1930-2024), Abandoned Building Detail, Chromogenic Print, signed lower right, cream metal frame. Image: 13" H x 17.5" W; frame: 22.5" H x 27.5" W x 1" D. Proven...

Anne Sager (American, 1930-2024), Group of Two Architectural Compositions, Chromogenic Print, apparently unsigned, metal frames. Image: 9.5" H x 8" W; frame: 17.25" H x 14.25" W x .7...

Anne Sager (American, 1930-2024), Forest Reflections, Color Photograph, Digitized Iris Print on Paper, signed in pencil lower right, with artist's estate stamp to verso, unframed. Im...

Artist Commentary: This is the second print in an edition of five. Approximate image size is 12"W x 8"H. Keywords: Nature, trees, branches, photograph, black and white, NYC, New Yor...

Rockefeller Center (1945) - Silver Gelatin Fibre Print (Photo by George Enell/Hulton Archive/Getty Images) circa 1945: The Rockefeller Center in midtown Manhattan, New York City. ...

Mark Citret, American, b. 1949. "Third Story Arches", Fort Point, 1998 Silver gelatin print hand signed and editioned 1/45 in pencil along lower edge. Published: "Along the Way" Mark Citret, Published Custom & Limited Editions, San Francisco, 1999. Plate #23. Dimensions: Image area measures 8.25"h x 6.25"w., Frame measures 17.5 x 14.5 Mark Citret was born in 1949 in Buffalo, New York, and grew up in San Francisco. He began photographing seriously in 1968 and received both his BA and MA in Art from San Francisco State University. He has worked on many photographic projects over the course of his career and continues to do so. From 1973 to 1975 he lived in and photographed Halcott Center, a farming valley in New York's Catskill Mountains. In the mid to late 1980s, he produced a large body of work with the working title of "Unnatural Wonders", which is his personal survey of architecture in the national parks. He spent four years, 1990 to 1993, photographing "Coastside Plant", a massive construction site in the southwest corner of San Francisco. Since he moved to his current home in 1986, he has been photographing the ever-changing play of ocean and sky from the cliff behind his house. Currently, he is in the midst of a multi-year commission from the University of California San Francisco, photographing the construction of their 43 acre Mission Bay life-sciences campus. He has taught photography at the University of California Berkeley Extension since 1982 and the University of California Santa Cruz Extension since 1988, and for organizations such as the Center for Photography at Woodstock, the Ansel Adams Gallery, and Santa Fe Workshops.He was included in the Weston Gallery exhibition NIGHT VISION: PHOTOGRAPHING IN THE DARK works by: Berenice Abbott, Wynn Bullock, Mark Citret, Harold Davis, Robert Frank, Ernst Haas, Chip Hooper, Rolfe Horn, Dale Johnson, Robb Johnson, Michael Kenna, André Kertész, Bob Kolbrener, Paul Kozal, Sally Mann and Jerry Uelsmann and PATTERNS IN ARCHITECTURE works by Ansel Adams, Brett Weston, Edward Weston, Oliver Gagliani, Pirkle Jones...

Dated 4-10-37 and numbered 38 on back of mount by photographer.