
1970s "Motherlode" CA Landscape Lithograph
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 13
Judith Klausenstock1970s "Motherlode" CA Landscape Lithograph1970s
1970s
$800List Price
About the Item
- Creator:Judith Klausenstock (American)
- Creation Year:1970s
- Dimensions:Height: 19.25 in (48.9 cm)Width: 22 in (55.88 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very Good Condition - Minor wear consistent with age and history. Wrinkling on paper.
- Gallery Location:Arp, TX
- Reference Number:1stDibs: LU153328731992
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2015
1stDibs seller since 2021
101 sales on 1stDibs
Typical response time: 1 hour
Associations
Association of Women Art Dealers
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View All1960s "Duo" Orange, Teal, Green Collagraph NY Artist Myril Adler
Located in Arp, TX
Myril Adler
"Duo"
c.1960s
Collagraph ink on paper
2."x2.5" unframed
Signed and titled in pencil
Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (now Belarus), and im...
Category
1960s Abstract Abstract Prints
Materials
Paper, Intaglio
1950s "Abstract Line Print" Stone Lithograph San Francisco Printmaker
Located in Arp, TX
From the estate of Jerry Opper and Ruth Opper
Abstract Line Print
c.1950's
Stone Lithograph on Paper
25" x 19.5" Unframed
Estate stamp lower left
Came from ...
Category
Mid-20th Century American Modern Abstract Prints
Materials
Paper, Lithograph
1998 "Happy Face" Abstract Woodcut Print
Located in Arp, TX
Saul
"Happy Face"
1998
Woodcut on paper edition 2/2
12"x9" white wood frame floating between glass 15.25"x12"
Signed, dated lower right
Category
1990s American Modern Abstract Prints
Materials
Wood, Archival Paper
C.1950s Abstract Mid Century Lithograph
By Jerry Opper
Located in Arp, TX
From the estate of Jerry and Ruth Opper
Abstract Fireworks
1950's
Stone Lithograph on Paper
12.5" x 19", Unframed
Came from a portfolio of his work from his estate.
Jerry Opper (192...
Category
Mid-20th Century Abstract Abstract Prints
Materials
Stone
C.1950s Abstract Mid Century Lithograph "JO 23-1"
By Jerry Opper
Located in Arp, TX
From the estate of Jerry and Ruth Opper
JO 23-1
1950's
Stone Lithograph on Paper
12.5" x 19", Unframed
Came from a portfolio of his work from his estate.
Jerry Opper (1924-2014)
He...
Category
Mid-20th Century Abstract Abstract Prints
Materials
Stone
1950's Stone Lithograph Black and White Abstract San Francisco Artist
By Jerry Opper
Located in Arp, TX
From the estate of Jerry and Ruth Opper
JO 14-1
1950's
Stone Lithograph on Paper
12.5" x 19", Unframed
Came from a portfolio of his work from his estate.
Jerry Opper (1924-2014)
He...
Category
Mid-20th Century Abstract Abstract Prints
Materials
Stone
You May Also Like
Trees in Ranchitos II, New Mexico, 1970s Color Lithograph Landscape with Trees
By Andrew Michael Dasburg
Located in Denver, CO
"Trees in Ranchitos II" is a stunning 1975 color lithograph by renowned modernist artist Andrew Michael Dasburg (1887-1979). This collectible artwork, initialed in the lower right, captures the serene beauty of the New Mexico landscape, reflecting Dasburg’s signature blend of Post-Impressionism and Cubist influences. Presented in a custom frame measuring 30 ½ x 36 ¼ inches. Image size is 16 ½ x 23 ¼ inches.
About the Artist:
Born France, 1887
Died New Mexico, 1979
Born in Paris, France, Andrew Dasburg immigrated to New York City in 1892, where his talent was recognized early. He studied at the Art Students League of New York, training under Robert Henri, Kenyon Cox, and Birge Harrison.
In 1908, Dasburg traveled to Paris, where he encountered the works of Henri Matisse and Paul Cézanne, igniting his lifelong passion for modernism. He later settled in Woodstock, NY, immersing himself in the avant-garde art scene alongside Morgan Russell...
Category
1970s American Modern Landscape Prints
Materials
Lithograph
Black/White Lithograph American Modernist Gregory Amenoff Abstract Expressionist
By Gregory Amenoff
Located in Surfside, FL
Gregory Amenoff (Contemporary American abstract painter, b. 1948),
Title: Haven, STATE II
Lithograph, 1986
Edition 4/4 Printer Proof
Image Size 21.5 x 30.75"
Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence.
Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy.
In 2011 he received the John Solomon Guggenheim Fellowship.
Museum Collections
Albright-Knox Art Gallery; Buffalo, NY
Art Institute of Chicago; IL
Baltimore Museum of Art;
Brooklyn Museum of Art; Brooklyn, NY
Butler Institute of American Art; Youngstown, OH
Cleveland Museum of Art; Cleveland, OH
Currier Gallery of Art; Manchester, NH
Frances and Sidney Lewis Foundation; Richmond, VA
Hood Museum of Art; Hanover, NH
Honolulu Academy of Art; Honolulu, HW
Kemper Museum of Contemporary Art; Kansas City, MO
Maier Museum of Art; Lynchburg, VA
Metropolitan Museum of Art; New York, NY
Milwaukee Museum of Art; Milwaukee, WI
Minneapolis Institute of Art; MN
Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA
Museum of Fine Arts; Boston, MA
Museum of Modern Art; New York, NY
National Museum of American Art; Washington, DC
Neuberger Museum, State University of New York at Purchase; NY
New York Public Library, Spencer Collection...
Category
1980s American Modern Abstract Prints
Materials
Lithograph
Sandscapes #4 Florida Artist Abstract Modernist Signed Print
By Kathy Stark
Located in Surfside, FL
Fine piece of Florida abstract Landscape art. With a French Art Deco feel to it.
Category
1990s American Modern Abstract Prints
Materials
Lithograph
Monoprint Lithograph American Modernist Gregory Amenoff Abstract Expressionist
By Gregory Amenoff
Located in Surfside, FL
Gregory Amenoff (Contemporary American abstract painter, b. 1948),
Monotype Monoprint (1990)
Hand signed in pencil lower right
plate: 16 x 16 inches
frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing
Provenance: Corporate Collection of Bank BNP Paribas
Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence.
He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro,
Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with
pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy.
In 2011 he received the John Solomon Guggenheim Fellowship.
Museum Collections
Albright-Knox Art Gallery; Buffalo, NY
Art Institute of Chicago; IL
Baltimore Museum of Art;
Brooklyn Museum of Art; Brooklyn, NY
Butler Institute of American Art; Youngstown, OH
Cleveland Museum of Art; Cleveland, OH
Currier Gallery of Art; Manchester, NH
Frances and Sidney Lewis Foundation; Richmond, VA
Hood Museum of Art; Hanover, NH
Honolulu Academy of Art; Honolulu, HW
Kemper Museum of Contemporary Art; Kansas City, MO
Maier Museum of Art; Lynchburg, VA
Metropolitan Museum of Art; New York, NY
Milwaukee Museum of Art; Milwaukee, WI
Minneapolis Institute of Art; MN
Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA
Museum of Fine Arts; Boston, MA
Museum of Modern Art; New York, NY
National Museum of American Art; Washington, DC
Neuberger Museum, State University of New York at Purchase; NY
New York Public Library, Spencer Collection...
Category
1980s American Modern Abstract Prints
Materials
Lithograph, Monoprint, Monotype
Monoprint Monotype American Modernist Gregory Amenoff Abstract Expressionist
By Gregory Amenoff
Located in Surfside, FL
Gregory Amenoff (Contemporary American abstract painter, b. 1948),
Monotype Monoprint (1990)
Hand signed in pencil lower right
plate: 16 x 16 inches
frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing
Provenance: Corporate Collection of Bank BNP Paribas
Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. He works in woodcut, lithograph and monoprint techniques.
He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro,
Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with
pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy.
In 2011 he received the John Solomon Guggenheim Fellowship.
Museum Collections
Albright-Knox Art Gallery; Buffalo, NY
Art Institute of Chicago; IL
Baltimore Museum of Art;
Brooklyn Museum of Art; Brooklyn, NY
Butler Institute of American Art; Youngstown, OH
Cleveland Museum of Art; Cleveland, OH
Currier Gallery of Art; Manchester, NH
Frances and Sidney Lewis Foundation; Richmond, VA
Hood Museum of Art; Hanover, NH
Honolulu Academy of Art; Honolulu, HW
Kemper Museum of Contemporary Art; Kansas City, MO
Maier Museum of Art; Lynchburg, VA
Metropolitan Museum of Art; New York, NY
Milwaukee Museum of Art; Milwaukee, WI
Minneapolis Institute of Art; MN
Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA
Museum of Fine Arts; Boston, MA
Museum of Modern Art; New York, NY
National Museum of American Art; Washington, DC
Neuberger Museum, State University of New York at Purchase; NY
New York Public Library, Spencer Collection...
Category
1980s American Modern Abstract Prints
Materials
Lithograph, Monoprint, Monotype
'Winter Silhouettes, ' offset lithograph by Schomer Lichtner
By Schomer Lichtner
Located in Milwaukee, WI
'Winter Silhouettes,' a small and delicate print, is an original offset lithograph by the Milwaukee artist Schomer Lichtner. The composition displays registers of foliage, emerging from the white of the paper as though emerging from the snow-covered ground. The artwork is thus plays with the materials of printmaking; the paper is both the support and the primary indication of the season. The subtle texture of the tooth of the paper also adds life to the image, giving the snow a wind-swept, creature trodden surface. The free forms of the grasses and leaves resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities.
3.75 x 2.75 inches, image
5.5 x 4.5 inches, paper
10 x 8 inches frame
Signed and dated in the stone, lower right
Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a cherry wood moulding
Overall excellent condition; some toning to edges of paper; some minor abrasions to frame
Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices.
Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art.
Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows and elegant ballerina dancers. Lichtner also painted all sorts of combinations of beautiful women, flowers and country landscapes. James Auer, former Milwaukee Journal Sentinel art critic, said that his art eventually "exploded into expressionistic design elements with bold, flat areas of color and high energy that anticipated Pop Art." Auer went on to describe Lichtner’s work as full of "wit, vigor and virtuosity."
As early as 1930, Lichtner’s work was shown at the prestigious Carnegie International Exhibition in New York and at museums throughout the Midwest. As a student, he was a protégé of another icon of 20th century American art, Gustave Moeller.
Lichtner and his wife, Ruth Grotenrath (1912-1988), are celebrated as Milwaukee’s first couple of painting and are regarded as major Wisconsin artists. Lichtner’s impressive production, perseverance, longevity, and positive approach to his life and art made him and his work distinctive and much loved by his many admirers. His work is currently represented in collections at the Milwaukee Art Museum, the John Michael Kohler Art Center, the West Bend Museum, and in the collections of many individuals. Books on the lives and art work of both Lichtner and Grotenrath are in progress and it is anticipated that they will be published next year.
Schomer Lichtner passed away on May 9, 2006 at the age of 101. He continued to amaze and create with his whimsical paintings of ballerinas...
Category
1960s American Modern Landscape Prints
Materials
Black and White, Lithograph