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Hanna Kay
MIGHTY TREE II Signed Lithograph, Realistic Tree Drawing, Surrealist Style

1975

$470
$59521% Off
£361.56
£457.7121% Off
€419.66
€531.2821% Off
CA$662.81
CA$839.0921% Off
A$742.46
A$939.9221% Off
CHF 389.97
CHF 493.6821% Off
MX$9,028.09
MX$11,429.1821% Off
NOK 4,938.26
NOK 6,251.6321% Off
SEK 4,687.74
SEK 5,934.4821% Off
DKK 3,132.11
DKK 3,965.1121% Off

About the Item

MIGHTY TREE II is an original limited edition lithograph(not a photo reproduction or digital print) using traditional hand lithography techniques on archival Arches buff colored paper, 100% acid free. MIGHTY TREE II is a realistic tree drawing expressed as a three panel, horizontally placed composition printed in dark brown gray and pale green ink from a hand drawn lithography stone. The tree is meticulously drawn using highly detailed pencil markings which create the intricate foliage crown, massive trunk, and multi-fingered roots. MIGHTY TREE II is truly an imaginative, surrealist style triptych drawing of an uprooted age-old tree existing from another time. Superb quality, hand crafted original lithograph, very fine impression. Print size - 20.5 x 30 inches, unframed, very good condition, light handling, printer registration pin holes on left and right margin, pencil signed by Hanna Kay Image size - 15 x 27 inches Edition size - 50 Year published - 1975 Hanna Kay is an internationally established artist who was born in Israel, studied art in Vienna, lived a decade in New York, and has been living and exhibiting in Australia since 1990. She has exhibited extensively in the art capitals of Europe, the USA, and Australia and her art is to be found in many public and private collections in Australia and around the world. Artist Statement - Having grown up in one environment and then migrated to live in several others before ending up in rural Australia, my artworks are inspired by encounters with the natural world. Much of my work has been exploring our relationship with the landscape and, through it, I have come to recognize nature’s significance to our humanity, and to believe that the landscape is an essential element in the formation of a culture’s distinctiveness.As such the focus of my art is not necessarily on the majestic – rather, I choose to engage with forces that act upon the fragments, and to examine the nature of their changeability. As a result my artworks act as metaphors alluding, through their subject matter, to our everyday experiences. My artworks are based on ideas and concepts which I prefer to explore on two dimensional surfaces. I use a technique which I have developed over many years, based on the old masters painting technique I’d learnt in Vienna. By layering paint and tempera the canvases develop a reality of sorts, with which I hope to entice the viewer to enter into a dialogue with the artwork; to perhaps reach beyond the surface and engage with the new spaces I created.
  • Creator:
    Hanna Kay (1948)
  • Creation Year:
    1975
  • Dimensions:
    Height: 20.5 in (52.07 cm)Width: 30 in (76.2 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Very good condition, never been framed or mounted, pencil signed AP(Artist Proof) aside from edition of 50, printers chop embossed on lower left corner, deckled edges, from the master printers private collection.
  • Gallery Location:
    Union City, NJ
  • Reference Number:
    1stDibs: LU83239688462

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