Medium Abstract Sculptures

Guillaume Lachapelle’s artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models – which Lachapelle has recently begun to make with the help of the latest 3-D printing technology – shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle’s work – for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness – these are the artist’s references to spaces and occurrences which may be concealed below the surface of outward semblance. Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa – Centre d’Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...

Working primarily in the medium of installation, but also that of photography and video, Karine Payette creates fictional environments that function as freeze frames in which narratives are suspended. In her work, she uses everyday objects to construct extensive dream-like scenes in a hyperrealist manner. These mises-en-scène serve to hint at a potential narrative which evokes the precariousness of our surrounding world. Through the playful use of everyday objects that are transposed into extraordinary situations, she craftily toys with our vision of things, so as to stimulate reflection about the instability of the materials and forms which are part of our living environments. She questions notions of comfort and displeasure in a perpetually transforming world. Karine Payette, who holds a MFA from UQAM, lives and works in Montreal. Her works have been displayed in solo exhibitions, notably at the Galerie de l’UQAM (Confort instable, 2012) and at Le lieu, Centre en art actuel in Quebec City (L’autre dimanche matin...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an ...

A sculpture by Ron Reihel. "Elutheria" is an abstract, cast resin, plaster, wood and canvas wall sculpture executed in a deep, glossy black by contemporary artist Ron Reihel. Ron Rei...

Steve Tobin Black Steelroot #2, 2024 Forged and welded steel, multicoat acrylic paint 23.5 x 31 x 31 inches STo005 Steve Tobin (b. 1957, Philadelphia) is a conceptual artist whose a...

Lee Song Joon's signature concept of infinity comes to life through reflective clusters of steel spheres, illuminated by ever-changing LED lights that cycle through a limitless spect...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Alex Gabriel Bernstein presents a bold and refreshing exploration of visual form and storytelling through the art of glass. Bernstein skillfully combines metaphor with the impact and...

Alex Gabriel Bernstein (b. 1972) Amber Daybreak Offering, 2023 Cast and cut glass 11.25 x 25 x 4.25 in (28.58 x 63.50 x 10.80 cm)

Alex Gabriel Bernstein (b. 1972) Open Sun, 2023 Cast and cut glass23.50 x 25 x 3 in (59.69 x 63.50 x 7.62 cm)

"As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figure is abstrac...

Tom Marosz plays with the manipulation of negative space, quite a powerful element when used correctly. Often it is the major element that explains the “story” of his sculpture So...

This abstract optic glass sculpture is a scaled up version of the original Cobalt Composition, noteworthy for both its geometric shape and purity. Brzon uses pure optic glass, void o...

Yellow flock over 3/8 inch Aluminum and mounted on 1/4 inch polished stainless steel base with yellow flocked feet 25 x 23.75 x 3.50 in (63.50 x 60.32 x 8.89 cm)

Shaped aluminum with aqua powder coat on polished aluminum base 24.50 x 24 x 3.50 in (62.23 x 60.96 x 8.89 cm)

Cameo Pink Seaform with Black Lip Wrap (94.678.s1), 1994 Dale Chihuly (American, b. 1941) 14 x 32 x 18 inches Born in Tacoma, Washington, Dale Chihuly became the most famous ornate ...

Acrylic on canvas stretched over hand built wood and PVC armature. Dimensions listed are for piece as shown -- note that dimensions are variable depending on installation layout. Pa...

An outdoor sculpture made out of powder coated stainless steel. This sculpture is a rich, vibrant, and shiny red. Rick Lazes is a three dimensional artist who works in a variety of...

This abstract optic glass sculpture is noteworthy for both its geometric shape and purity. Brzon uses pure optic glass, void of any defects, which enables its perfection to shine thr...

"Terracotta" by Joel Perlman Abstract sculpture in bronze Joel Perlman has been creating complex sculptures out of steel, bronze, and aluminum since the early 1970's. While minimali...

Unique and original sculpture by Gil Bruvel. From the new Cubic sculpture series. Gil Bruvel is a visual artist who was born in 1959 in Sydney, he lives and works in Houston, United...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

The color of the piece changes with the LED light that is plugged into an outlet.

This unique piece by Margulis is from his latest body of works and is part of an edition of 3. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paints t...

Beverly Pepper is an American sculptor known for her monumental works, site specific and land art. She remains independent from any particular art movement. She was married to the writer Curtis Bill Pepper. Pepper was born Beverly Stoll on December 20, 1922, in Brooklyn, New York. At sixteen, she entered the Pratt Institute in Brooklyn, New York to study advertising design, photography, and industrial design. She then embarked on a career as a commercial art director. She studied at Art Students' League and attended night classes at Brooklyn College, including art theory with György Kepes, who introduced her to the work of Lasló Moholy-Nagy and Man Ray. It was also at this time, in her mid twenties, that she met the environmental artist Frederick Kiesler. Drawn to post-war Europe in 1949, she studied painting in Paris at the Académie de la Grande Chaumière. There she attended classes with cubist painter André L'Hôte, and with Fernand Léger at his atelier. She also visited the studios of Ossip Zadkine and Brâncuși. Pepper began her career as a painter, but after a trip to Angkor Wat, Cambodia in 1960, she was so awed by the temple ruins surviving beneath the jungle growth that she turned to sculpture. She made her debut in 1962 with an exhibit of carved tree trunks at a gallery in Rome. After several exhibitions in New York and Rome, she was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Pietro Consagra, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. Beverly Pepper has had a long and extraordinary career. Like her contemporaries Louise Bourgeois and Louise Nevelson, Pepper forged a unique path as a mid-century feminist artist. As the 1960s progressed, Pepper turned to polished stainless steel. In some of the first works, she used a torch to carve used one-inch thick elements of stainless steel. From there, her pieces evolved into highly polished stainless with painted interiors. She was, in fact, one of the first artists, if not the first, to incorporate Cor-Ten steel into sculpture. Beginning in the 1970s, and to the present day, she has lived a bi-continental life traveling between Europe and the United States. Western Washington University outdoor sculpture collection. The collection has some pieces which qualify as "land art" including Alice Aycock's 1987 "The Islands of the Rose Apple Tree Surrounded by the Oceans of the Word, for You, Oh My Darling," and Nancy Holt's 1977-1978 "Stone Enclosure: Rock Rings." Other artists in the collection include Beverly Pepper, Robert Morris, Richard Serra, Isamu Noguchi, Bruce Nauman, Tom Otterness, and Mark di Suvero. Pepper's works have been exhibited and collected by major museums and galleries throughout the world, including: deCordova Sculpture Park and Museum, Lincoln, Massachusetts The Metropolitan Museum of Art, New York The Whitney Museum of American Art, New York Brooklyn Museum of Art, Brooklyn, New York The Albright-Knox Art Gallery, Buffalo, New York The White House Sculpture Garden, Washington, D.C. The Hirshhorn Museum and Sculpture Garden The National Museum of American Art, Smithsonian Institution, Washington, D.C. The Walker Art Center, Minneapolis, Minnesota The San Francisco Museum of Modern Art, California Denver Art Museum, Colorado Columbus Museum of Art, Ohio The Georgia Museum of Art, Athens, Georgia Centre Georges Pompidou, Paris, France Les Jardins du Palais Royal, Paris, France Palazzo degli Uffizi, Florence, Italy Galleria Nazionale d’Arte Moderna, Rome, Italy Forte Belvedere, Florence, Italy The Albertina Museum, Vienna, Austria The Museum of Modern Art, Barcelona, Spain The Wohl Rose Garden, Jerusalem, Israel The Contemporary Sculpture Center, Tokyo, Japan The Museum of Modern Art, Sapporo, Japan Europarkas Sculpture Park, Vilnius, Lithuania The Bradley Foundation, Milwaukee, Wisconsin The Gori Collection, Pistoia, Italy Nasher Sculpture Center, Dallas, Texas The City of Todi, Italy Indianapolis Museum of Art, Indianapolis Museu d'Art Contemporani de Barcelona, Barcelona, Spain Casal Solleric, Majorca, Spain Laumeier Sculpture Park, St. Louis, Missouri The Seattle Art Museum, Olympic Sculpture...

In this new body of work, Kremer continues to explore and celebrate the physical experience of being, juggling eros, flora, fauna, and saga in abstract relationships that continue to...

Abstract Sculpture by American Artist Jack Youngerman, from the Atlantic Ritchfield art collection. Abstract Form rotating on marble base. Initialed JY (Jack Youngerman, American, b....

Volumen VPC-062, 1972 Unique Piece Direct carving on Cumarebo stone 67 x 38 x 20 cm 26.3 x 14.9 x 7.8 in. ABOUT THE ARTIST Narváez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narváez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narváez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narváez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narváez’s public output continued with works such as the statue of Fermín Toro, La Educación, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narváez, Maderas, Piedras y Bronces” (Francisco Narváez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narváez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narváez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narváez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narváez is a path: the path that Venezuelan sculpture...

"Moreover" is a minimalist abstract sculpture in fabricated bronze, finished with a warm patina in golden-bronze shades. The sculpture does balance on its own but should be secured t...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Houben R.T is an Avant-garde painter and draftsman with his own unmistakable voice. Houben was born in Bulgaria and graduated with a degree in painting from the Conservative Art Acad...

Houben R.T is an Avant-garde painter and draftsman with his own unmistakable voice. Houben was born in Bulgaria and graduated with a degree in painting from the Conservative Art Acad...

As a child growing up in Nigeria, Samuel Nnorom’s artistic sensibilities emerged from observing the creative processes of his father, a shoemaker, and hi...

Lisa Meek transforms books by cutting their bindings, painting the pages and folding them to create floral blossoms rooted in the words of the authors. Each page has been lightly tinted adding a dimension of color to the work without obscuring the words on the page. Lisa Meek’s sculptures, collectively titled Biblio Botany, possess a duality that is reflective of the artist herself and her eclectic range of interests. As a practicing medical professional with an inherent artistic drive, Lisa Meek has made impactful contributions to those she interacts with in both office and gallery spaces. The polarity of these worlds conglomerate beautifully, manifesting through her notable success in both fields. Lisa’s pursuit of a cosmetological career has always been paralleled with a desire to create, to utilize her artistic prowess in order to share her perspective and initiate important conversations. This desire has been integral to her experience since early adolescence, when she began acting upon her creative drive by depicting nature scenes.  The process in which Lisa assembles her sculptures is quite complex. In order to achieve depth and nuance, Lisa employs considerable intention throughout the planning process. With great admiration and ponder, Lisa cuts pages out of various literary works which highlight topics she wishes to discuss, human rights often being central. Attention to detail is vital; certain books possess qualities unsuitable for paint and shape manipulation. Every aspect of her work is deliberate; the symbolism associated with color and flower species, the pairing of literature, the minute details of shape and object placement. This layered production process exemplifies Lisa’s contemplative nature.  Prior to 2018, the majority of Lisa’s work was created on traditional canvas. Spurring from her exposure to contemporary mediums, she was able to redefine her creative denotations and expand her personal definition of art. The surface work of Liza Lou...

Magic Form 2 2015 Stainless Steel Enamel painted high-gloss lacquered - mirror finished 29.9213 in x 29.9213 in x 17.9528 in (760 mm x 760mm x 456 mm)

View works. From early childhood, ceramic artist Uriel Caspi (Israeli, b. 1994) has been fascinated with clay. Working with clay to articulate thoughts and feelings, the artist has d...

View works. From early childhood, ceramic artist Uriel Caspi (Israeli, b. 1994) has been fascinated with clay. Working with clay to articulate thoughts and feelings, the artist has d...

View works. From early childhood, ceramic artist Uriel Caspi (Israeli, b. 1994) has been fascinated with clay. Working with clay to articulate thoughts and feelings, the artist has d...

Inspired by everyday life, his travels, current events and people he meets, Grégoire creates poignant abstract and figurative sculptures and paintings. In 2018 at the Dubai Global Art Awards, Grégoire Devin won the Best Global Artist Award, presented to him by His Highness Sheikh Saeed Bin Tahnoun Bin Mohammed Al Nahyan. In Monaco, Prince Albert II received his sculpture “United We Stand” for the Prince’s 60th birthday. Luc Belaire, the world’s fastest growing French sparkling wine brand and the best-selling French Rosé in the U.S., directly commissioned him for high-profile collaborations, creating two limited edition Art Series bottles that are distributed worldwide. Belgian actor Jean-Claude Van Damme, American rapper and record executive Rick Ross, and legendary Guns ‘n Roses bassist Duff McKagan are just a few of the iconic names with Grégoire Devin’s art on display in their homes among other renowned collectors. Grégoire Devin has also devoted time and work for several charity projects including the Iconic Haus showhouse in Paradise Valley...

Inspired by everyday life, his travels, current events and people he meets, Grégoire creates poignant abstract and figurative sculptures and paintings. In 2018 at the Dubai Global Art Awards, Grégoire Devin won the Best Global Artist Award, presented to him by His Highness Sheikh Saeed Bin Tahnoun Bin Mohammed Al Nahyan. In Monaco, Prince Albert II received his sculpture “United We Stand” for the Prince’s 60th birthday. Luc Belaire, the world’s fastest growing French sparkling wine brand and the best-selling French Rosé in the U.S., directly commissioned him for high-profile collaborations, creating two limited edition Art Series bottles that are distributed worldwide. Belgian actor Jean-Claude Van Damme, American rapper and record executive Rick Ross, and legendary Guns ‘n Roses bassist Duff McKagan are just a few of the iconic names with Grégoire Devin’s art on display in their homes among other renowned collectors. Grégoire Devin has also devoted time and work for several charity projects including the Iconic Haus showhouse in Paradise Valley...

This unique piece by Margulis is from his latest body of works and is part of an edition of 3. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paints t...

Acrylic on canvas stretched over handbuilt wood and Sintra armature. Dimensions listed for piece as shown. Dimensions are variable depending on hanging formation. Color palette: orange, green, purple, gray and white. Wall sculpture / Sculptural painting / 3D painting / Neo-geo / Geometric art / Abstract art / Biomorphic art...

John Poché creates polished aluminum and stainless-steel kinetic sculptures. His works range in scale from small indoor tabletop works to large-scale outdoor sculptures triggered exc...

John Poché creates polished aluminum and stainless-steel kinetic sculptures. His works range in scale from small indoor tabletop works to large-scale outdoor sculptures triggered exc...

A Soul Consoled, Sculpture, by Khang Pham-New, Marble, White, Mother, Child "My childhood experiences growing up in Vietnam have paradoxically become a driving force in my artistic creations. I am impassioned with biomorphic abstract forms. As an artist, I am aware of and respect the art movements of my time, but to create, I remove myself from the influences of this time and retreat into a private space where I can experiment and explore the possibilities of each phase of my inner life." - Khang Pham-New Khang Pham was born in war-torn South Vietnam...

Inspired by everyday life, his travels, current events and people he meets, Grégoire creates poignant abstract and figurative sculptures and paintings. In 2018 at the Dubai Global Ar...

Margulis’ utmost concern is the creation of geometric shapes conceived mostly by changing the perspective of the viewer accompanied by the philosophical notion that everything in lif...

Margulis’ utmost concern is the creation of geometric shapes conceived mostly by changing the perspective of the viewer accompanied by the philosophical notion that everything in lif...

Dusty Rose Sage (2022), terracotta concrete abstract face sculpture, metal wire Biomorphic and earthy yet industrial style wall sculpture, she...

Marbled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy Biomorphic and earthy yet industrial style wall sculpture, shel...

Grandfather, sculpture by Melanie Yazzie, turquoise,contemporary,Native American limited edition As a printmaker, painter, and sculptor, my work draws upon my rich Diné heritage. T...

Water Woman Pollinator Series, aluminum sculpture by Melanie A. Yazzie, Navajo clear powder-coat finish Contact the gallery for the current schedule for delivery. As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo) heritage. The work I make attempts to follow the Diné dictum “walk in beauty” literally, creating beauty and harmony. As an artist, I work to serve as an agent of change by encouraging others to learn about social, cultural, and political phenomena shaping the contemporary lives of Native peoples...

'Whale & Calf' by Tobias Martin is a Solid Bronze Animal Sculpture. Tobias Martin was born in 1972 in Wiltshire, 12 miles from Stonehenge. Influenced by his idyllic rural upbringing, and the forces of nature and magic that permeated his childhood surroundings, these works have something of the mystical about them. Each piece is approached with precise observation and an acute interest in the minutiae of the subject matter, manipulating the material with a delicacy and lightness of touch. Despite being realised in heavy materials such as bronze, the resulting piece achieves a sense of movement and character that conveys the essential spirit of the animal. Inspired by the work of Grinling Gibbons and Alfred Gilbert...