Jin-Sook So

15 Black Boxes, Wall Sculpture by Jin-Sook So

2016

"Chunjeein-1, 2 & 3", 33” x 7 1/8” x 6 3/4” (total installed dimensions), 2019 This three-piece work of abaca fiber, pure gold leaf and eco-soluble resin is by Chang Yeonsoon (b. 1950), a Korean...

"Three Chairs" (Triptych) steel mesh, gold, silver and background rust steel board, 35" x 42 1/2" x 2", 2010. This three-piece mixed media textile work was done by artist, Jin-Sook ...

"Last Light" Mary Merkel-Hess, paper, paper chord, 14” x 31” x 15”, 2018. This colorful contemporary textile sculpture was done by American fiber artist, Mary Merkel-Hess. Merkel-Hess' work is often reflective of the natural landscapes from her childhood in the Midwest. Her work, "Last Light", was specifically inspired by a line from Willa Cather...

This mixed media sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). Minkowitz combined various materials while employing her own i...

D’Arcy Bellamy’s "Winter Blossoms" is a contemporary metal sculpture that merges industrial artistry with organic elegance. This tall, 84-inch steel sculpture features intricately cu...

D’Arcy Bellamy’s "Ancient Cherry Blossoms" is a contemporary metal sculpture that beautifully captures the delicate essence of nature through industrial materials. This tall, freesta...

Theda Sandiford, is a self-taught mixed media artist based in Jersey City, NJ. Though art is engrained in her psyche, Theda’s first creative endeavors were in the music business as a...

"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...