Miniature Abstract Sculptures

In this intriguing new contemporary sculpture by Quebec’s Phillipe Pallafray six bright white cubes appear as if suspended in space. Each cube is attached at just one corner emphasizing the delicate and fragile nature of balance. Pallafray uses industrial components that he cuts, shapes, folds, and welds to create work designed to represent the duality of nature and the industrial world. “My geometrically shaped sculptures...

Ragisména series White M6, 2024 by Rodrigo Zampol From Ragisména Series Plaster on canvas Dimensions: 30 cm H x 20 cm W Weight: 3 kg Unique piece Signed on the back The piece has a...

Caniform is a unique Irish blue limestone sculpture by contemporary artist Richard Perry, dimensions are 26 × 37 × 37 cm (10.2 × 14.6 × 14.6 in). The sculpture is signed and comes w...

Be-formed-2 is a unique sculpture by contemporary artist Sharon Brill. This is a mixed media wall sculpture (porcelain, wall putty, paint, wooden frame), dimensions are 40 × 40 × 17 ...

Crab is a unique Irish blue limestone (Kilkenny) sculpture by contemporary artist Richard Perry, dimensions are 26 × 34 × 26 cm (10.2 × 13.4 × 10.2 in)....

Oded Halahmy (Iraqi-Israeli, b. 1938) Bronze and aluminium "Peace Shalom Salaam" Hanukkah/ Chanukah menorah, 1997 The base signed on one side with his stamped initials, "O.H. © 97." This simple pomegranate menorah by Iraqi art...

a strikingly expressive bronze sculpture by contemporary Italian marble and bronze sculptor Lorenzo Vignoli RELAZIONI ( AMORE II ) by Lorenzo Vignoli (2010) 17inch W x 14inch H x...

Barricada #9aic 2S is a painted stainless steel sculpture by contemporary artist Alejandro Vega Beuvrin, dimensions are 45 × 31 × 20 cm (17.7 × 12.2 × 7.9 in). The sculpture is sign...

Steven Young Lee is the Resident Artist Director of the Archie Bray Foundation in Helena, Montana. A Chicago native, he received his MFA in Ceramics from the New York State College o...

This ruggedly beautiful wall sculpture was created by the glass artist, Cheryl Wilson Smith. Granite Craig is so detailed and natural in its design that it looks as if it had been ch...

A 'Spaniel and Pup' sterling silver sculpture by Lucy Kinsella, the limited edition finely modelled spaniel lying down and watching indulgently as her puppy rolls around playfully in...

This artwork was created by the Italian artist Beppe Bonetti. Title "Piccolo racconto" translate "Little tale"" Beppe Bonetti was born in 1951 in Brescia, Italy, where he lives and w...

“Growing out of my ribcage..” Growing out of my ribcage, just to let your softness multiply into a whole sky of lush clouds crowning the forest, so we can become a jungle dense with life. “My darling..” My darling your words are often too sharp , and I am always too soft. But as long as you bring me honey and ginger to sweeten and strengthen my body, my wounds. I will always bring the softness to your hard edges. We will blur into each other creating a malleable thing. You will always bring me your backbone, so I can know how to stand up straight (alone). In this way, when the day is long...

Crevice 2 is a unique sculpture by contemporary artist Sharon Brill. This sculpture is made of clay, wall putty, textured paint, wooden frame, dimensions are 45 × 45 × 10 cm (17.7 × ...

Weaving is a form of drawing, of plotting and connecting lines. Fabricating a three-dimensional, transparent object using thin strips of paper with differing colors on either side re...

Christine Romanell's "Mars Sucks" (2025) is a sculptural wall piece measuring 14 x 18 x 3 inches, composed of acrylic and Flashe on seven layers of laser-cut birch plywood. Predomina...

"Classico de Mango" is an original, painted ceramic sculpture by John Oliver Lewis measuring 6.5”h x 3.5”w x 3.5”d. ABOUT // Originally from Wisconsin, John Oliver Lewis currently l...

Plaything is a unique Jesmonite, bamboo and pewter sculpture by contemporary artist Peter Brooke-Ball, dimensions are 25 × 18 × 15 cm (9.8 × 7.1 × 5.9 in). The sculpture comes with...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

Figurative abstract tribal sculpture of a creature with four arms by Nathaniel Sirles (American, b. 1956). Signed and dated "Sirles 1973" on the bottom. Sirles completed this piece ...

Patrik Illo is a very talented Slovak glass designer. This is a unique vase done by his personal technique. The vase si quite heavy 5,6. Kg but an ecqui...

Barricada #7 aip S is a brushed stainless steel sculpture by contemporary artist Alejandro Vega Beuvrin, dimensions are 32 × 39 × 38 cm (12.6 × 15.4 × 15 in). The sculpture is signe...

A civil engineer for 30 years, Holmes has been exhibiting and selling his sculptures since 1975 in the United States, Europe, South America, and Asia. He is now very well-known for h...

This ceramic sculpture resembles an ancient object. It has a stone texture and rounded plasticity. Inside the sculpture is a place for fire. When the fire burns, the sculpture comes to life. You see a warm light inside and a cold shadow outside. It takes you into the cool of the night under the starry sky to a place where miracles happen. The sculpture passed high firing (1120 degrees). I left the natural texture of gray clay to keep the feeling of naturalness. Sve Gris...

Seymour Lipton Maquette for Laureate, ca. 1968-1969 Nickel silver on monel metal Unique 18 × 8 1/2 × 7 inches Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale This unique sculpture by important Abstract Expressionist sculptor Seymour Lipton is a maquette of the monumental sculpture "Laureate" - one of Lipton's most iconic and influential works located on the Riverwalk in downtown Milwaukee, Wisconsin. Laureate is a masterpiece that was commissioned by the Allen-Bradley Company in memory of Harry Lynde Bradley and as an enhancement for the newly constructed Performing Arts Center. It is located on the east bank of the Milwaukee River at 929 North Water Street. The Bradley family in Milwaukee were renowned patrons of modernist sculpture, known for their excellent taste who also founded an eponymous sculpture park. For reference only is an image of the monumental "Laureate" one of Milwaukee's most beloved public sculptures. According to the Smithsonian, which owns a different unique variation of this work, "The full-size sculpture Laureate was commissioned by the Marcus Center for the Performing Arts in Milwaukee. In the initial drawings, Seymour Lipton combined details from the architectural plan with a wide variety of images, ranging from musical instruments to a lighthouse on the island of Tobago. He transformed the basic shapes from these sketches into a welded sculpture, which evokes a figure composed of columns, harp strings, and coiled rope. Lipton created this piece to celebrate achievement in the arts. The dramatic silhouette commands your attention, reflecting the title Laureate, which means worthy of honor and distinction. The final version of the piece is over twelve feet high and stands out against the pale, flat buildings of the arts center.,," Provenance Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale About Seymour Lipton: Born in New York City in 1903, Seymour Lipton (1903-1986) grew up in a Bronx tenement at a time when much of the borough was still farmland. These rural surroundings enabled Lipton to explore the botanical and animal forms that would later become sources for his work. Lipton’s interest in the dialogue between artistic creation and natural phenomena was nurtured by a supportive family and cultivated through numerous visits to New York’s Museum of Natural History as well as its many botanical gardens and its zoos. In the early 1920s, with the encouragement of his family, Lipton studied electrical engineering at Brooklyn Polytechnic Institute and pursued a liberal arts education at City College. Ultimately, like fellow sculptor Herbert Ferber, Lipton became a dentist, receiving his degree from Columbia University in 1927. In the late 1920s, he began to explore sculpture, creating clay portraits of family members and friends. In addition to providing him with financial security, dentistry gave Lipton a foundation in working with metal, a material he would later use in his artwork. In the early 1930s, though, Lipton’s primary sculptural medium was wood. Lipton led a comfortable life, but he was also aware of the economic and psychological devastation the Depression had caused New York. In response, he generally worked using direct carving techniques—a form of sculpting where the artist “finds” the sculpture within the wood in the process of carving it and without the use of models and maquettes. The immediacy of this practice enabled Lipton to create a rich, emotional and visual language with which to articulate the desperation of the downtrodden and the unwavering strength of the disenfranchised. In 1935, he exhibited one such early sculpture at the John Reed Club Gallery in New York, and three years later, ACA Gallery mounted Lipton’s first solo show, which featured these social-realist-inspired wooden works. In 1940, this largely self-taught artist began teaching sculpture at the New School for Social Research, a position he held until 1965. In the 1940s, Lipton began to devote an increasing amount of time to his art, deviating from wood and working with brass, lead, and bronze. Choosing these metals for their visual simplicity, which he believed exemplified the universal heroism of the “everyman,” Lipton could also now explore various forms of abstraction. Lipton’s turn towards increasing abstraction in the 1940s allowed him to fully develop his metaphorical style, which in turn gave him a stronger lexicon for representing the horrors of World War II and questioning the ambiguities of human experience. He began his metal work with cast bronze sculptures, but, in 1946, he started welding sheet metal and lead. Lipton preferred welding because, as direct carving did with wood, this approach allowed “a more direct contact with the metal.”[ii] From this, Lipton developed the technique he would use for the remainder of his career: “He cut sheet metal, manipulated it to the desired shapes, then joined, soldered, or welded the pieces together. Next, he brazed a metal coating to the outside to produce a uniform texture.”[iii] In 1950, Lipton arrived at his mature style of brazing on Monel metal. He also began to draw extensively, exploring the automatism that abstract expressionist painters were boasting at the time. Like contemporaries such as Jackson Pollock, Lipton was strongly influenced by Carl Jung’s work on the unconscious mind and the regenerative forces of nature. He translated these two-dimensional drawings into three-dimensional maquettes that enabled him to revise his ideas before creating the final sculpture.The forms that Lipton produced during this period were often zoomorphic, exemplifying the tension between the souls of nature and the automatism of the machine. In the years following the 1950s, Lipton’s optimism began to rise, and the size of his work grew in proportion. The oxyacetylene torch—invented during the Second World War—allowed him to rework the surfaces of metal sculptures, thus eliminating some of the risks involved with producing large-scale finished works. In 1958, Lipton was awarded a solo exhibition at the Venice Biennale and was thus internationally recognized as part of a small group of highly regarded avant-garde constructivist sculptors. In 1960, he received a prestigious Guggenheim Award, which was followed by several prominent public commissions, including his heroic Archangel, currently residing in Lincoln Center’s David Geffen Hall. A number of important solo exhibitions of his work followed at The Phillips Collection in Washington, DC (1964); the Milwaukee Art Center and University of Wisconsin, Milwaukee (1969); the Virginia Museum of Fine Arts in Richmond (1972); the Everson Museum in Syracuse, NY (1973); the Herbert E. Johnson Museum of Art of Cornell University in Ithaca, NY (1973); the National Collection of Fine Arts, Smithsonian Institution (now the Smithsonian American Art Museum) in Washington, DC (1978); and a retrospective in 1979 at The Jewish Museum in New York. In 1982 and 1984 alone, two exhibitions of his sculpture, organized respectively by the Mint Museum (Charlotte, NC) and the Hillwood Art Gallery of Long Island University (Greenvale, NY), traveled extensively across museums and university galleries around the nation. In 2000, the traveling exhibition An American Sculptor: Seymour Lipton was first presented by the Palmer Museum of Art of Pennsylvania State University in University Park. Most recently, in 2009, the Ackland Art Museum in Chapel Hill, NC mounted The Guardian and the Avant-Garde: Seymour Lipton’s Sentinel II in Context. Since 2004, Michael Rosenfeld Gallery has been the exclusive representative of the Estate of Seymour Lipton and has presented two solo exhibitions of his work—Seymour Lipton: Abstract Expressionist Sculptor (2005) and Seymour Lipton: Metal (2008). In 2013, Michael Rosenfeld Gallery presented Abstract Expressionism, In Context: Seymour Lipton, which included twelve major sculptures by the artist, along with works by Charles Alston, Norman Bluhm, Beauford Delaney, Willem de Kooning, Jay DeFeo, Michael Goldberg, Adolph Gottlieb, Hans Hofmann, Lee Krasner, Norman Lewis, Conrad Marca-Relli, Boris Margo, Alfonso Ossorio, Richard Pousette-Dart, Milton Resnick, Charles Seliger...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

Biomorphic yet industrial style to Dena Paige Fischer's sculptural votive candle holder. The stacked cubes are painted and smooth one with a natural cleave, piled upon one another into a column, or as the artist calls it, a totem. The pastel painted plaster in lavender and pale yellow looks almost soft. The piece is smooth and the bold navy blue and taupe paint embellish the abstract geometric design. This sculptural votive candle holder is a functional and decorative tabletop art...

This is an interesting multiple artwork signed by the author Marisa Ruberti, a talented artist of years 80' in Italy. This is a multiple of a numbered ...

Large Arch is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 40 × 25 × 15 cm (15.7 × 9.8 × 5.9 in). The sculpture is signed and numbered, it is part of a limi...

Gravity, attraction, connection. In this sculpture, 2 forms united and began to grow into each other. This is how it happens in nature. This is how it happens with people. wonder...

This elegant handcrafted ceramic urn with a smooth oval shape, delicate stands soft green and pink tones with fine decorative details, blending timeless design and natural inspiratio...

This sculpture is a multiple 1 piece of 1000 realized in 1980 by the well known Italian artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by ...

Cast resin sculpture. Hand written AP 14/65 on the underside of the left shoe. Certificate of Authenticity is included. Please do not hesitate to ask us any further questions. A...

Lyman Kipp 1960s Constructivist/Minimalist Sculpture, 1968 Painted Wood Signed twice: signed and dated 1968 in black marker on the underside also bears artist's official name and dat...

Edition: 4 of 8 Created in 2002 21 x 17,5 x 11 Upon his arrival in Paris in 1957, Adami befriended the sculptors Collamarini and Renato Ischia at the Ecole des Beaux-Arts, and met ...

This ceramic vase-like urn with a little golden ball on top is a unique piece handcrafted with care and passion. This beautiful memorial artwork combines aesthetic beauty with deep s...

This sculpture titled "Geo Vase" is an original artwork by Roxana Azar made of UV print on acrylic. This piece measures 12”h x 7”w x 3”d. For dry flowers only. Dry flowers included. ...

Abstract Minimalist Ceramic Sculpture in White Organic and minimalist sculpture by "Toki" John Toki (Japanese, 20th Century). This piece was pressed by hand from a mold. There is a ...

This contemporary metal wall sculpture inspired by nature was made by Shayne Dark. This is Shayne Dark’s Reflections of Nature Series. These jewel-like tondos in stainless steel an...

This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms that recall the Venus of Willendorf and other historical fertility objects...

Measures about 4 X 3.75 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not know ...

In Noon Garden, Olga Radionova captures the timeless stillness of midday. This serene textile composition features creamy tones, organic shapes, and a gentle rhythm that suggests hea...

This work titled "Elevate No. 4" is an original artwork by Huy Lam made of burnt wood and copper inlay. The piece measures 16" x 12" x 4.75". The sculpture may be displayed in multip...

This elegant handcrafted ceramic urn with a smooth oval shape, delicate stands soft green and pink tones with fine decorative details, blending timeless design and natural inspiratio...

This Mixed Media piece titled "Fern Spiral Series 3" is an original artwork by Roxana Azar made of an etched fluorescent acrylic. The piece measure...

Larger than mid sized. Purple Metallic Pedestal mount keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled,...

Star 1 is a unique Portland stone sculpture by contemporary artist Richard Perry, dimensions are 17 × 17 × 60 cm (6.7 × 6.7 × 23.6 in). The s...

Variation on a theme II : Hegemony is a unique bronze, steel and ash wood sculpture by contemporary artist Peter Brooke-Ball, dimensions are 19 x 31 x 26 cm (7.5 × 12.2 × 10.2 in). ...

One of a kind ceramic sculpture by Latin American sculptor Raúl Valdivieso (Chilean, 1931-1993). Valdivieso is known for his reinterpretation of classic organic forms and human figures. Sculpture retains the original wood and black laminate base with metal cage. Ceramic is in good original condition. Laminate is in poor condition with a few chips. Raúl Valdiveso was born September 9, 1931 in Santiago, Chile. In 1952 he began his studies at the School of Fine Arts at the University of Chile. There he took to sculpture and studied under professors like Marta Colvin...

Cast concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas ...

Beautiful original and unique white 3D sculpture in low fire ceramic from Pop Art pioneer and internationally collected sculptor, Jane B. Grimm. 19 x 19 x 19 inches. Artist signed an...

Elegant large Rosenthal Crystal Glass Calla Pedestal Bowl. Crafted in Slovenia, this bowl is a work of art that combines high-quality materia...

"Slinky" (maquette) Abstract, Tabletop Size, Metal Sculpture by Kevin Barrett Bronze Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and ...

Red and Yellow Vase David Ruth, American Date: 1989 Blown Glass, Signed and dated Size: 7.5 x 4.25 x 3 in. (19.05 x 10.8 x 7.62 cm)

This is an interesting multiple artwork signed by the author Roberto Nanut, a talented artist of years 80' in Italy. This is a multiple of a numbered edition of 1.000 pieces; we can...

This is one of the 30 pieces of this engaging artwork realized in bronze by the well known Internationally artist, Ugo La Pietra, in 1985. This artwork well represents the relationsh...

“No one ever fed you..” No one ever fed you. The taste of unanswered love. No one ever taught you. Love is not a question, not an answer. But an exclamation, requiring no response bu...

Paula Murray’s elegant sculptural vessels have been described by art critic Nancy Baele as “fusions of near rupture and serene beauty, echoing nature and the human body in their form...