Gillian Whaite

Gillian Whaite (1934-2012) - 20th Century Etching, Grasses and Butterflies

Unknown

A striking monochrome etching showing a vase of flowers on a bold striped background. The artist has signed, inscribed and numbered (1/1) to the lower edge. The print has been presen...

A coloured lithograph of Buffet's famous work titled 'Pensees'. The piece depicts three pansies in black, red and yellow. The artist signature has been printed in the upper left corn...

Rare Jonas Wood print! etching 2014 paper size- 15.75 x 13.75 frame size- 18.75 x 16.75 x 1.5" signed and dated SP2 *two small pinholes in the upper ...

Brodie Standing by Helen Fay [08] Limited Edition Etching , hand printed on Hanemulle etching paper Edition number edition size 75 Image size: H:30.5 cm x W:51 cm Complete Size of Unframed Work: H:45 cm x W:64 cm x D:.15cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This is a handmade and hand printed etching. An old friend of mine, Brodie the Scottish Terrier. He was a regular at the shows and a wonderful character. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon...