Will (William Howard) Shuster

La Noria, 1920s New Mexico Adobe House Landscape Etching, Well, Trees, Sky

1929

“Card Players” is an original, hand-signed mid-century lithograph by renowned American artist Kenneth Miller Adams (1897–1966). Created circa 1959 and numbered 16/100, this expressive figurative print captures an intimate moment: a group of men gathered around a card game, their gestures and body language conveying the intensity of the scene. Adams’ strong draftsmanship and sense of composition shine through, making this a compelling example of American Regionalism and mid-century social realism. Professionally framed in a sleek black archival frame, the artwork remains in excellent, clean vintage condition. Framed Dimensions: 25 ⅝ x 31 ¼ x 1 ⅛ inches Image (Sight) Size: 18 ½ x 24 ¼ inches Edition: 16 of 100 Provenance: Private Collection, Denver, Colorado A detailed condition report is available upon request. Expedited and international shipping available. About the Artist: Kenneth Miller Adams (1897–1966) Born in Kansas, Kenneth Adams began his art training in Topeka and continued at the Art Institute of Chicago and Art Students League of New York. After World War I, he studied in Europe before settling in Taos, New Mexico in 1924—becoming the youngest and final member of the Taos Society...

A stunning example of American printmaking, “Red Mountain Relic” is an original etching with drypoint by acclaimed artist Gene Kloss (1903–1996). This atmospheric composition capture...

"Ceremonial Day at Taos" is a captivating vintage black and white etching by renowned American artist Gene Kloss. Created in 1953, this drypoint etching depicts the vibrant life of T...

This original vintage color aquatint etching captures the breathtaking beauty of Longs Peak and Mount Meeker, as seen from Rocky Mountain National Park near Estes Park, Colorado. Cre...

Resist ground etching and engraving on cream wove paper, 22 x 39 inches (558 x 990 mm), full margins. Signed, titled, dated, and numbered 27/160 in pencil, lower margin. With the blindstamp of the printer, Robert E. Townsend, in the lower left margin. A beautiful, richly inked impression of this highly detailed, large image. In very good condition with minor mat tone, extremely minor scattered light surface soiling, and one pin-point sized dot of brown discoloration on the lower left margin, recto, well outside of image area. [Milton 99]. Milton states that there is a metaphorical evolution at the root of his body of graphic work, and with Les Belles et la Bête, Before the Hunt, he found himself at a crossroads that he viewed as a sort of artistic adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. The image is brimming with fantastical images and metaphors for the confrontation of sexual exploration; a Freudian analyst appears in the left of the image, scattered tableaus of paired figures...

Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...

"Pomme d' Amour" Mid-Century Modern Aquatint embossed Floral "Sept Tomate Original by Anne Walker Mid-Century Modern Aquatint of the Pomme d’amour or ‘Love Apple’ by Anne Walker (Be...

Trees. 2016. Paper, etching, 2/5, 29x40 cm