Ralph Goings

Tiled Lunch Counter, Photorealist Screenprint by Ralph Goings

1981

Artist: Lowell Nesbitt, American (1933 - 1993) Title: Red Poppies Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 175 Image Size: 37.5 x 29.5 inches Paper Size...

Artist: Charles Bell Title: The Viking Year: 1994 Medium: Silkscreen on Bristol Rag Museum Board, Signed and numbered in pencil Edition: 2/50 Image: 24 x 34...

Relish by Ralph Goings, American (1928–2016) Date: circa 1990 Screenprint, Signed and numbered in pencil Edition of 195,AP 55 Size: 25 in. x 38 in. (63.5 cm x 96.52 cm)

A silkscreen print by Lowell Nesbitt from 1975. A colorful still life that combines both organic and geometric elements. Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Still Life with...

ROBERT COTTINGHAM Star, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and numbered edition of 100 in pencil -- Robert Cottingham B. 1935, BROOKLYN, NEW YORK Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler. Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising. In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California. In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...

Shan Fannin's (US based) "1972 Pontiac Firebird Formula 400 M22" is an limited edition giclée print that depicts a close up view of the front of a blue Po...

Please note the price is for the unframed original etching . Libby and Bumblebee is an original etching, engraved onto a copper plate, from which Guy Allen creates an impression of ink onto paper. To create his pieces, Guy Allen marries the traditional technique of etching with timeless subject matter and print making processes, for a more contemporary twist. Guy has adopted a unique approach to etching by using a stippling effect on the plate, a labour intensive pointillist technique which gives the images a detailed finish and highlights his skill in freeform drawing and etching. Image size: 29cm x 40cm Approximate size when framed: 45cm x 65cm Medium: Etching and gold leaf Edition size: 75 Year completed: 2017 Size: H:40 cm x W:29 cm Accomplished print maker Guy Allen (b.1987) grew up surrounded by Norfolk’s natural beauty. The theme of the animal world is central to Guy’s work and inspiration. His limited edition original etchings showcase his brilliant draftsmanship in a contemporary way. Guy graduated from Central Saint Martins School of Art in 2011, but discovered his passion for the traditional etching process while studying at the École Nationale Supérieure Des Beaux-Arts in Paris in 2010. In 2012 Guy trained as an assistant print maker at the highly respected Curwen Studios, Cambridge, under Mary Dalton and Stanley Jones, where he mastered other types of printmaking. Today Guy works as a full time artist, splitting his week between his London and Norfolk studios, accompanied by trusty wire haired...

Waxing Crescent (The Moon Series) by Guy Allen [2020] limited_edition Etching on paper Edition number 75 Image size: H:51 cm x W:51 cm Complete Size of Unframed Work: H:51 cm x W:51 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Waxing Crescent by Guy Allen is a limited edition of the moon. This piece is part of Guy's moon series. Accomplished print maker Guy Allen (b.1987) grew up surrounded by Norfolk’s natural beauty. The theme of the animal world is central to Guy’s work and inspiration. His limited edition original etchings showcase his brilliant draftsmanship in a contemporary way. Guy graduated from Central Saint Martins School of Art in 2011, but discovered his passion for the traditional etching process while studying at the École Nationale Supérieure Des Beaux-Arts in Paris in 2010. In 2012 Guy trained as an assistant print maker at the highly respected Curwen Studios, Cambridge, under Mary Dalton and Stanley Jones, where he mastered other types of printmaking. Today Guy works as a full time artist, splitting his week between his London and Norfolk studios, accompanied by trusty wire haired dachshund...