Lawrence Weiner

Imaginary Realities

Lawrence Weiner (b. 1942) is one of the most-distinctive American conceptual artists. His philosophy and aesthetic developed concurrently to Sol LeWitt yet Weiner has focused far more on (text-based) installation - typically in public spaces. Exhibited at Leo Castelli during the 1970's, Weiner has been an institutional darling with major exhibitions at most of the world's top museums. As a significant portion of his output is temporary installation, his multiples (which are few and far between) are sought-after and cherished by collectors. This rare silkscreen was published in conjunction with Weiner's solo exhibition "SPHERES OF INFLUENCE...

Claes Oldenberg (b.1929) is a Swedish-born American artist, renowned for his contribution to Pop art by way of his iconic soft sculptures and public installations. In 1962, Oldenburg debuted his revolutionary soft sculptures at the Green Gallery in New York. Three giant, squishy sculptures of an ice cream cone, a hamburger, and a slice of cake, swelled across the gallery floor, forever changing the way we define sculpture. It has been noted that Oldenburg's early work was largely inspired by Yayoi Kusama's hand-sewn phallic-shaped soft sculptures that enveloped the surfaces of ironing boards, sofas, and boats. Click here to see an exhibition poster featuring a later example of Kusama's soft sculptures. Ranging from voluminous hamburgers (famously on display at the AGO) to ballistic badminton shuttlecocks, Oldenberg's colossal sculptures replicate commonplace objects on a grand scale, often disrupting the environment they inhibit with curious and playful subtexts. The confrontational nature of Oldenberg's sculptures places an emphasis on the viewer, asking us to reconsider our relationship to these recognizable, but obscure, objects. "Geometric Mouse...

Framed Lawrence Weiner, ALL IN DUE COURSE, limited edition artwork tattoo for the South London Gallery, 2014. Born in 1942 in the Bronx, New York, Weiner lives and works in New York...

The original poster titled A Means to an End, hand-signed in black pen by Lawrence Weiner, was created for his exhibition at Le Musée de Sérignan from September 2006 to January 2007....