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Angèle Delasalle
Le Dejeuner

1907

$300List Price

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Confidences /// Antique Modern Etching Figurative Nude Girls Impressionist Print
By Emil Fuchs
Located in Saint Augustine, FL
Artist: Emil Fuchs (Austrian, 1866-1929) Title: "Confidences" *Signed by Fuchs in pencil lower right. It is also signed in the plate (printed signature) lower left Circa: 1920 Medium: Original Drypoint Etching on unbranded white wove paper Limited edition: Unknown Printer: the artist Fuchs himself, New York?, NY Publisher: likely the artist Fuchs himself, New York?, NY Sheet size: 7" x 8.5" Image size: 5" x 7" Condition: Never framed, has been professionally stored away for decades. Presently tipped into an archival storage mat. In mint condition Extremely rare. Lovely work Notes: Various pencil inscriptions at bottom in margins including the title. "Imp" pencil inscribed by Fuchs after his signature denoting he was the printer of this work. There is an example of this very same work within the permanent collection of the Metropolitan Museum of Art, New York, NY. The MET specifies their example was acquired as a gift directly from the artist Emil Fuchs himself in 1931. Biography: Emil Fuchs, MVO, (9 August 1866 – 13 January 1929) was an Austrian and American sculptor, medallist, painter, and author who worked in Vienna, London and New York. He painted portraits of Queen Victoria and Edward VII and was fashionable among London high society in the early 20th century. He was born in Vienna on 9 August 1866. During his years in Austria, Germany and Rome he was a sculptor and medallist who eventually began to study painting as well. He studied at the Academy of Fine Arts Vienna under Edmund von Hellmer and Viktor Oskar Tilgner. He then attended the Prussian Academy of Arts in Berlin where he studied under Fritz Schaper and Anton von Werner...
Category

1910s Impressionist Nude Prints

Materials

Etching, Drypoint, Intaglio

Vérité (Truth) /// French Modern Impressionist Art Lithograph Nude Figurative
By Henri Fantin-Latour
Located in Saint Augustine, FL
Artist: Henri Fantin-Latour (French, 1836-1904) Title: "Vérité (Truth)" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1900 (third state of three) Medium: Original Lithograph on chine appliqué on wove paper Limited edition: Unknown Printer: A. Clot, Paris, France Publisher: Revue de l'Art Ancien & Moderne, Paris, France Reference: Floury No. 156; Hediard-Mason No. 156; L No. 139 Sheet size: 11.5" x 8.5" Image size: 7.5" x 5.5" Condition: In excellent condition This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Henri Fantin-Latour, in full Ignace-Henri-Jean-Théodore Fantin-Latour (born Jan. 14, 1836, Grenoble, France—died Aug. 25, 1904, Buré), French painter, printmaker, and illustrator noted for his still lifes with flowers and his portraits, especially group compositions, of contemporary French celebrities in the arts. Fantin-Latour’s first teacher was his father, a well-known portrait painter. Later, he studied at the school of Lecoq de Boisbaudran and attended the École des Beaux-Arts. He exhibited at the official French Salons, but in 1863 he also showed his work in the rebel Salon des Refusés. Although academic in manner, Fantin-Latour was independent in style. He had numerous friends among the leading French painters of his day, including J.-A.-D. Ingres, Eugène Delacroix, Camille Corot, Édouard Manet, and Gustave Courbet. His portrait groups, often arranged in rows of heads and figures like 17th-century Dutch guild...
Category

Early 1900s Impressionist Nude Prints

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Unité, Planche 10 (Set of 2) /// Surrealism Modern Art Le Corbusier Nude Animal
By Le Corbusier
Located in Saint Augustine, FL
Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Unité, Planche 10" (Set of 2) Portfolio: Unité *Signed by Le Corbusier in pencil lower right. It is...
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1960s Surrealist Nude Prints

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Etching, Aquatint, Intaglio

Small Nude /// Philip Pearlstein Etching Figurative Female Post-War New York Art
By Philip Pearlstein
Located in Saint Augustine, FL
Artist: Philip Pearlstein (American, 1924-2022) Title: "Small Nude" *Signed and dated by Pearlstein in pencil lower right Year: 1976 Medium: Original Soft-Ground Etching on German Et...
Category

1970s Contemporary Nude Prints

Materials

Etching

Figure Endormie dans un Intérieur (Interior with Sleeping Figure) /// Matisse
By Henri Matisse
Located in Saint Augustine, FL
Artist: Henri Matisse (French, 1869-1954) Title: "Figure Endormie dans un Intérieur (Interior with Sleeping Figure)" *Signed and numbered by Matisse in...
Category

1920s Modern Nude Prints

Materials

Etching, Intaglio

Le Fil d'Ariane (Ariadne's Clew) /// Modern Surrealism Surrelist Andre Masson
By André Masson
Located in Saint Augustine, FL
Artist: André Masson (French, 1896-1987) Title: "Le Fil d'Ariane (Ariadne's Clew)" Portfolio: For Meyer Schapiro *Signed by Masson in pencil lower right Year: 1973 Medium: Original Etching with Aquatint on Rives BFK paper Limited edition: 15/100 Printer: Atelier Crommelynck, Paris, France Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro at Columbia University, New York, NY Sheet size: 18" x 13.5" Image size: 11.5" x 8.5" Condition: Never framed, has been professionally stored away for decades. In excellent condition Rare Notes: Numbered by Masson in pencil lower left. Comes from the 1974 "For Meyer Schapiro" portfolio of twelve print editions by various artists. The "For Meyer Schapiro" portfolio consisted of four lithographs (one with embossing), three screenprints (one with stamp additions), two lithographs and screenprints (one with embossing), two etching and aquatints, and one duplicated drawing. Various printers were used. In addition to Masson, the following artists also contributed to the portfolio: Stanley William Hayter, Jasper Johns, Ellsworth Kelly, Alexander Liberman, Roy Lichtenstein, Robert Motherwell, Claes Oldenburg, Robert Rauschenberg, Saul Steinberg, Frank Stella, and Andy Warhol. Biography: André Masson (b. Balagny-sur-Thérain 1896 - Paris 1987) was a French artist. He was brought up in Belgium. He began his study of art at the age of eleven in Brussels, at the Académie Royale des Beaux-Arts under the guidance of Constant Montald, and later he studied in Paris. He fought for France during World War I and was seriously injured. His early works display an interest in cubism. He later became associated with surrealism, and he was one of the most enthusiastic employers of automatic drawing, making a number of automatic works in pen and ink. Masson experimented with altered states of consciousness with artists such as Antonin Artaud, Michel Leiris, Joan Miró, Georges Bataille, Jean Dubuffet, and Georges Malkine, who were neighbors of his studio in Paris. By the end of the 1920s, however, he was finding automatic drawing rather restricting, and he left the surrealist movement and turned instead to a more structured style, often producing works with a violent or erotic theme, and making a number of paintings in reaction to the Spanish Civil War. Under the German occupation of France during World War II, his work was condemned by the Nazis as degenerate. With the assistance of Varian Fry in Marseille, Masson escaped the Nazi regime on a ship to the French island...
Category

1970s Surrealist Nude Prints

Materials

Etching, Intaglio, Aquatint

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