Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 18

Vesuvs im Winter (Vesuvius in Winter) /// Mount Vesuvius Volcano Campania Italy

1797

About the Item

Artist: (after) Pierre-Jacques Volaire (French, 1729-1799) Title: "Vesuvs im Winter (Vesuvius in Winter)" (Plate 9) *Issued unsigned, though signed by Richter in the plate (printed signature) lower right Year: 1797 Medium: Original Etching with Aquatint laid down to blue laid paper and Collaged title Limited edition: Unknown Printer: possibly Johann Carl Richter, Dresden, Germany Publisher: possibly Johann Carl Richter, Dresden, Germany Reference: "Aquatint: From Its Origins to Goya" - Hoisington page 17 Sheet size (irregular margins): 12" x 18.13" Image size: 7.88" x 11.69" Condition: A few foxmarks and one small area of discoloration in margins. Has been professionally stored away for decades. It is otherwise a strong impression in excellent condition with full margins Extremely rare. An extraordinary example of an impressively complex piece of printmaking Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Carl Richter (1759-c.1832) after a painting by French artist Pierre-Jacques Volaire (1729-1799). Comes from a series of etchings with aquatint of various scenes of Mount Vesuvius and other European landscapes, (1797). Printed in one color: brown. "5" inscribed in blue crayon upper left and "9" printed upper right. Our example here has its original rough hand-cut full margins with printed ornamental border as issued. The National Gallery of Art, Washington, D.C. and the Carnegie Museum of Art, Pittsburgh, PA together have five examples from this series within their permanent collections. Mount Vesuvius is a somma-stratovolcano located on the Gulf of Naples in Campania, Italy, about 9 km east of Naples and a short distance from the shore. It is one of several volcanoes forming the Campanian volcanic arc. Biography: Pierre-Jacques Volaire (1729-1799) was a French painter. He was born in Toulon as the son of the official city painter and writer and became the pupil of Claude Joseph Vernet. He was his assistant for eight years and known for landscapes and marines. He created paintings for English travelers on the Grand Tour. Volaire painted more than 30 scenes of Mt. Vesuvius, a popular natural attraction on the continent because it erupted periodically. He died in Naples.
  • Creation Year:
    1797
  • Dimensions:
    Height: 12 in (30.48 cm)Width: 18.13 in (46.06 cm)
  • Medium:
  • Movement & Style:
  • After:
    Pierre-Jacques Volaire (1729 - 1799, French)
  • Period:
    1790-1799
  • Condition:
  • Gallery Location:
    Saint Augustine, FL
  • Reference Number:
    1stDibs: LU121214601732

More From This Seller

View All
Set of Two Engravings from Nash's "History of Worcestershire" /// Landscapes Art
By Treadway Russell Nash
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811) Title: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." and "Ombersley Court, the Seat of Lord Sandys" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Two Original Engravings and Etching with Aquatint on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.13" x 16.88" Image size (each): approx. 8.13" x 12.63" Condition: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." has scattered light foxmarks in margins. The top edge is unevenly trimmed and a small taped tear to lower right corner. "Ombersley Court, the Seat of Lord Sandys" has light toning to sheet and some faint discoloration in right margin. A small light water stain to lower left corner. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition Notes: Provenance: private collection - Aspen, CO. "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." was likely engraved by English artist James Ross (1745-1821) after a drawing by himself. "Ombersley Court, the Seat of Lord Sandys" was engraved by English artist Valentine Green (1739-1813) and English artist Francis Jukes (1745-1812) after a drawing by an unknown, likely English artist. The first work is an engraving; the second work is an etching with aquatint. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from copper plates in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "Ombersley Court, the Seat of Lord Sandys" has an unidentified watermark in the center of its sheet. "Henbury Hall" is actually incorrectly misnamed; its correct name is "Hanbury Hall". "PLATES, Drawn and engraved by J. Ross, unless otherwise expressed." - "A Bibliographical Account of the Principal Works Relating to English Topography", (1818) - William Upcott. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category

1780s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Intaglio, Etching, Aquatint

Ahorn auf Kos (Vue de la Place Publique de Cos) /// Plane Tree of Hippocrates
Located in Saint Augustine, FL
Artist: (after) Jean-Baptiste Hilaire (French, 1751-1828) Title: "Ahorn auf Kos (Vue de la Place Publique de Cos)" (Plate 3) *Issued unsigned, though signed by Richter in the plate (...
Category

1790s Old Masters Landscape Prints

Materials

Laid Paper, Etching, Aquatint

St Peters Church at Rome /// "Vitruvius Britannicus" Architecture Engraving Art
By Colen Campbell
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Title: "St Peters Church at Rome" (Vol. 1, Plate 6) Portfolio: Vitruvius Britannicus; or The British Architect, Containing the Plans, Ele...
Category

1710s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Etching, Intaglio

Set of Two Engravings from Campbell's "Vitruvius Britannicus" /// Architecture
By Colen Campbell
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Titles: "The Plan of this New Design to the Earl of Islay" (Vol. 1, Plate 53) and "This New Design to the Earl of Islay" (Vol. 1, Plate 5...
Category

1710s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Etching, Intaglio

Set of Two Engravings from Campbell's "Vitruvius Britannicus" /// Architecture
By Colen Campbell
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Titles: "Plan of the Principal Floor of Wilberry House" (Vol. 1, Plate 51) and "Wilberry House in the County of Wilt" (Vol. 1, Plate 52) ...
Category

1710s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Etching, Intaglio

Benevolent Cottagers /// English Landscape Figurative Village Scene Engraving
Located in Saint Augustine, FL
Artist: (after) Sir Augustus Wall Callcott (English, 1779-1844) Title: "Benevolent Cottagers" Year: 1816 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown...
Category

1810s Old Masters Landscape Prints

Materials

Engraving, Etching, Laid Paper, Intaglio

You May Also Like

The Plank Bridge – Landschap met een bruggetje van planken
By Anthonie Waterloo
Located in Middletown, NY
Etching on thin cream laid paper with a partial "M" or "W" watermark, 5 x 5 15/16 inches (126 x 150 mm), thread margins. Inscribed in the plate in the upper-right: “Antoni Waterlo fe...
Category

17th Century Old Masters Landscape Prints

Materials

Etching, Laid Paper

Arcadian riverscape with different figures by a tree [Arcadisch rivierlandschap]
Located in Middletown, NY
A beautiful Arcadian landscape after Johannes Glauber. Amsterdam: 1721. Etching on handmade laid paper with an intact fleur-de-lis watermark. 203 x 275 mm; 8 x 10 7/8 inches, trimm...
Category

18th Century Old Masters Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Le Tour de Clermont en Dauphine apartenant a Monsieur de Tonnerre
By Israel Silvestre
Located in Middletown, NY
Etching and engraving on handmade cream laid paper, 3 7/8 x 6 7/8 inches (97 x 173 mm), full margins. In good condition, consistent with age. Several small notations in pencil in t...
Category

18th Century Old Masters Landscape Prints

Materials

Handmade Paper, Laid Paper, Engraving, Etching

Veduta del Tempio della Fortuna Virile, from Raccolta delle più belle Vedute ...
By Giuseppe Vasi
Located in Middletown, NY
By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...
Category

Late 18th Century Old Masters Landscape Prints

Materials

Watercolor, Laid Paper, Engraving, Etching

Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Bretherton, James (After Rembrandt van Rijn). Christ and the Woman of Samaria Among Ruins. London: c 1775. Etching on light cream laid paper, 4 3/4...
Category

18th Century Old Masters Figurative Prints

Materials

Handmade Paper, Etching, Laid Paper

The Windmill by François Vivares, after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...
Category

Mid-18th Century Old Masters Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Recently Viewed

View All