Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 4

Kawase Hasui
Zentsuji Temple in the Rain — from the series Collected Views of Japan II

1937

$1,800
£1,390.81
€1,607.91
CA$2,543.53
A$2,852.74
CHF 1,493.93
MX$34,663.55
NOK 18,970.47
SEK 17,985.34
DKK 12,002.21

About the Item

Kawase Hasui, 'Zentsuji Temple in the Rain' from the seres 'Collected Views of Japan II', color woodblock print, 1937. Signed Hasui in black ink, with the artist’s red seal Kawase, lower left. Published by Watanabe Shozaburo with the Watanabe 6mm round seal, lower right. A superb, richly-inked impression, with fresh colors; the full sheet with margins. Drying tack holes in the top and bottom left margin; barely visible tape adhesive stain in the top left sheet edge, otherwise in excellent condition. Archival sleeved, unmatted. Image size 14 1/4 x 9 9/16 inches (362 x 243 mm); sheet size approximately 15 1/2 x 10 3/8 inches (394 x 264 mm). Impressions of this work are held in the permanent collections of the Honolulu Museum of Art, the Museum of Fine Arts, Boston and the Virginia Museum of Fine Arts. ABOUT THE IMAGE A mother holding an umbrella, with a small child in her kimono, is about to pass through the temple entrance, where another figure takes shelter from the rain. The temple grounds are awash in the grey-blue light where the elegant rain-shrouded pagoda rises skyward in the background. The Zentsuji Temple [Byōbuura Gogakusan Tanjō-in Zentsū-ji (屏風浦五岳山誕生院善通寺)] is a Buddhist temple of the Shingon sect in Zentsūji, Kagawa Prefecture, Japan. It was established in 807 by Kūkai, founder of Shingon Buddhism, who was born where the temple now stands. The oldest structure, the Shakadō Hall, dates to around 1677. The 75th temple on the Shikoku Pilgrimage, it is a popular tourist destination due to its historical and cultural significance, and its inspiring presence and beauty. ABOUT THE ARTIST “I do not paint subjective impressions. My work is based on reality...I can not falsify...(but) I can simplify…I make mental impressions of the light and color at the time of sketching. While coloring the sketch, I am already imagining the effects in a woodblock print.” — Kawase Hasui Kawase Hasui (1883–1957) is the most celebrated 20th-century Japanese print designer of the shin-hanga ('new prints') movement pioneered by the renowned publisher Watanabe Shozaburo. Hasui worked almost exclusively on landscape and townscape prints based on sketches he made in Tokyo and during his travels in Japan. His subjects are not only 'meisho' (famous places) prints which were typical of the earlier ukiyo-e masters such as Hiroshige and Hokusai, but also feature tranquil and picturesque scenes in obscure locations. Hasui considered himself a realist and employed his training in Western painting to create his lyrical renderings with naturalistic light, shade, and texture. Hasui was able to evoke the fleeting beauty of Japan during the interwar period as no other printmaker of his time could. Hasui's work enjoyed huge popularity upon producing his first print in 1918. Watanabe recognized and developed the enormous potential of the American market, resulting in Hasui's prints achieving high prices at auctions in New York as early as the 1920s. After the Second World War, his prints became highly sought-after collectible works among the American occupying forces in Japan. Hasui designed more than 600 prints during the 40-year span of his artistic career, and in 1956, he was named a 'Living National Treasure' of Japan. Hasui’s woodblock prints are included in many important museum collections of Japanese prints worldwide, including the Art Institute of Chicago; British Museum; Brooklyn Museum; Clark Art Institute; Cooper Hewitt, Smithsonian Design Museum; Freer Gallery of Art; Harvard Art Museums; Indianapolis Museum of Art; The Israel Museum, Jerusalem; Japan Ukiyo-e Museum, Matsumoto, Japan; Los Angeles County Museum of Art; Metropolitan Museum of Art; Minneapolis Institute of Art; MOA Museum of Art, Japan; Museum of Fine Arts, Boston; Nelson-Atkins Museum of Art; Portland Art Museum; Stanley Museum of Art; Toledo Museum of Art; Tokyo Museum Collection, Japan; University of Michigan Museum of Art, Walters Art Museum, Smart Museum of Art; and the Virginia Museum of Fine Arts.
  • Creator:
    Kawase Hasui (1883-1957, Japanese)
  • Creation Year:
    1937
  • Dimensions:
    Height: 14.25 in (36.2 cm)Width: 9.57 in (24.31 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Myrtle Beach, SC
  • Reference Number:
    Seller: 982091stDibs: LU532316722142

More From This Seller

View All
'Rain at Shinagawa, Ryoshimachi' — Showa-era Woodblock Print
By Kawase Hasui
Located in Myrtle Beach, SC
Kawase Hasui, 'Rain at Shinagawa, Ryoshimachi' from the series 'Selection of Views of the Tokaido', woodblock print, 1931. A very fine, atmospheric impression, with fresh colors; the...
Category

1930s Showa Figurative Prints

Materials

Woodcut

'Lakeside Shower, Matsue' — Showa-era Woodblock Print
By Kawase Hasui
Located in Myrtle Beach, SC
Kawase Hasui, 'Chihan no Ame, Matsue' (Lakeside Shower, Matsue), color woodblock print, 1932. A fine, atmospheric impression, with fresh colors; the full sheet, from a postwar editio...
Category

1930s Showa Figurative Prints

Materials

Woodcut

'The Beach at Kaiganji in Sanuki Province' — Lifetime Impression
By Kawase Hasui
Located in Myrtle Beach, SC
The Beach at Kaiganji in Sanuki Province (Sanuki Kaiganji no hama), from the series Collected Views of Japan II, Kansai Edition (Nihon fûkei shû II Kansai hen), woodblock print, 1934. A very fine, atmospheric impression, with fresh colors; the full sheet, in excellent condition. Signed 'Hasui' with the artist’s seal 'Kawase', lower left. Published by Watanabe Shozaburo with the Watanabe ‘D’ seal indicating an early impression printed between 1931 - 1941. Stamped faintly 'Made in Japan' in the bottom center margin, verso. Horizontal ôban; image size 9 3/8 x 14 1/4 inches (238 x 362 mm); sheet size approximately 10 5/16 x 15 1/2 inches ( 262 x 394 mm). Collections: Art Institute of Chicago; Austrian Museum of Applied Arts (Vienna); Honolulu Museum of Art; Museum of Fine Arts, Boston; National Museum in Warsaw; University of Wisconsin-Madison. ABOUT THE ARTIST “I do not paint subjective impressions. My work is based on reality...I can not falsify...(but) I can simplify…I make mental impressions of the light and color at the time of sketching. While coloring the sketch, I am already imagining the effects in a woodblock print.” — Kawase Hasui Hasui Kawase...
Category

1930s Showa Landscape Prints

Materials

Woodcut

'Chion-in Temple Gate' from 'Eight Scenes of Cherry Blossoms' — Jizuri Seal
By Hiroshi Yoshida
Located in Myrtle Beach, SC
Hiroshi Yoshida, 'Chion-in Temple Gate (Sunset)' from the series 'Eight Scenes of Cherry Blossoms (Sakura hachi dai: Sakura mon)', color woodblock print, 1935. Signed in brush 'Yoshida' and in pencil 'Hiroshi Yoshida'. A superb, early impression, with fresh colors; the full sheet with margins, on cream Japan paper; an area of slight toning in the top right sheet corner, not affecting the image, otherwise in excellent condition. Marked with a jizuri (self-printed) seal, upper left margin. Self-published by the artist. Image size 9 5/8 x 14 3/4 inches (444 x 375 mm); sheet size 10 7/8 x 16 inches (276 x 406 mm). Archivally sleeved, unmatted. Provenance: M. Nakazawa, Tokyo. Literature: Japanese Landscapes of the 20th Century (Hotei Publishing calendar), 2001, May. Collections: Honolulu Museum of Art, Museum of Fine Arts, Boston. ABOUT THE IMAGE Located in Kyoto, Chionin is the main temple of the Jodo sect of Japanese Buddhism, one of the most popular Buddhist sects in Japan, having millions of followers. The Sanmon Gate, Chionin's entrance gate, standing 24 meters tall and 50 meters wide, it is the largest wooden temple gate in Japan and dates back to the early 1600s. Behind the gate, a broad set of stairs leads to the main temple grounds. ABOUT THE ARTIST Painter and printmaker Yoshida Hiroshi (1876-1950) is regarded as one of the greatest artists of the Japanese 'shin hanga' (New Print) movement. Yoshida was born as the second son of Ueda Tsukane in Kurume, Fukuoka Prefecture, a schoolteacher from an old samurai family. In 1891 he was adopted by his art teacher Yoshida Kasaburo in Fukuoka and took his surname. In 1893 he went to Kyoto to study painting, and the following year to Tokyo to join Koyama Shotaro's Fudosha private school; he also became a member of the Meiji Fine Arts Society. These institutions taught and advocated Western-style painting, greatly influencing Yoshida’s artistic development. In 1899 Yoshida had his first American exhibition at Detroit Museum of Art (now Detroit Institute of Art), making the first of many visits to the US and Europe. In 1902 he helped reorganize the Meiji Fine Arts Society, renaming it the Taiheiyo-Gakai (Pacific Painting...
Category

1930s Showa Figurative Prints

Materials

Woodcut

Kintai Bridge at Iwakuni in Suo Province (Suo iwakuni kintai-bashi), 1859
By Hiroshige II
Located in Myrtle Beach, SC
Utagawa Hiroshige II (1829-1869), 'Kintai Bridge at Iwakuni in Suo Province' (Suo iwakuni kintai-bashi), from the series 'One Hundred Views of Famous Pla...
Category

1850s Edo Landscape Prints

Materials

Woodcut

'Interior of the Kannon Temple at Asakusa' — Tokyo Landmark, Early Edition
Located in Myrtle Beach, SC
NARAZAKI EISHO (1864-1936), 'Asakusa Kannon-do no naido' (Interior of the Kannon Temple at Asakusa), color woodblock print, 1932. Signed Eisho lower right, with the artist’s red seal beneath. A fine impression with fresh colors; the full sheet with slight overall age toning, a drying tack...
Category

1930s Interior Prints

Materials

Woodcut

You May Also Like

Kawase Hasui -- Spring Rain at Gokoku Temple
By Kawase Hasui
Located in BRUCE, ACT
Kawase Hasui Spring Rain at Gokoku-ji Temple, 1932 Woodblock Print 1st Publication: 1932 Sheet size: 39 × 26 cm Date of this edition: 1932, 1st edition Publisher: Doi Teiichi Note...
Category

1930s Prints and Multiples

Materials

Woodcut

Kawase Hasui -- Rain at Yasuniwa (Nagano)
By Kawase Hasui
Located in BRUCE, ACT
Kawase Hasui Rain at Yasuniwa (Nagano), 1946 woodcut in colours Signed on the block, sealed, titled and dated in ink Publisher: Shozaburo Watanabe, with his 6mm seal The first state ...
Category

1940s Landscape Prints

Materials

Woodcut

Early Japanese Woodblock Print Kiyomizu-dera Temple in Kyoto by Kawase Hasui
By Kawase Hasui 1
Located in Atlanta, GA
An early edition Japanese woodblock print "Kiyomizu-dera Temple in Kyoto by Kawase Hasui (1883-1957) from the series Collected Views of Japan II, Kansai Edition (Nihon fukei shu II Kansai hen). The series was created in 1933 and this is an early edition with the publisher copyright seal "Hanken shoyu fukyo mosha Watanabe Shozaburo" dated from 1931-1941. Signed and sealed Hasui in plate. Date and titled on the lower margin. For a comparable print, see lot 86 in Sotheby's London Auction Landscape to City: A Collection of 20th Century Japanese Prints...
Category

Vintage 1930s Japanese Showa Prints

Materials

Paper

Umewaka Shrine in the Rain
By Kobayashi Kiyochika
Located in Burbank, CA
Umewaka Shrine, from an untitled series of prints depicting Tokyo. A woman braces her umbrella against the rain and a man waits out the storm next to his jinriksha in this view of th...
Category

1870s Edo Landscape Prints

Materials

Handmade Paper, Mulberry Paper, Woodcut

Authentic Japanese Woodblock Print by Kawase Hasui - Kiyomizu Temple in Kyoto
Located in Norton, MA
Description Kawase Hasui - Kiyomizu Temple in Kyoto, woodblock, 1933, published by The S. Watanabe Color Print Co., with the 7mm and Heisei seals, 15.25" x 10.25". This item is in ex...
Category

Mid-20th Century Japanese Prints

Materials

Paper

Oiso Station in the Rain - Woodcut by Utagawa Hiroshige -1833
By Utagawa Hiroshige
Located in Roma, IT
Oiso Station in the Rain is an original modern artwork realized by Utagawa Hiroshige (1797 – 12 October 1858) in 1833-1834. Original Woodcut print Oban yokoe, lifetime impression. ...
Category

1830s Modern Figurative Prints

Materials

Woodcut