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Golf Through The Ages- The Georges

Art Sz: 13 3/4"H x 10 1/4"W Carlo de Fornaro (sometimes spelled Carlo di Fornaro) (1872–1949) was an artist, caricaturist, writer, humorist, and revolutionary. His work is in the c...

Print Sz: 13 5/8"H x 9 1/4"W Frame Sz: 17 7/8"H x 13 5/8"W w/ coral mat & gilt bamboo frame Artist: E. H. Raskin

Print Sz: 7 1/2"H x 10"W Print Sz: 11"H x 14"W Plate 116 C. Barry RA Archt Bridgewater House is a townhouse located at 14 Cleveland Row in the St James's area of London, England....

Print Sz: 4 3/8"H x 5 7/8"W French mat Sz: 10 1/2"H x 11 3/8"W Henry William Bunbury (1 July 1750 – 7 May 1811) was an English caricaturist. The second son of Sir William Bunbury, ...

"Black Eyed Susan" is an original lithograph by Marion Greenwood, published by Associated American Artists. The artist signed the piece in the lower right. It features a young girl w...

Printed by Oscar Consee, Munich, 1922 Not much is known about this Stockholm-based cabaret act. Translating literally as Bat Man, we see a young dancer tease an oversized bat wearing a monocle -- a truly bizarre but beautiful design. (text by Jack Rennert) Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery...

Color lithograph on Arches, 1970. Signed and numbered 37/75 in pencil (there was also a deluxe edition of 25 in Roman numerals on Japon). Published by Edicions Polígrafa, Barcelona.

Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury. Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession. In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings. Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...