Items Similar to Untitled, Steel, Iron Bella Feldman Brutalist Sculpture
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Bella FeldmanUntitled, Steel, Iron Bella Feldman Brutalist Sculpture
About the Item
Bella Feldman (American, b. 1930), Untitled, metal 2-wheeled cart with metal cables, (Provenance: Allan Stone Gallery, New York, NY) gallery label affixed affixed verso, overall: 37"h x 48"l x 37"w. Provenance: Private Collection
Bella Feldman is an American sculptor whose work addresses the themes of sexuality, war, and the persistent anxiety of the industrial age. Feldman is known for pioneering the use of glass with steel. Her work has affinities with Surrealism, Post-Minimalism, and the Feminist art movement, although she has no formal affiliation with these. A Professor Emeritus at the California College of the Arts, Feldman lives and works in Oakland, CA and London, England.
Bella Feldman was born in 1930 in New York City to a family of working-class Jewish immigrants from Poland. She grew up in the Bronx tenements. Feldman attended The High School of Music & Art in Manhattan during World War II. Students were required to visit museums and galleries as part of the curriculum. When Feldman was thirteen, she visited her first art museum, the Museum of Modern Art. There, she saw Meret Oppenheim’s Object (1936), the fur-lined cup and saucer, and was struck by her strong psychological response to this work. Other early influences included Alberto Giacometti’s The Palace at 4 a.m. (1932) and the sculpture of David Smith. One of Feldman’s earliest sculptures Warrior (1952) pays tribute to Giacometti.
During the Holocaust, Feldman lost numerous family members who remained in Poland, an experience that helped shape her worldview. This includes her life-long preoccupation with war, and the overwhelming effects of the military-industrial complex.
Feldman received a BA from Queens College, City University of New York. She married Leonard Feldman at age 18, and moved to California with him in 1951 where they both accepted teaching positions. Feldman has two children, Nina Feldman, born 1954 and Ethan Feldman, born 1956.
In 1965, Feldman started teaching at the California College of the Arts. In 1971 she and her family moved to Uganda, East Africa on a grant from the E. L. Cabot Trust Fund at Harvard University. Feldman spent two years teaching art in Uganda prior to the genocidal war in that country. Upon her return to CCA, she faced gender discrimination and a threat to her job. Her successful fight to retain her position prompted her to later become an advocate for other women faculty, who she helped to achieve equity and job security. Feldman was awarded an MA in 1973 from San Jose State University. Her teachers were Sam Richardson, John Battenberg and Fletcher Benton.
In the 1970s, Feldman completed several installations portraying different stages of animal metamorphosis. These featured hybrid, mutant creatures, reminiscent of Hieronymus Bosch’s triptych The Garden of Earthly Delights—rats transformed into fish, and turtles with human features. The small-scale sculptures were displayed in large clusters, their multitude invoking aggression and infestation. Birds (1970), a cast metal flock of dead birds, preceded Kiki Smith’s Jersey Crows (1995) while Metamorphic Turtles (1973-75) anticipated Smith’s Sirens and Harpies (2002).
War Toys and War Toys Redux
War Toys (1992) is a series created in response to the first Gulf War. Feldman was incensed by the tone of admiration she heard in President George Bush’s voice when he referred to the Patriot missile. These works mocked the allure of weaponry and perceived glory in violence. The War Toys series relates to Magdalena Abakanowicz War Games' sculptures (1989), giant monstrous weapons made of metal and wood. However, the scale and sensuality of Feldman’s War Toys strip them of power. The series is in the tradition of contemporary women artists’ critique of war that entwines images of male sexuality and military aggression. Examples include Nancy Spero The War Series (1966–70), a response to the Vietnam War, and Judith Bernstein’s Iraq Travel Poster (1969).
War Toys Redux (2003) evoked a different kind of mutation: the metal sculptures represented a hybrid between organic and machine forms. This adaptation continued the series with a new medium, combining blown glass with steel armatures. The sensuality of soft, bulbous glass forms reinforced the vision of earlier War Toys, effeminizing the objects of aggression and rendering them impotent.
Flasks of Fiction
Feldman pioneered the technique of blowing glass into metal forms in the late 1990s. The first series of mostly hanging sculptures Flasks of Fiction (1998-2001) were originally inspired by the lanterns in mosques Feldman visited while in Turkey. She said of these: “I combined glass and metal to suggest vulnerability and constraint as well as seduction.” Flasks of Fiction aligns Feldman with Post-Minimalist sculptors, such as Eva Hesse, who explored the inherent properties of materials and experimented with tension that results from binding bulging forms or upholding drooping forms. In Flasks of Fiction, hardened materials such as glass and steel make explicit references to bodies and sexuality, making the viewer respond viscerally to the corporeal hybrids.
Large Sculpture
Since 2003, Feldman has created a number of large-scale sculptures that embody her life-long interest in process and materials. Combining metal and glass, organic forms and machine parts, aggression and vulnerability, such works as Dyad (2003) and Jacob’s Ladder (2011) refer to Martin Puryear in scale and to Louise Bourgeois in psychic intensity.
Exhibitions, Collections, Awards
Feldman has won numerous awards for her work, and her sculpture is featured in private and museum collections, including the Fine Arts Museums of San Francisco, the di Rosa Preserve, Napa, CA, and the Palm Springs Desert Museum. Her work has been exhibited nationally and internationally at museums and galleries including The Oakland Museum of California; the Berkeley Art Museum; Musée des Beaux Arts, Lausanne, Switzerland; the Alternative Museum, New York; the Contemporary Jewish Museum San Francisco; Habatat Galleries, Chicago and Royal Oaks, MI; and Jan Baum Gallery, Los Angeles. Feldman was awarded a National Endowment for the Arts Individual Artists award in 1986 and received Distinguished Artist Awards from Kala Art Institute, Berkeley, CA (2004), and Women’s Caucus for the Arts (2005). A fifty-year survey of her work took place at The Richmond Art Center, Richmond, CA in 2013.
- Creator:Bella Feldman (1930, American)
- Dimensions:Height: 48 in (121.92 cm)Width: 37 in (93.98 cm)Depth: 37 in (93.98 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38211197262
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1995
1stDibs seller since 2014
1,766 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Surfside, FL
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllRussian Judaica "Vision" Abstract Kabbalah Figure Steel Sculpture Grisha Bruskin
By Grisha Bruskin
Located in Surfside, FL
Grisha Bruskin
(Russian, b. 1945)
Vision, 1992
steel
Hand signed and inscribed Grisha Bruskin in Cyrillic
numbered 117/300
Genre: Contemporary
Subject: Religious
Medium: Steel
Gri...
Category
1990s Contemporary Figurative Sculptures
Materials
Steel
David Kimball Anderson Large Abstract Zen Steel Modernist Sculpture Flower Vase
By David Kimball Anderson
Located in Surfside, FL
Contemporary abstract steel standing sculpture,
Signed to base "Opera / DA / 87".
1987
Provenance: From the Walden Collection
Dimensions: 45 1/2" H; Base: 6 1/2" Diam.
Large Abstra...
Category
1970s Contemporary Abstract Sculptures
Materials
Steel
Large Handmade Tapestry Textile Wall Hanging Wool Mixed Media Marlene Richard
Located in Surfside, FL
Eclectic, mixed media wall hanging textile tapestry by Marlene (Marlen) Richard featuring abstract embroidery atop free hanging locks of fabric over a black background embellished with gilt fabric accents. Hand made and hand embroidered. This had a paper artists label but it has since become detached. Overall image resembles a colorful pop art sunset over ocean waters. Hanging cords in various fabrics, colors and textures. Her work bears the influence of Sheila Hicks and bears similarities to Latin American, Colombian textile artists Olga de Amaral and Stella Bernal. Hand made, hand woven felt and wool spectacular textile wall hanging fabric sculpture by Miami woman artist Marlene Richard. It consists of long hanging pods...
Category
20th Century Contemporary Abstract Sculptures
Materials
Metal
Table and Vase, Large (Life Size) Sculpture
By David Kimball Anderson
Located in Surfside, FL
David Kimball Anderson’s work is bold and graceful, respectful and spiritual. A practicing Buddhist and avid surfer as well as a sculptor, Anderson has given way to 4 decades of work that revere beauty in nature and beauty in industry within his signature aesthetic. For Anderson, steel girders, dry leaves, machine parts and distant train lights are equally as compelling as strawberry flowers, begonias, Asian antiquities and the night sky. Editing down to essential form while adding a touch of embellishment allows his work to embody both minimalist formal truth and decorative adornment. Anderson’s art practice is a beauty-driven way of knowing the world.
BIOGRAPHY
1946 Born in Los Angeles
1967-1971 San Francisco Art Institute
Currently lives and works in Santa Cruz, California.
SELECTED AWARDS AND GRANTS
1993 John Michael Kohler Art Center Residency
1988 National Endowment for the Arts, individual fellowship
1986 Pollack-Krasner Foundation, individual grant
1981 National Endowment for the Arts, individual fellowship
1974 National Endowment for the Arts, individual fellowship
SELECTED ONE PERSON EXHIBITIONS
2018 “Snow Pictures”, Columbus Museum, Columbus, Georgia
2014 “Ranchland”, The Great Highway Gallery, San Francisco, CA
“The Manresa Seasons”, New Museum Los Gatos, Los Gatos, CA
2013 “Altitude”, Robischon Gallery, Denver, CO
“to Morris Graves”, The Morris Graves Museum, Eureka, CA
2012 “Travel: Rome”, Namche, Bellas Artes Gallery, Santa Fe, NM
2011 Selections from “to Morris Graves”, Anderson Ranch Art...
Category
1990s Contemporary Abstract Sculptures
Materials
Bronze
BILLY, 1975 Constructed Mixed Media Painting, Wall Sculpture
By Tom Holland
Located in Surfside, FL
BILLY, 1975, epoxy painting on riveted fiberglass and aluminum, titled signed and dated verso . Gallery label from Obelisk Gallery, Boston, MA
Tom Holland (born 1936 in Seattle, Was...
Category
1970s Contemporary Abstract Paintings
Materials
Metal
Large Abstract Wood Sculpture Colorful Wooden Painting John Okulick Wall Hanging
By John Okulick
Located in Surfside, FL
John Okulick, large colorful wood wall sculpture construction
"Perfect Harmony"
Hand signed and dated, 1999
Dimensions: H: 52 inches:...
Category
1990s Contemporary Abstract Paintings
Materials
Metal
You May Also Like
F. Soriano Women "HERA" original iron sculpture 1995
By Ferran Soriano
Located in CORAL GABLES - MIAMI, FL
steel sculpture by the Spanish artist Ferran SORIANO.
Ferran Soriano - Sculptor (Barcelona, 1944)
Ferran Soriano has been exhibiting his works of art since 1970 around the world (in...
Category
Late 20th Century Contemporary Abstract Sculptures
Materials
Steel, Iron
"Spinning to Sagittarius" kinetic sculpture
Located in Glen Ellen, CA
This stunning kinetic sculpture is made of welded, powdercoated, and painted steel in white and gradient shades of metallic pink, spiraling at the top of a tall pole. The colorful top section is counterbalanced by a brake drum and concrete cone that moves inside of a steel cage over an embedded base made of cast iron antique man-hole covers. It catches even the slightest breeze for near-constant movement!
Please watch the video to see the incredible wind-powered kinetic in action.
Jeff Glode...
Category
2010s Contemporary Abstract Sculptures
Materials
Concrete, Steel, Iron
Price Upon Request
Lantern Column II Blown Glass 46" High
By Niho Kozuru
Located in West Palm Beach, FL
Title: Lantern Column II
Year: 1998 - 2014
Medium: Mold blown glass, cast polymer, steel, cast iron
Size: 46 inches
Price: $6,500
Niho Kozuru is a Japanese-born mixed media artist based in Boston, MA. Kozuru casts and reconfigures molds of her own designs, classical and industrial turned architectural forms in unexpected materials. Using rubber, glass and clay she creates columns with undulating silhouettes.
The “Lantern Columns” are a group of 7 towers, ranging from 4 feet to 7 feet tall. They have been shown in various configurations in multiple US States as well as the Fukuoka City Museum in Kyushu, Japan. Kozuru made 60 components by blowing glass into molds of her own designs while at Artists in Residency at Penland School of Crafts in North Carolina.
After traveling the world, the Lantern Columns have been arranged into their final configuration, with a steel armature within and each topped with a vivid cast iron final...
Category
2010s Contemporary Abstract Sculptures
Materials
Steel, Iron
John Van Alstine - Column XIV (Pointer), Photography 2002
By John Van Alstine
Located in Greenwich, CT
Column XIV (Pointer), John Van Alstine.
This sculpture will be shipped directly from the artist's studio.
Category
Early 2000s Abstract Geometric Abstract Sculptures
Materials
Granite, Steel, Iron
John Van Alstine - Cornucopia With Columns, Sculpture 1998
By John Van Alstine
Located in Greenwich, CT
Cornucopia With Columns, John Van Alstine.
Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a majo...
Category
1990s Abstract Geometric Abstract Sculptures
Materials
Concrete, Steel, Iron
"Three Strikes" Abstract, Cast Iron Metal Sculpture by John Ruppert
By John Ruppert
Located in New York, NY
"Three Strikes" by John Ruppert
Cast iron and stainless steel, from a fragment of a tree struck by lightning
Edition of 3
Over the past 35 years, John Ruppert has been working in ca...
Category
2010s Abstract Abstract Sculptures
Materials
Metal, Steel, Stainless Steel, Iron
Recently Viewed
View AllMore Ways To Browse
Sculpture Two Faces
Wood Brutalist Sculpture
Sculpture Cast Iron
Brutalist Wood Art
Minimalist Steel Sculptures
Glass Face Sculpture
White Bird Sculpture
Large Male Sculpture
Brutalist Art Glass
Iron Giacometti
Brutalist Steel Sculpture
Brutalist Sculpture Iron
Male Metal Sculpture
Stone Fish Sculpture
Cast Iron Machine
Iron Bird Sculpture
Cast Iron Face
African Iron Wood