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Raymond PettibonRaymond Pettibon Black Flag punk flyer (Raymond Pettibon Punk)1981
1981
$825
£612.52
€713.75
CA$1,145.37
A$1,281.16
CHF 666.73
MX$15,771.57
NOK 8,482.13
SEK 7,957.91
DKK 5,325.31
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About the Item
Raymond Pettibon illustrated Black Flag flyer published on the occasion of: Black Flag at the Elite Club, Oct. 31 1981; with D.O.A., Saccharine Trust, & Overkill. A rare early Pettibon punk illustration.
Flea, the Red Hot Chili Peppers bassist once said of Pettibon's Black Flag illustrations and iconic logo: "Before I knew what Black Flag was I remember walking around Hollywood and seeing Raymond's flyers and being like, 'What the fuck is that?'… Those flyers made me feel like something is going on and it's romantic and it's mysterious and it's heavy and I don't know what it is but I wanna know."
Offset printed punk flyer; 8.5 x 11 inches.
Good overall vintage condition. Minor signs of handling.
Unsigned from an edition of unknown. RARE.
Published by SST records, Lawndale, CA
Further History:
Between the years 1978 and 1986 Raymond Pettibon (aka, Raymond Pettibone; St. Pettibone) produced a now historic amassment of graphic works for the seminal Southern California punk band Black Flag. Published mostly by SST Records - founded by Pettibon's brother and Black Flag guitarist, Greg Ginn, these works shed valuable light on the origin and development of Pettibon’s thematic interests & style; not to mention his evolution into one of the most important artist’s of his generation.
In November, the Museum der Moderne Salzburg hosted Homo Americanus, a major survey of Pettibon’s work, encompassing over six hundred works from every part of the artist’s career, a majority of which have never been shown before. This major exhibition was also accompanied by a publication of the same name, documenting these same early works.
In February 2017, the New Museum will present 'A Pen of All Work,' a major solo exhibition of Pettibon’s work featuring 700 plus drawings from the 1960s to the present - the artist’s first museum survey in New York and most comprehensive presentation of his work to date.
More On Raymond Pettibon
Raymond Pettibon’s work embraces a wide spectrum of American “high” and “low” culture, from the deviations of marginal youth to art history, literature, sports, religion, politics, and sexuality. Taking their points of departure in the Southern California punk-rock culture of the late 1970's and 80's and the “do-it-yourself” aesthetic of album covers, concert flyers, comics and fanzines that characterized the movement, his drawings have come to occupy their own genre of powerful and dynamic American commentary.
Relevant Auction History:
Paddle8, 2014-16
Phillips, 2010
Catalogue Raisonee/Further References:
Homo Americanus, pub. David Zwirner Books, 2016
Moca: Raymond Pettibon Collection
MoMa: Raymond Pettibon Archive
Related Categories
Mike Kelley. Robert Crumb. Sonic Youth. Marcel Dzama. Punk Art. Shepard Fairey. CBGB. Iggy Pop.
- Creator:Raymond Pettibon (1957, American)
- Creation Year:1981
- Dimensions:Height: 11 in (27.94 cm)Width: 8.5 in (21.59 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU354314223332
Raymond Pettibon
Raymond Pettibon was born in Tucson, Arizona in 1957, but spent his childhood in Hermosa Beach, California. After graduating from the University of California at Los Angeles with a degree in economics, Pettibon received his BFA in 1977. His artistic career began to take off in the early 1980s. During this time, he produced album artwork and posters for many punk rock bands such as Black Flag and Sonic Youth.
Many of Pettibon’s prints, paintings and mixed media works incorporate harsh and equivocal text and imagery. While some of the text is borrowed, others are Pettibon’s original words. His style echoes that of comics and includes motifs from youth culture, politics, sports, and celebrity. While his early works were completed in black and white, often with the use of India ink, later in his career Pettibon began incorporating color in his use of paint, collage, watercolor, gouache, and pencil. He is known for his edgy one-liners and raw depiction of youth culture and the punk scene.
Pettibon’s most recent works critique contemporary controversies such as the Iraq War and American politics. Pettibon is currently living and working in New York City.
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