Oversized Abstract Sculptures

Rocks (1985), Wool, Post-Modern Abstract Landscape Woven Tapestry, Textile Sculpture. Zofia Butrymowicz (1904-1987) was born in Warsaw, Poland. Artis...

Linda Stein, Warrior Waging Peace: Opulent Diversity 1285 - Feminist Figurative Mixed Media Black and Colorful Contemporary Sculpture Free-standing contemporary sculpture with ves...

Memory is at its most magical when it conjures up not the event, but its surrounding perceptual and emotional space. Flashes of reflected light, movement seen out of the corner of eye, bits of sound or feeling – these are what ignite memory, giving it form and bringing it to life. Light both beams into and envelops you. Carol Salmanson started working with it in 2003 after painting for many years because of these singular spatial qualities. They enable herto build whole worlds with color and shape, ones that resonate with memory and experience. Painters have often talked about depicting light. Today’s technology allows me to use light as medium as well as subject. Double Diamond is made with layers of light that beam onto reflective material; its two different configurations of diamonds are mounted on a strip that also layers light. The location in the beams creates a glowing frieze that radiates outwards, giving the viewer a first a sense of surprise, and then wonder. Carol Salmanson is an artist working with light and reflective materials to create installations, sculptures, and wall pieces. She received a B.S. in Biological Psychology from Carnegie-Mellon University and an M.B.A. from the University of Chicago. She attended the Arts Students League, the School of Visual Arts as a Public Art Resident, and the National Academy of Fine Arts as an Abbey Mural Workshop Fellow. Public art projects include Water Bubbles, an installation in twenty windows of the abandoned landmark Constructivist White Tower in Yekaterinburg, Russia. Other window installations include the venues Station Independent Projects, Time Equities’ Art-in-Buildings program, OK Harris Works of Art, 254 Park Avenue South, and Mixed Greens Gallery, all in New York. Her outdoor sculptures include Tri-Quadular Cone in Summit, NJ, and Lot’s Ex-Wife in Brooklyn. She will have an installation, Crown Colony, in the window at 266 W. 37th St, in September of this year. Solo and two-person exhibition venues include SL Gallery (NY), Slag Contemporary (Brooklyn), Station Independent Projects (NY), Brian Morris...

Megan Klim's mixed media work juxtaposes several materials on one picture plane. She highlights their inherent qualities to create surface tension which sparks a conversation and in...

Mini Leaner 12 - Can hang Horizontal or Vertical on the wall or Lean. (can hang 360 degrees with the cleats on the back of the piece) Acrylic, osage orange, and uv resin 42” W, 12” H, 2” D David E. Peterson. The materials that I use are extremely important...

Linda Stein, Two Women Standing 322 - Mixed Media Metal Wood Stone Contemporary Art Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works tha...

Aluminum sheet, metal wire and acrylic - mobile "Limited edition of 3 1/3" Amaury Maillet is a self-taught artist who explored art in Provence and Sai...

Stunning abstract with Native American symbols using earth tones and 3D aspect for increased depth and texture by listed artist Duane Armstrong (American, b. 1938). 1966. Signed and ...

Curtain Wall is a piece created from cast resin panels. The piece depicts the nighttime Mountain Views and a cave system within that range. With this piece I was inspired by tapest...

This blue, abstract, contemporary, glass and steel, wall sculpture is by Canadian artist John Paul Robinson. Elegant and ethereal, John Paul Robinson’s contemporary glass wall sculpt...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

The contrasts of nature and industry, light and shadow, chaos and order are themes found throughout Devine’s body of work. Pared-down organic shapes are formed out of sheet and solid...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Palette II, Size: 30" x 72" x 4'' inch, ...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Gridded, Size: 30" x 48" x 2.5'' inch, ...

Melange II is an original work by Michael Olsen. The bright and bold colours of the butterflies make this a joyful piece. Olsen’s use of perspex allows for work to fit sleekly into a...

In recent years, Daniel G. Hill has been fixated on the work’s method of construction and its physical presence. During the winter of 2014, he began a new line of inquiry, translati...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Water, Size: 37.5" x 77.5" x 1'' inch, (95x197x3 c...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2025 Style: Contemporary Art, Subject: Life, Size: 45.5" x 62" x 5.5'' inch, (115x1...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Love, Size: 48.5" x 55" x 5.5'' inch, (123x1...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Forest, Size: 42" x 33" x 4.5'' inch, (106x8...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Playtime, Size: 32.5" x 50" x 4.5'' inch, (8...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Mystere, Size: 44" x 71" x 4'' inch, (11...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Mystere, Size: 29" x 47" x 4'' inch, 74x...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Malachite, Size: 44" x 71" x 4'' inch, (...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Malachite, Size: 36" x 58" x 4'' inch, (...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Enchanted, Size: 44" x 71" x 4'' inch, (...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Enchanted, Size: 36" x 58" x 4'' inch, 9...

Sandstorm (1985) Wool, Post-Modern Abstract Landscape Woven Tapestry, Textile Sculpture. Zofia Butrymowicz (1904-1987) was born in Warsaw, Poland. St...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Monochrome, Size: 44" x 71" x 4'' inch, ...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Dusk, Size: 44" x 71" x 4'' inch, (111x180x1...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Sunset, Size: 44" x 71" x 4'' inch, (11...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Arctic, Size: 36" x 58" x 4'' inch, (91x137x...

David Borawski lives and works in Hartford, Connecticut, and received his BFA from the Hartford Art School of the University of Hartford. A multi-media installation artist, his work...

Gabriel Sobin was born in 1971 in Salon de Provence, France, to an English mother and an American father. Sobin studied at l’École d’Arts Appliqués ...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

"SNAP PEA" Abstract Wall Sculpture 58" x 12" x 12" in by Shawn Kolodny Medium: Stainless Steel Creating art to reflect the times we live in, Kolodny creates art for our short atten...

Archer Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 58" x 10" x 14" "I am an artist, a sculptor ...

"True Blue" by Richard Pitts Powder-coated aluminum on a brushed aluminum base (height includes base) Richard Pitts works in many media, from steel to wood to bronze to aluminum, no...

This is a large sculpture and also includes an artist custom framed silkscreen with extensive handwork titled Line of Time, pencil signed and inscribed, presented in heavy metal and wooden frame (framed piece 24.5 x 30 in., sculpture piece is about 94 X 11 inches) Francoise Schein is a visual artist, trained as an architect - urban planner; She also teaches art at the ESAM Higher School of Arts and Media in Caen in Normandy . She is the founder of the INSCRIRE Association. In 2016, she was elected member of the Royal Academy of Sciences, Arts and Fine Arts of Belgium. Group Exhibitions Spain: 2016, The "5Contemporary" Paris gallery presented a group show at the Museum of Contemporary Art of Genalguacil, Spain. The show included important artists such as Françoise Schein, Mimouni and Pedro Castrortega. Born in Brussels , Françoise Schein left Belgium after studying architecture at the higher institute of architecture of the French community - La Cambre where she wrote her thesis on fundamental rights, then studied urban design at the Columbia University in the City of New York . She lived 11 years in New York where she begins a work on cartography territories. Subway map Floating on NY Sidewalk is his first monumental urban sculpture located at 110 Greene Street in SoHo (1985). At that time her works are abstract landscapes of cities, made up of networks, lines, trajectories, territories, founding texts and stories. They are constructed of very diverse materials and light. Returning back to Europe in 1989, she continues to work on what she calls her drawings-laboratories while beginning to integrate works in cities on civic themes, the main ones: at the Concorde metro station in Paris in 1991 and then in Brussels, Saint-Gilles , in 1992, these two projects took her to Lisbon in 1993 where she lived for five years and produced two monumental works (in azulejos) for the city of Lisbon at Parque metro station ( 1994) and another for the city of Stockholm at the Universitetet station (1998). She continues to travel to cities where she builds successively projects in Haifa , on the facade of the Beth Hagefen Jewish-Arab Cultural Center with Michel Butor (1994). Then she lives in Berlin where she builds the Westhafen station (2000) which takes her to Bremen to make her first human rights park, Rhododendronpark (2002). In 2005, she made the monumental Time Zone Clock in Coventry in 2005. Since 1999, she has also settled in Rio de Janeiro and initiated participatory artistic projects with the underprivileged population of the favelas . Since then, with the help of a locally trained team, many projects have been carried out, including one in Copacabana and more than 20 in different favelas (from 1999 to 2016). These works transformed the Rio workshop into sustainable development for the people who invested it. In Sao Paulo, since 2009, Françoise Schein has produced a monumental work with the participation of 1000 young people from the favela schools at Luz subway station. Her work is monumental recalling the works of Christo, Maria Dompe, Christian Boltanski, Anish Kapoor, Ai Wei Wei...

David Borawski lives and works in Hartford, Connecticut, and received his BFA from the Hartford Art School of the University of Hartford. A multi-media installation artist, his work...

In recent years, Daniel G. Hill has been fixated on the work’s method of construction and its physical presence. During the winter of 2014, he began a new line of inquiry, translati...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Circle, Mid-Century Abstract Woven Tapestry, Textile Wall Sculpture, Hand dyed wool, 87" x 63" (1976) by Czech textile artist, Jan Jladik, (192...

"Zāt Highchair II" Abstract Sculptural Chair 41" x 19" inch by Karim Abd Elmalak Medium: iron & oil-based spray paint Karim Abdel Malak's layered multi-medi...

Mid Century C. Jere brass over door or wall art with a chic pleaded design reminiscent of a sunrise with Art Deco influences. Signed C. Jere 1984.

Named "In between two worlds I", this airy sculpture is woven by artist Delphine from metal wire. It is composed of two parts, one part with three connected and bottom-opened volume...

Yvette Cohen’s oil paintings of geometric masses of color on shaped canvas become objects that fluctuate between two and three dimensions, bridging the divide between sculpture and ...

"Open Heart II" Abstract Sculpture 81" x 37" inch by Karim Abd Elmalak Karim Abdel Malak's layered multi-media works are influenced by the old maste...

"Groove" by Kevin Barrett Bronze metal abstract sculpture Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Organic, Abstrac...

Weaving is a form of drawing, of plotting and connecting lines. Fabricating a three-dimensional, transparent object using thin strips of paper with differing colors on either side re...

This modern, minimal, contemporary, ceramic, wall sculpture is by Marie-Ève Fréchette. The Quebec sculptor is known for her bold choices of form and colour which are often inspired b...

Splendor Fiberglass / Composites Filled Resin Base Gold Metallic Shiny Finish 50" x 15" x 11" "I am an artist, a sculptor not by choice but by destiny as each step in the path I fol...

The sculpture is patinated bronze with naturally occurring amethyst crystals. Unique edition. Half torso. The cementitious pedestal base is unique and hand-made in the artists studio under the watchful eyes of the artist. The artist is James Edward Lomax who is English in his early 30’s who is internationally recognized for his prodigious talent and individuality He studied art in Cornwall in the Southwest of England, where he specialized in sculpture. His prodigious talent was soon recognized, and he developed his own unique and exquisite approach to sculpting. He is currently based in Bali, Indonesia where he continues to experiment with different natural materials creating mystical sculptures for his many international collectors. He has exhibited at the Royal Horticultural Show in London for many years and is represented at The Englishman Fine Art...

New, original one of a kind, shipping with 1stdibs The title is a homage to Marcel Duchamps " The Bride Stripped Bare of her Bachelors, Even" I see this work as a bride taking off he...

Guillaume Cornelis van Beverloo (Corneille) Tropical Parrot with Woman, circa 1970 Signed: Corneille Edition Number: 6 of 8 Constructed and Painted wood 39" high x 40 1/2" wide x 6" ...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

A Checkered Past- Repurposed street banners and wire Discarded billboard banners are transformed into new narratives. Colors are curated from the banne...

Aluminum sheet, metal wire and acrylic - mobile "Limited edition of 8 1/8 Available on request — 3 week turnaround " Amaury Maillet is a self-taught artist who explored art in Pro...