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Kawase HasuiZentsuji Temple in the Rain — from the series Collected Views of Japan II1937
1937
$1,800
£1,390.81
€1,607.91
CA$2,543.53
A$2,852.74
CHF 1,493.93
MX$34,663.55
NOK 18,970.47
SEK 17,985.34
DKK 12,002.21
About the Item
Kawase Hasui, 'Zentsuji Temple in the Rain' from the seres 'Collected Views of Japan II', color woodblock print, 1937. Signed Hasui in black ink, with the artist’s red seal Kawase, lower left. Published by Watanabe Shozaburo with the Watanabe 6mm round seal, lower right.
A superb, richly-inked impression, with fresh colors; the full sheet with margins. Drying tack holes in the top and bottom left margin; barely visible tape adhesive stain in the top left sheet edge, otherwise in excellent condition. Archival sleeved, unmatted.
Image size 14 1/4 x 9 9/16 inches (362 x 243 mm); sheet size approximately 15 1/2 x 10 3/8 inches (394 x 264 mm).
Impressions of this work are held in the permanent collections of the Honolulu Museum of Art, the Museum of Fine Arts, Boston and the Virginia Museum of Fine Arts.
ABOUT THE IMAGE
A mother holding an umbrella, with a small child in her kimono, is about to pass through the temple entrance, where another figure takes shelter from the rain. The temple grounds are awash in the grey-blue light where the elegant rain-shrouded pagoda rises skyward in the background.
The Zentsuji Temple [Byōbuura Gogakusan Tanjō-in Zentsū-ji (屏風浦五岳山誕生院善通寺)] is a Buddhist temple of the Shingon sect in Zentsūji, Kagawa Prefecture, Japan. It was established in 807 by Kūkai, founder of Shingon Buddhism, who was born where the temple now stands. The oldest structure, the Shakadō Hall, dates to around 1677.
The 75th temple on the Shikoku Pilgrimage, it is a popular tourist destination due to its historical and cultural significance, and its inspiring presence and beauty.
ABOUT THE ARTIST
“I do not paint subjective impressions. My work is based on reality...I can not falsify...(but) I can simplify…I make mental impressions of the light and color at the time of sketching. While coloring the sketch, I am already imagining the effects in a woodblock print.”
— Kawase Hasui
Kawase Hasui (1883–1957) is the most celebrated 20th-century Japanese print designer of the shin-hanga ('new prints') movement pioneered by the renowned publisher Watanabe Shozaburo. Hasui worked almost exclusively on landscape and townscape prints based on sketches he made in Tokyo and during his travels in Japan. His subjects are not only 'meisho' (famous places) prints which were typical of the earlier ukiyo-e masters such as Hiroshige and Hokusai, but also feature tranquil and picturesque scenes in obscure locations. Hasui considered himself a realist and employed his training in Western painting to create his lyrical renderings with naturalistic light, shade, and texture. Hasui was able to evoke the fleeting beauty of Japan during the interwar period as no other printmaker of his time could.
Hasui's work enjoyed huge popularity upon producing his first print in 1918. Watanabe recognized and developed the enormous potential of the American market, resulting in Hasui's prints achieving high prices at auctions in New York as early as the 1920s. After the Second World War, his prints became highly sought-after collectible works among the American occupying forces in Japan. Hasui designed more than 600 prints during the 40-year span of his artistic career, and in 1956, he was named a 'Living National Treasure' of Japan.
Hasui’s woodblock prints are included in many important museum collections of Japanese prints worldwide, including the Art Institute of Chicago; British Museum; Brooklyn Museum; Clark Art Institute; Cooper Hewitt, Smithsonian Design Museum; Freer Gallery of Art; Harvard Art Museums; Indianapolis Museum of Art; The Israel Museum, Jerusalem; Japan Ukiyo-e Museum, Matsumoto, Japan; Los Angeles County Museum of Art; Metropolitan Museum of Art; Minneapolis Institute of Art; MOA Museum of Art, Japan; Museum of Fine Arts, Boston; Nelson-Atkins Museum of Art; Portland Art Museum; Stanley Museum of Art; Toledo Museum of Art; Tokyo Museum Collection, Japan; University of Michigan Museum of Art, Walters Art Museum, Smart Museum of Art; and the Virginia Museum of Fine Arts.
- Creator:Kawase Hasui (1883-1957, Japanese)
- Creation Year:1937
- Dimensions:Height: 14.25 in (36.2 cm)Width: 9.57 in (24.31 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Myrtle Beach, SC
- Reference Number:Seller: 982091stDibs: LU532316722142
Kawase Hasui
Hasui Kawase (Japanese, 1883 -1957) was an artist, one of modern Japan's most important and prolific printmakers. He was a prominent designer of the shin-hanga ("new prints") movement, whose artists depicted traditional subjects with a style influenced by Western art. Like many earlier ukiyo-e prints, Hasui's works were commonly landscapes, but displayed atmospheric effects and natural lighting. Hasui designed approximately 620 prints over a career that spanned nearly forty years. Towards the end of his life the government recognized him as a Living National Treasure for his contribution to Japanese culture. From youth Hasui dreamed of an art career. His maternal uncle was Kanagaki Robun (1829–94), a Japanese author and journalist, who produced the first manga magazine. Hasui went to the school of the painter Aoyagi Bokusen as a young man. He sketched from nature, copied the masters' woodblock prints, and studied brush painting with Araki Kanyu. His parents had him take on the family rope and thread wholesaling business, but its bankruptcy when he was 26 freed him to pursue art. He approached Kiyokata Kaburagi to teach him, but Kaburagi instead encouraged him to study Western-style painting, which he did with Okada Saburōsuke for two years. Two years later he again applied as a student to Kaburagi, who this time accepted him. Kiyokata bestowed the name Hasui upon him, which can be translated as "water gushing from a spring", and derives from his elementary school combined with an ideogram of his family name. Kawase studied ukiyo-e and Japanese style painting at the studio of Kiyokata Kaburagi. He mainly concentrated on making watercolors of actors, everyday life and landscapes, many of them published as illustrations in books and magazines in the last few years of the Meiji period and early Taishō period. Kawase worked almost exclusively on landscape and townscape prints based on sketches and watercolors he made in Tokyo and during travels around Japan. However, his prints are not merely meishō (famous places) prints that are typical of earlier ukiyo-e masters such as Hiroshige and Katsushika Hokusai (1760-1849). Kawase's prints feature locales that are tranquil and obscure in urbanizing Japan. Hasui Kawase's works are currently kept in several museums worldwide, including the British Museum, the Toledo Museum of Art, the Brooklyn Museum, the Indianapolis Museum of Art, the Museum of Fine Arts, Boston, the Metropolitan Museum of Art, the Portland Art Museum, the Los Angeles County Museum of Art, the University of Michigan Museum of Art, the Minneapolis Institute of Art, the Stanley Museum of Art, the Walters Art Museum, the Clark Art Institute, the Smart Museum of Art, the Nelson-Atkins Museum of Art, and the Virginia Museum of Fine Arts.
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