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Carmelo Cappello1974 Italy Abstract Bronze Sculpture Post-Modern Oval Sphere by Carmelo Cappello1974
1974
About the Item
This is an intense bronze abstract sculpture created by the well known Italian artist Carmelo Cappello.
This is a multiple of 250 specimens.
It is made in bronze with a wooden black base.
Carmelo Cappello was born in Ragusa, Italy in 1912, he grew close to the Italian sculptor Ettore Colla and in the 1931 he went to Milano. Since his younger, he attended artistic studies. First he attended the Marino Marini courses at the School of Arts in Monza, Italy. In 1941 he became one friends of Giò Ponti and he started to collaborate with him.
He exhibited numerous time in important exhibitions like, the Venice Biennial of Art and at the Milano Triennial of Art and also to the Quadriennial Exhibition of Art in Rome.
The artist considered the Universe a not perfect circle but an irregular cosmic shape that can be observed from many points of view and every time the point of view was different.
- Creator:Carmelo Cappello (1912, Italian)
- Creation Year:1974
- Dimensions:Height: 13 in (33 cm)Width: 15.36 in (39 cm)Depth: 3.94 in (10 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:This artwork is not new but it is in excellent conditions.
- Gallery Location:Brescia, IT
- Reference Number:1stDibs: LU99733160543
Carmelo Cappello
Carmelo Cappello was born in Ragusa, Italy in 1912, he grew close to the Italian sculptor Ettore Colla and in the 1931 he went to Milano. Since his younger, he attended artistic studies. First he attended the Marino Marini courses at the School of Arts in Monza, Italy. In 1941 he became one friends of Giò Ponti and he started to collaborate with him. He exhibited numerous time in important exhibitions like, the Venice Biennial of Art and at the Milano Triennial of Art and also to the Quadriennial Exhibition of Art in Rome. The artist considered the Universe a not perfect circle but an irregular cosmic shape that can be observed from many points of view and every time the point of view was different. One of the basis of his structures is the curve, sometime used close to the circle and sometimes inserted into the ellipses. This vision are relevant to understand the continuous research of the artist of the equilibrium between the relations of the two-dimensional sides of the sculpture that represent the cosmos.
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