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Marion Osborn Cunningham
'Tropical Waterfall, Hawaii', Metropolitan Mus., National Gallery, NY MoMA, SFAA

1948

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'Formal Samoan Meal', NYMoMA, Metropolitan Museum, National Gallery, SFAA, GGIE
By Marion Osborn Cunningham
Located in Santa Cruz, CA
Stamped, verso, with certification of authenticity for 'Marion Cunningham' (American, 1908-1948) and created in 1948. Paper dimensions: 17.75 x 16 inches A substantial and rare, mid-century silkscreen showing a Samoan family seated beneath a traditional tent of tapa cloth and being served by a young woman. To realize this complex work, Cunningham used as many as one dozen hand-drawn screens, each of which varied in pigment, hue and opacity. Created during the extraordinary creative ferment that characterized the last year of the artist's life, this work represents a remarkable achievement for both artist and medium. Born in Indiana, Marion Osborn Cunningham moved to California in 1911. She first studied art with the American Impressionist, Ruth Heil Emerson, before continuing her education at Santa Barbara City College and receiving her Bachelor of Arts from Stanford University. She subsequently furthered her studies at the California School of the Fine Arts and at the Art Students League in New York City, where she met and married the American abstract artist Ben Cunningham. Returning to San Francisco...
Category

1940s Modern Landscape Prints

Materials

Paper, Screen

'Mimosa Tree Restaurant', Aegean, Cyclades, Japanese Artist in Greece, Feral Cat
Located in Santa Cruz, CA
Signed lower right, 'Hirano' for Yoshito Hirano (Japanese, born 1938) and created circa 1970; titled, verso, 'Mimosa Tree Restaurant'. Paper dimensions: 28...
Category

1970s Modern Landscape Prints

Materials

Paper, Lithograph

'Mimi and Bemi', Art Student's League, Salon d'Automne, Paris, Art Deco, Surreal
By Nura Ulreich
Located in Santa Cruz, CA
A mid-century, stone lithograph titled 'Mimi and Bemi' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stamped verso. Accompanie...
Category

1940s Surrealist Figurative Prints

Materials

Paper, Lithograph

'David, Walter & Blake', Woman Artist, Art Deco, Children, Walker Art Center
By Nura Ulreich
Located in Santa Cruz, CA
A stone lithograph titled 'David, Walter and Blake' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stamped verso. A crisp and f...
Category

1940s Surrealist Figurative Prints

Materials

Paper, Lithograph

'A College Trick', English Satirist, London's Royal Academy, Comedic, Benezit
By Thomas Rowlandson
Located in Santa Cruz, CA
An amusing view of an academic wagging his finger in disapproval as a young lady in a rope seat is pulled up to a college dorm window by a group of revelling students. Thomas R...
Category

18th Century Figurative Prints

Materials

Paper, Engraving, Lithograph

'Musicians Viewing the Full Moon', Large Japanese Color Woodblock Print, Biwa
By Ogyu Tensen
Located in Santa Cruz, CA
Signed, lower right, with artist's chop mark in Hiragana, 'Tensen-e' 天泉絵, for Ogyū Tensen 荻生天泉 (Japanese, 1882-1947) A large, early-20th-century, hand-colored Japanese woodblock showing elegantly-robed figures seated beside musical instruments in a panoramic landscape and viewing the full moon through golden clouds. An elegant example composed with clear artistic vision and printed with a consummate mastery of a challenging medium. Nihonga style painter Ogyu Tensen was born in present-day Nihonmatsu City, Fukushima Prefecture. He studied at the Tokyo Fine Arts School, where he was taught by the well-known Kanō school painter Gahō Hashimoto (1835-1908), who was instrumental in the development of nihonga painting. Tensen was selected to participate in the first Bunten exhibition (Ministry of Education Fine Arts Exhibition) in 1907, in which he won an award. He went on to win many other awards at the Bunten exhibitions and the exhibitions of its successor organizations, the Teiten (Imperial Academy of Fine Arts) and Shin Bunten along with exhibitions of the Japan Arts Institute (Nihon Bijutsuin) and the post-war 1946 Nitten (Japan Fine Arts Exhibition). Along with his work in printmaking, the Imperial Court commissioned paintings by him. Tensen was a member of the Futaba kai artist...
Category

1920s Figurative Prints

Materials

Woodcut, Paper, Fiberboard

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