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Earl Horter'Woolworth Building Under Construction' — Early 20th Century Modernismc. 1912
c. 1912
About the Item
Earl Horter, 'The Woolworth Building Under Construction', etching, c. 1912, edition not stated. Signed in pencil. A fine, richly-inked impression, in warm black ink, with selectively wiped plate tone, on cream wove paper; with margins (5/8 to 1 inch), in excellent condition. Archivally matted to museum standards, unframed.
ABOUT THE IMAGE
The Woolworth Building was designed in the neo-Gothic style by the architect Cass Gilbert, as the F. W. Woolworth Company's new corporate headquarters on Broadway, between Park Place and Barclay Street in Lower Manhattan, opposite City Hall. At its opening on April 24, 1913, the Woolworth Building was 60 stories tall and had over 5,000 windows, topping the record set by the Metropolitan Life Insurance Company Tower as the world's tallest building. President Woodrow Wilson turned the lights on by way of a button in Washington, D.C. that evening. It remained the tallest building in the world until the construction of 40 Wall Street and the Chrysler Building, also in New York City, in 1930; an observation deck on the 57th floor attracted visitors until 1941.
ABOUT THE ARTIST
A highly regarded American etcher, painter, and illustrator of the early twentieth century, Earl Horter (1881-1940) was known throughout the United States for his fine architectural renderings and city scenes. During his career, Horter etched memorable views of almost all the major American cities as well as European scenes in Spain and France. Throughout the 1930s, he taught at the Philadelphia Museum School of Art and at Tyler School of Art. In 1915, he was awarded a Silver Medal from the Panama Pacific Exposition in San Francisco. The artist exhibited at the Art Institute of Chicago in 1932, where he received the Etching Prize; and at the National Print Exhibition of the Philadelphia Print Club in 1933, and 1938, where he was awarded prizes in both years. The Whitney Museum honored him with a retrospective show in 1978, and in 1999 the Philadelphia Museum of Art staged an exhibition of his works together with works from his important collection of early modernist art ’Mad for Modernism: Earl Horter and His Collection’.
- Creator:Earl Horter (1881 - 1940, American)
- Creation Year:c. 1912
- Dimensions:Height: 10.88 in (27.64 cm)Width: 9 in (22.86 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Myrtle Beach, SC
- Reference Number:Seller: 1030311stDibs: LU53232627483
Earl Horter
Earl Horter was born in 1881 in Germantown, Pennsylvania and was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as an art director for the N. W. Ayer advertising firm from 1917–23. Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935–39, in Washington, D.C. Horter is listed in Mantle Fielding's Dictionary of American Artists, Who Was Who in American Art and Mallett's Index of Artists. Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson. Horter turned a Philadelphia brownstone into a studio and gallery to house his collection, aided by Paul Cret, the designer of the Barnes Foundation and Rodin Museum. By 1931, Horter would begin selling his collection due to financial need brought about by the Depression. Horter was also a teacher in Philadelphia at the Stella Elkins Tyler School of Art; Graphic Sketch Club (now the Fleisher Art Memorial); and the Philadelphia Museum School of Industrial Art (now the University of the Arts). In 1998, the Philadelphia Museum of Art put on an exhibition, “Mad for Modernism,” Horter and his collection, assembling once again many of the major works of art that comprised the artist's collection. In 1934, the Museum, then called the Pennsylvania Museum, had previously exhibited Horter's collection, though some of the works had already been sold. Several of Horter's prints are in the collection of Georgetown University, in Washington, D.C.
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