Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Federica Galli
Roofs in Venice, S. Marco place, etching by Italian F. Galli. Limited edition

1984

$1,874.22
£1,372.50
€1,560
CA$2,551.29
A$2,859.66
CHF 1,488.94
MX$34,917.70
NOK 18,904.16
SEK 17,919.44
DKK 11,872.08
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Venezia, I Tetti (roofs), platemark mm 593 x 392. Rif. 541 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical retrospective that the city of Milan promoted and set up to mark the tenth anniversary of her death. Milan's municipality has named a new street to her for the occasion. The many international and accredited critics who have lingered to appreciate Galli's etchings remark on her ability to combine poetry, architectural precision and interpretative originality. Federica Galli has always been able to take a fresh look at all the landscapes and architecture on which she has cast her gaze. Gianni Testori (art critic) and Renzo Zorzi (leading cultural dept in Olivetti at the time) convinced Federica Galli to etch a portfolio on Venice's views between 1984 and 1986. In four years (two years of visits plus two years of work en plein air) she carved 39 plates introducing a new eye to Venezia. In 1986, at the conclusion of the portfolio, the entire cycle was exhibited at the Giorgio Cini Foundation, which changed its statute for the occasion and opened its doors to contemporary art. The exhibition was sponsored and strongly desired by Olivetti. NMWA (National Museum of Women in Arts) in Washington conserved the complete Venezia portfolio. Also, her oeuvres are in significant Italian museum collections such as the Pinacoteca Ambrosiana, (the same museum where Leonardo's Codex is conserved) and Museo of Castello Sforzesco, both in Milan; di Milano, Ala Ponzone in Cremona. Federica Galli's Biography A prominent figure in the art of engraving in Italy, Federica Galli was born in 1932 in Soresina – a village just outside Cremona. Straight after the war, in 1946, she convinced her parents to enrol her at the Artistic Lyceum in Milan. In 1950, she attended the Academy of Fine Arts of Brera, from where she graduated four years later with a diploma in painting. She began engraving in 1954 - "Il paese dell'Alberta"- experimenting with etching, a technique she never abandoned for the rest of her life. In 1966 she married the journalist Giovanni Raimondi – editor-in-chief of the Corriere della Sera. During that time she began to embark on a densely packed programme of cultural trips that took her to the most important European cities and to countries where the art of engraving is less deeply rooted. These were also the year in which she matured the conviction that engraving was the technique in which she expressed herself most effectively and started to apply herself exclusively to this art form, producing over eight hundred different subjects. Starting from her early personal exhibitions – the first one took place in 1960 in Milan – she met with the favour of the public and critics alike. In the space of a few years, she could count on the support of some of the most authoritative critics of her time: Franco Russoli, Mario de Micheli, Giovanni Testori – who was to follow her closely until he died - Mina Gregori, Gian Alberto dell'Acqua, Roberto Tassi, Renzo Zorzi, Carlo Bo, Daniel Berger (Metropolitan Museum of New York), Gina Lagorio, Giuseppe and Francesco Frangi, Marco Fragonara, Giorgio Soavi and David Landau (Oxford University). She obtained the most prestigious institutional acknowledgements given to any contemporary artist: she was the first living artist to be invited to exhibit at the Fondazione Cini in Venice - 1987 with a collection dedicated to the lagoon city - ; at the Civic Museum of Palazzo Te in Mantua - 1987 -; at the Castello Sforzesco in Milan - 1988 - ; in the Imperial Archive of the Forbid-den City, Wag Fung gallery, - 1995 -. Collectors of her works include people of culture from Italy and elsewhere, individuals are known for their cultivated passion for the graphic arts, comprising – just to mention some of the most famous: Dino Buzzati, Leonardo Sciascia, and Francois Mitterand. An extensive and exhaustive testimony of her works may be viewed at the Ala Ponzone Civic Museum of Cremona, in the Bertarelli Collection of the Castello Sforzesco in Milan, at the Villa Reale of Monza close to Milan. Between 1954 and 2008, Federica Galli engraved over eight hundred plates focusing on three principal themes: landscapes, trees and cityscapes. Her landscapes are mainly those of the Lombardy plain, with poetic descriptions of its characteristic farmsteads: adding up to about fifty artworks. The urban views are those of Milan and Venice, cities that held a special meaning in the life of Federica Galli, who expressed her gratitude in the form of a vision that is perceptive and honest but never ordinary. Her passion for nature, combined with a capacity to bring forth its most fascinating aspects, are revealed in over one hundred plates. Her notorious technical skills enabled her to surmount obstacles that are formidable for engravers, such as the representation of snow and nocturnal scenes, without ever succumbing to affected mannerisms. The artist has dedicated a collection of works to Italian most important Monumental Trees, with over sixty plants selected for their historical, naturalistic or aesthetic interest. A stunning collection. Federica Galli, who passed away on 6 February 2009, has entrusted her artistic legacy to a Foundation bearing her name, set up on 17 July 2009 in Milan. She designated leading and goals. The foundation pursues the objective of safeguarding her heritage, artworks, and archives. The Board is chaired by Lorenza Salamon, who operates alongside Flavio Arensi (critic and art director of Palazzo Leone da Perego in Legnano), Ivana Iotta (cura-tor of the Civic Museum of Cremona), Franco Grechi and Alberto Galli.
  • Creator:
    Federica Galli (1932 - 2009, Italian)
  • Creation Year:
    1984
  • Dimensions:
    Height: 23.35 in (59.3 cm)Width: 15.44 in (39.2 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Milan, IT
  • Reference Number:
    1stDibs: LU431310217062

More From This Seller

View All
Typical venice architecture landscape by master italian etcher
By Federica Galli
Located in Milan, IT
ref. 516 A prominent figure of the art of engraving in Italy, Federica Galli was born in 1932 in Soresina – a village just outside Cremona. Straight after the war, in 1946, she conv...
Category

1980s Realist Landscape Prints

Materials

Etching

Venice canal view with classical renaissance architecture by italian etcher
By Federica Galli
Located in Milan, IT
ref. 549 A prominent figure of the art of engraving in Italy, Federica Galli was born in 1932 in Soresina – a village just outside Cremona. Straight after the war, in 1946, she conv...
Category

1980s Realist Landscape Prints

Materials

Etching

Venice, Calle della Madonna, 1983. Black white etching print by Federica Galli
By Federica Galli
Located in Milan, IT
Venezia, Calle della Madonna, 1983, rif. 516 Platemark mm mm 692 x 195 Original etching, signed and numbered limited edition of 90. The etching was exhibited last year in the crit...
Category

20th Century Realist Prints and Multiples

Materials

Etching

Contemporary Venice landscape - Black White etching by Federica Galli
By Federica Galli
Located in Milan, IT
Venice Rio San Barnaba, rif. 535 Platemark inches 27.24 x 11.42 - mm 692 x 289 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in ...
Category

2010s Realist Prints and Multiples

Materials

Etching

Romantic Venice, Italian, corner. Black white print on paper. Nowaday grand Tour
By Federica Galli
Located in Milan, IT
Venezia, part of the portfolio of the 39 venice views. Calle delle Terese, 1984, rif. 546 Platemark mm 48.9x34.6. Original etching, signed and numbered. Limited edition of 90. The e...
Category

1980s Realist Landscape Prints

Materials

Laid Paper, Etching

Pair of contemporary Venice views. Prints by F. Galli, Italian etcher.
By Federica Galli
Located in Milan, IT
Here we propose a pair of etchings by Federica Galli, whose size, subjects and composition form a pendant. But the two prints can also be sold separately. Lago dei Pageri and Squero...
Category

20th Century Contemporary Landscape Prints

Materials

Etching

You May Also Like

Venice, Canal Grande - Etching by L. Beltrami - 1877
Located in Roma, IT
Venice, Canal Grande is an original Modern artwork realized by Luca Beltrami (1854 - 1933) in 1877. Original B/W Etching on ivory cardboard. Sigled and dated on plate on the lowe...
Category

1870s Figurative Prints

Materials

Etching

Venice, il Fondaco dei Turchi - Etching by L. Beltrami - 1877
Located in Roma, IT
Venice, il Fondaco dei Turchi is an original Modern artwork realized by Luca Beltrami (1854 - 1933) in 1877. Original B/W Etching on ivory cardboard. Mint conditions. The etchi...
Category

1870s Figurative Prints

Materials

Etching

"Rio Ca Foscari, Venice" original etching
By Edgar Chahine
Located in Henderson, NV
Medium: original etching. Catalogue reference: Tabanelli 220. This impression on watermarked laid paper was printed in 1906 and published by Gazette des Beaux Arts. Plate size: 8 5/8...
Category

Early 1900s Landscape Prints

Materials

Etching

View of Venice I - San Giorgio
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created the color woodcut entitled "View of Venice I – San Giorgio" in 1968. It is signed, titled, dated, and inscribed “17/20” in pencil. The paper size is 24 x 36 ...
Category

1960s American Modern Landscape Prints

Materials

Woodcut

Venice Landscapes - Pencil Drawing- 19th Century
Located in Roma, IT
Venice Landscapes is a modern artwork realized in 19th Century. The artwork consist in three pencil drawings depicting glimpses of Venice. Fair cond...
Category

19th Century Modern Figurative Drawings and Watercolors

Materials

Pencil

Venice Cityscape - Lithograph - 1960s
Located in Roma, IT
Venice Cityscape is an original lithograph on paper realized in 1960 ca. by an anonymous artist of the 20th Century. Hand-signed on the lower right in pencil, illegible. Numbered ...
Category

1960s Modern Landscape Prints

Materials

Paper, Lithograph