Richard Lindner

Read Head

1971

This artwork titled "The Zealot" c.1950 is an original woodcut by Hungarian/American artist Julius F. Faysash, 1904-1977. It is hand signed, titled and numbered 4/50 in pencil by the artist. The image (woodblock mark) is 10 x 8 inches, framed size is 18 x 15 inches. Custom framed in a wooden grey frame and light beige matting. It is in very good condition. About the artist: Julius F. Faysash was born 1904 in Budapest Hungary. He and his family moved to the United States in 1914. His father, Emanuel Faysash was a cabinet maker and settled in Cleveland Ohio area. A short time later the family moved to Akron, Ohio where Faysash remained the rest of his life. Julius graduated from the Cleveland School of Art and attended Akron University in 1927. He was a founding member of the Akron Society of Artists in 1931 and was the president of the Society in 1934 and 1946. He was an illustrator for the Firestone Company from the 1940's until his retirement from the company in 1969, mainly working in watercolor for this time period. After retirement he began traveling to Mexico 6 months out of the year and began working in oils, acrylics and printmaking. He received an M.F.A. in 1973 from the Instituto Allende/University of Guanajuato, Mexico. He also had further studies under Henry G. Keller and in portraiture with Wayman Adams, Sandor Vago...

Artist: Nicola Simbari – Italian (1927-2012) Title: Marco Year: 1978 Medium: Screen Print Image size: 28.5 x 31.75 inches. Sheet size: 35 x 37.5 inches. Signature: Signed lower ri...

This artwork titled "Amos" 1960 is an original woodcut on paper by noted American artist Leonard Baskin, 1922-2000. It is hand signed, titled and numbered 35/50in pencil by the artis...

Artist: Robert Indiana (American, born 1928) Title: "Constance Fletcher" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...

THREE FACES is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1991 in an edition of 100, using tradition...

Artist: Larry Rivers, American (1923 - 2002) Title: Queen of Clubs Year: 1979 Medium: Lithograph and Silkscreen, signed and numbered in pencil Edition: ...

Erró (born 1932 in Iceland) Les grands enfants de Mao (The Grandchildren of Mao), 2007 Medium: Lithograph in colors Dimensions: 55 x 55 cm Edition of 125: Hans signed and numbered Co...

Gudmundur Gudmundsson, aka Erró (Icelandic, b. 1932) Ice Cream for Mao, 2004 Medium: Lithograph on wove paper Medium: 77.5 × 59 cm Edition of 120: Hand signed and numbered Condition:...