Paint Abstract Sculptures

This vessel is part of the Unsung Muses series, and it illustrates various versions of the Goddess Astarte in juxtaposition with rows of pattern and text. The text on the body of the...

Born in Detroit, Steven Montgomery’s work revels in a history of industry and aging as the artist uses porcelain to produce intricate mechanical forms with the appearance of metal. H...

This minimalist metal outdoor sculpture in bright yellow was created by Canadian sculptor Alexander Caldwell. The Calgary-based artist is known for ...

This vase is a derivative of my Portrait collection; the vase features a woman on each side, one with a fire at her throat, and the other with a pattern, which may be interpreted as ...

Jackson Pollock 1000% Bearbrick Figurative Sculpture: A nicely sized (27 inch heigh), highly collectible Bearbrick Jackson Pollock statue piece, splattered from head to toe in Pollo...

In this series of outdoor ‘singing’ bowl sculptures, Marlene Hilton Moore continues to explore the theme of ‘listening.’ This stainless-steel bowl is laser cut with the word “Sing” i...

As glossy and reflective as the finish on a sleek corvette, this electric green, geometric wall sculpture by Lori Cozen-Geller is inspired by California car culture, 1960’s minimalis...

"Hokie" Wood Wall Sculpture- 2024 Acrylic and texture on solid cherry wood. Finished on three sides and ready to hang. Scott Troxel draws on the aesthetics of bygone technology and ...

This piece recalls the art historical depictions of Mary Magdalene. Though she is often contextualized as the one who washed Jesus’s feet, Hodge centers her as the subject and asks “Who takes care of her?”. She answers with the scene of another woman washing her feet, which speaks to the ways that women’s care for one another is often unseen. The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...

In this series of outdoor ‘singing’ bowl sculptures, Marlene Hilton Moore continues to explore the theme of ‘listening.’ This stainless-steel bowl is laser cut with the word “Whisper...

This petite ceramic vase features bright cool colors and plant forms, with winding snakes as the center characters. The jungle aesthetic accentuates the dense connotations of the sna...

"BigBlue" is a fun modernist freestanding sculpture that brings bold statement to wherever it is placed. Made from .25" thick powder coated mild steel. Both vibrant and durable, th...

This series of sculptures is called Emotional States. It was created in 2023 in Kyiv (Ukraine). I lived and worked all year in my hometown in the middle of a Big war. I experienced a...

This ceramic vase features lush, vibrant plant forms. On each side, a hand emerges as if to reach for something. The title references both the vulnerability of the earth and humanity...

Thomas Edward Nozkowski (American, 1944-2019). Original mixed media abstract composition art utilizing colored rock gravel. Titled, "Gravel Piece." Hand signed on verso, dated 5/73. Provenance: Collection of the Bass Museum of Art, Miami Beach, Florida (Museum Inventory No. t.13.2000.053.) Thomas Nozkowski was an American contemporary painter. He achieved a place of prominence through his small scale paintings and drawings that push the limits of visual language. His work appeared in more than 300 exhibitions over the past 40 years. He had more than 70 solo exhibitions, and 24 of his paintings were featured in a large-scale retrospective in 1987 at Corcoran Gallery of Art in Washington, DC Nozkowski was born in Teaneck, New Jersey and raised in Dumont, where he graduated from Dumont High School in 1961. He spent his youth in the New Jersey suburbs, admiring New York culture from afar before moving there after graduating high school. His father worked in an Alcoa Aluminum factory and then as a postman. His mother worked in factories and as a bookkeeper. One of his aunts was a schoolteacher who gave him and his younger sister art supplies. When he was a senior in high school he won a scholarship to attend a painting class at New York University's School of Education, where he studied with Robert Kaupelis and Hale Woodruff. While he earned his BFA at Cooper Union, Nozkowski was making sculpture. He graduated in 1967. He later transitioned to large scale abstract expressionist painting, and exhibited some of his earliest works in group shows at the storied Betty Parsons Gallery. Richard Tuttle had his first show a year after he began assisting Betty Parsons. Thomas Nozkowski worked for her after graduating from Cooper Union. Between 1949 and 1951. In the course of 36 years, the Betty Parsons Gallery mounted important early shows of Robert Rauschenberg, Kenzo Okada, Richard Pousette-Dart, Leon Polk Smith, Forrest Bess, Sonia Sekula, Herbert Ferber, Seymour Lipton, Eduardo Paolozzi, Alexander Liberman, Barbara Chase-Riboud, Richard Lindner, Agnes Martin, Ellsworth Kelly, John Walker, Patrick Ireland...

Sara Fine-Wilson's "Coming Up for Air" is a mixed media sculpture of multiple ceramic elements that were previously formed, fired, and glazed and the...

Pigmented hydrocal, concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Ben Eine SCARY (Hand painted Skateboard Skate Deck), 2017 Hand painted with blue skate deck on 100% Canadian maplewood Boldly signed and dated on the front in black marker; numbered ...

Abstract geometric, minimalist three-dimensional wood wall sculpture in blue and white "Blueprint of Chaos", hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Wallin...

Resin cast geodes in cracked stone in a wooden frame by Paige Smith. This piece measures 18in x 18in, with a depth of 1-5/8in. Paige Smith AKA A Common Name, is a multi-disciplin...

The unique works of this series emerge from the depths of an additional dimension as the artist frees their mind, transcending the boundaries of imagination where past, present, and ...

Luna is a unique ink, paint and wax on Carrara marble sculpture by contemporary artist Richard Perry, dimensions are 20 × 20 × 17 cm (7.9 × 7.9 × 6.7 in). The sculpture is signed an...

Untitled 02, 2016 Mixed media on metal sheet (Signed on reverse) 70,87 H × 39,37 W x 12,6 D in 180 H × 100 W x 32 D cm Berszán’s black silicon structures arise through a process of ...

"Wandering Bonanza 19" is an original Lost Object Series assembly with string by Amsterdam-based artist X-O (Hyland Mather) measuring 20in x 16in x 2in.

This artwork "A FLATNESS IN THE EYES" is an original assemblage artwork by Jim Houser. Incorporating various dimensional elements and techniques, such as painting and found objects, ...

Alexander Liberman Aim I, 1980 Painted aluminum 83 high x 26 wide x 26 deep inches Edition of 15 Regarded as a groundbreaking Minimalist artist, Alexander Liberman created pieces t...

“Queen” is a stunning iconic portrait of a young woman coming into the full flower of her beauty and developing power. She is set in a sculptural scene of softly rounded forms surrounded by blues, pinks and lavenders along with flowers and a small hummingbird. There is a quiet power and energy in the young woman as she appears to be on the verge of movement. That she is visually beautiful is actually beside the point for Henry has managed to capture in paint the inner beauty flowing from her presence. Henry says that, “Painting is like breathing for me. I do so daily and appreciate my gift and ability. Perfection drives me as I create each piece. It must be unique. It must stand out, and is not complete until that special quality is achieved in my eyes.” Being able to create is an essential part of my life. It is an extension of my innermost thoughts and imagination. My primary focus of art is realism--using oils and acrylics. Occasionally, I switch mediums and design and build three dimensional pieces. Working mixed mediums, I use various wood, metal and paint, thus allowing me to achieve the visual effects I am looking for. Many of my pieces have been derived from my attraction to Art Deco and Ethnic designs. I am not satisfied until each piece, regardless of the medium or size, has reached the highest possible level of aesthetic quality and craftsmanship I can give it. I have enjoyed creating art since childhood. While a student at Martin Luther King Jr. high school in Detroit, I created and presented a portrait to then Mayor Coleman A. Young. A scholarship from Center for Creative Studies now the College for Creative Studies afforded me the opportunity to work towards and receive a BA in Fine Arts. Faculty and graduates of CCS include Richard Jerzy, Harry Bertoia, Doug Chaing (currently director of Lucas Film), Stephen Dinehart (game maker, writer, designer connected with The David Lynch Foundation), Tyree Guyton (international artist), Herb Babcock, Jerome Feretti, Kevin Siembieda (writer, designer and publisher of role-playing games), Renee Radell, Philip Pearlstein, Charles McGee (nationally recognized African American sculptor of animal and dancing spirits), Philip Pearlstein (2000 Honorary Doctorate, Modern Realism style), John Louis Krieger (American Modern), William Girard (American Modern), and Charles Culver. Mr. Heading understands the joy found in art and how it affects a young person's heart. He has shared his love for art as a mentor/teacher at the Virgil L. Carr Center in Detroit, Michigan. Students not only grew in their art experience, but also exhibited at the Ann Arbor Art Fair. Winning the 2013 MI Great Artist Competition was an honor for Mr. Heading. He is thankful to Park West Gallery owner Albert Scaglione and Oakland County Executive L. Brooks Patterson for the opportunity. Mr. Heading has been featured on ASPIRE TV, shows at the Charles H. Wright Museum of African American History, the National Conference of Artists and other numerous galleries. In addition, he is a book illustrator. His murals create a beautiful focal point and conversation piece on the walls of homes, churches and health care facilities. His art and furniture is enjoyed and treasured by collectors across the United States and Canada. Kohei Suzuki, the former Mayor of Toyota City, Japan has a box designed by Henry. His first attempt at mosaic tile was creating a Tiger sculpture to benefit the Detroit Tigers...

The colour catches your eye at first— a rich, egg yolk yellow. The form is intriguing—organic. This is Shayne Dark. The Kingston based sculptor is known for his enigmatic and compell...

Clay relief of abstracted nude couple by California artist Joe Funk (American, 1918-1981). Monogram signature on individual reliefs and signed on verso. included with photograph and description in his catalog. Catalog with photos of sculpture, and artist biography are included. Ceramics: each 7.25"H x 3.25"W. Overall Size: 10.50"H x 14"W x 5.75"D Joe Funk was an American artist and print maker born in Los Angeles, California, to Polish and German immigrant parents. He died in 1981 in Santa Cruz, California. As a young person in Los Angeles, Joe Funk showed an interest in art. He studied at the Otis and Chouinard Art Institutes and worked on several murals throughout Los Angeles in the Works Progress Administration. He served in the United States Army, from 1943 to 1946, in Korea and Okinawa a s a heavy anti-aircraft artillery mechanic and instructor, warehouseman, and artist, publicist, and graphic designer for special events at Headquarters Company, Asiatic Command. At the ASCOM University in Korea, he was an instructor in pencil sketching. It was during his time in Korea that he developed a lifelong interest in Asian art. Using the G.I. Bill, after the Korean War, he earned a Masters Degree in fine art from the University of Southern California. In the 1950s, Joe met Lynton Kistler and worked at Kistler’s facility in Los Angeles, the only lithographic press open for business on the west coast at that time. During his time as an apprentice, Joe printed for many well-known artists, such as Jean Charlot, man Ray, Max Ernst, Emerson Woelffer and June Wayne. When June Wayne opened the Tamarind Lighography Workshop in Los Angeles in 1960, she offered the status of fellow printer to Joe Funk. At Tamarind, he began work printing lithographs for guest artists and training future printmakers. After Tamarind, Joe became the technical director at Kanthos Press from 1961-1962, where he printed for Jose Cuevasand and Aubrey Schwartz. In 1964, he became co-owner of Joseph Press and was printmaker for Sam Francis, Arnold Belkin and Rico Lebrun. From 1962-1964, Joe taught at the Chouinart Art Institute. Joe established a non-profit corporation in Venice, California in the late 1960s, called Joseph Graphics. Here, he trained apprentice printmakers and printed for numerous artists including Joyce Treiman...

"Winter Blues" by Kevin Barrett Epoxy, acrylic, and urethane on carved aluminum panel Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall ...

Carabela sculpture, signed and dated, edition 20/60 with certificate. Edgar Negret was born in 1920-2012 Colombia. He studied at the School of Fine Arts ...

Dina Recanati Cosmos Series (they look like outer space or abstract desert landscapes) Hand signed and dated 2002 Metallic paint, acid etched on aluminum, wood Dina Recanati (born Diane Hettena; 1928 – 2021) was an Israeli artist, sculptor and painter. Diane Hettena was born in Cairo, Egypt. In 1946, she married Raphael Recanati in Tel Aviv, Mandatory Palestine. Went to London to study History and Art 1946-1948. Moved to New York 1948. Raised two sons, Oudi and Michael. Attended Art Student League 1959-1962. Studied with Jose de Creft and John Hovannes. Beginning in 1964, she was active on the board of the America-israel Cultural Foundation. In the 1970s, she was a member of the board of the Israel Museum and in the 1980s Bezalel Academy of Art & Design, Jerusalem. At the same time as she was working as an artist, she was also collecting artwork. She lives and works in Herzliya and New York. Most of Recanati's work is in the medium of sculpture. Her works, which contain images of books or parchment, have been influenced by American abstract expressionism in their use of swaths of color. In the 1980s and 1990s, she worked widely in sculptures in the public domain. Dina Recanati was a proponent of Israeli art and supported many Israeli artists. In the 1950s and 1960s, she showcased the work of beginning artists at the 5th Avenue branch of Israel Discount Bank in New York City, while growing Discount Bank’s art collection. She has gone on to exhibit worldwide with permanent works in the Israel Museum, Tel Aviv Museum, Ben Gurion Airport, The Jewish Museum (New York) among others. She is the recipient of the AICF AVIV Award and The Council for a Beautiful Israel Yakir Award. She was represented by Flomenhaft Gallery in New York City (was included in the Feminist Art Project along with Miriam Schapiro) and Gordon Gallery in Tel Aviv. Recanati died in Herzliya Pituah at the ate of 93. Israeli Art: Painting, Sculpture, Graphic Work. Tel Aviv Museum of Art, Tel Aviv 1971 Artists: Igael Tumarkin, Bezalel Schatz, Yehiel Shemi, Buky Schwartz, Dina Recanati, Menashe Kadishman, David Palombo, Itzhak Danziger, Sorel Etrog, Yaacov Agam, Jakob Steinhardt, Louise Schatz, Anna Ticho, Ruth Schloss, Moshe Castel, Yohanan Simon, Lea Nikel, Marcel Janco, Mordecai Ardon etc. 40 From Israel: Contemporary Sculpture & Drawing Israel: Contemporary Sculpture & Drawing Brooklyn...

This vessel is the first of the Unsung Muses series, and it references two compositions by Cezanne in which women are seen bathing, undisturbed by the voyeurism of the artist and/or ...

Relationships III is part of a series of three sculptures inspired by my personal experiences. When my two sons were growing up I told them the most difficult thing in life are you...

Rings of stainless steel, matte white on the exterior, and polished to a high sheen on the interior intersect at dynamic angles in this elegant sculpture by Philippe Pallafray. The Q...

Spinnaker is a modern mixed media wall sculpture. Made from MDF, acrylic and repurposed Black cherry wood. This is the second piece I made as I begin to experiment with additional ma...

Hugo Urrutia’s “From Dusk to Dawn” is a masterful 29-inch high by 38-inch wide sculptural wall artwork, crafted with meticulous precision using oil lacquer paint on carved Baltic birch. Part of his acclaimed “Flexible Rigids” series, this work challenges the boundaries between rigid geometry and fluid motion, transforming a structured surface into a captivating, undulating form. Urrutia’s innovative approach to sculptural abstraction and his ability to evoke natural harmony through architectural precision make this artwork ideal for collectors of modern wall sculptures, geometric art, and unique design-inspired pieces. In “From Dusk to Dawn”, Urrutia builds a mesmerizing composition of repeating triangular modules, meticulously carved to create a dynamic wave-like effect across the surface. The artwork’s deep red gradient transitions from darker tones at the top to vibrant crimson hues at the base, suggesting a natural progression reminiscent of twilight giving way to morning light. The carved facets interact beautifully with light, producing subtle shifts in shadows, reflections, and tones that shift as the viewer changes perspective. The repetitive geometric pattern creates both rhythm and structure, while the gentle curvature of the surface adds an organic flow, echoing Urrutia’s inspiration from natural phenomena like rippling water, wind-blown fabric, or synchronized flocks of birds. The contrast between the bold, rich hues and the natural wood accents further enhances the sculpture’s modern elegance, making it a striking centerpiece for contemporary interiors and architectural spaces. Key Features: Original artwork: Sculptural wall art crafted with carved Baltic birch and oil lacquer paint Dimensions: 29 inches high by 38 inches wide; 5 inches deep Design concept: “Flexible Rigids” series, transforming rigid geometry into flowing, harmonic forms Visual impact: Rich red gradient with natural wood accents and dynamic triangular carvings Display: Signed by the artist on the back; no framing required Certificate of authenticity included with purchase Delivery: Free local Los Angeles area delivery; affordable Continental U.S. and worldwide shipping available Hugo Urrutia, a multidisciplinary artist and architect, explores the intersection of art, design, and technology in his sculptural works. Inspired by natural movement and architectural precision, Urrutia’s pieces evoke the beauty of harmony, rhythm, and balance. A graduate of the prestigious Architectural Association in London, Urrutia has exhibited his works worldwide, solidifying his reputation as a visionary artist who redefines the relationship between art and space. “From Dusk to Dawn” is a stunning exploration of geometry, color, and form, seamlessly blending organic flow with architectural structure. Ideal for modern interiors, creative workspaces, or gallery walls, this one-of-a-kind sculpture transforms its environment with a dynamic energy and sophisticated elegance. Collectors seeking art that embodies innovation, movement, and timeless design will find “From Dusk to Dawn” an exceptional addition to their collection. REPRESENTATION Artplex Gallery, Los Angeles, CA EXHIBITIONS 2023 Artplex Gallery, Los Angeles, CA 2019 JoAnne Artman Gallery, Laguna Beach, USA 2019 Contemporaneo Ashville, Ashville, USA 2019 Canvas Hotel, Dallas, USA 2019 Decorazon Gallery, New York, USA 2018 George Billis Gallery, New York City, USA 2018 Ro2 Gallery, Dallas, USA 2018 Reveal Art Fair, Saratoga Springs, USA 2018 Aqua Art Fair, December. Miami, USA 2018 Cube Gallery, Winter 2018 London, UK 2018 SORAA, Frankfurt, Germany 2017 Decorazon Gallery, Dallas, USA 2016 Retrospect Galleries, Byron Bay, Australia 2015 Angela Royo Contemporary Art, Bogota, Colombia 2014 Decorazon Gallery, Dallas, USA 2012 Architectural Association Members’ Room, London 2012 Angela Royo Contemporary Art, Bogota, Colombia 2012 The Delicate Mayhem Gallery, London, UK 2011 Charlotte Jackson...

"Navy White" - (Scott Troxel's Small Pops Series) is a minimalist modernist wall sculpture that can bring bold statement to wherever it is placed. The piece is relatively small, but ...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

"LemonTree" (Small Pops Series) is a modernist, solid wood wall sculpture that brings bold statement to wherever it is placed. The piece has uses a Textured finish (on 2" thick soli...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

"Tuxedo" is a minimalist and modernist wood wall sculpture reminiscent of both made century modern forms and the brutalist architectural movement. The piece was inspired by my love ...

A large abstract Expressionist sculpture floor vase by the celebrated German-American Expressionist artist Peter Robert Keil (b. 1942), signed & dated 1985. The floor vase is of larg...

"Makaha (Wood)" is a minimalist and modernist, solid wood freestanding sculpture that brings bold statement to wherever it is placed. Artist Scott Troxel says "The piece is part of...

"Flow Meter" (Small Pops Series) is a modernist, solid wood wall sculpture that brings bold statement to wherever it is placed. The piece has uses a Satin lacquer finish (on 2" thic...

"Matisse" Wood Wall Sculpture- 2024 "Small Pops" collection Matte Acrylic Paint on solid maple wood. Finished on three sides and ready to hang. Scott Troxel draws on the aesthetics ...

"1959 (Teal)" is a fun modernist freestanding sculpture that brings bold statement to wherever it is placed. Made from .25" thick powder coated mild steel, it is vibrant and durable...

"1959 (Orange)" is a fun modernist freestanding sculpture that brings bold statement to wherever it is placed. Made from .125" thick powder coated mild steel, it is vibrant and dura...

NOTE: This is a commission piece, made after the original. It can be commissioned in custom sizes. Allow 3-4 weeks plus shipping. Solar Trees is a modern abstract three piece wall...

SSB1 (Shou Sugi Ban) is a modern mixed media wall sculpture made from MDF, enamel, lacquer and stained shou Sugi ban pine wood. The pine was charred and then brushed back to create a...

In Ferrari Silver, three striking geometric pieces are separate but appear to fit together. California artist Lori Cozen-Geller’s minimalist sculptures are inspired by emotion but th...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of light brown, beige, and gray Acrylic on 3 panels Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

Three rings of stainless steel, polished to a high sheen on the interior and matte black on the exterior, intersect at dynamic angles in this elegant sculpture by Philippe Pallafray....

Tom Cramer (b.1960). Standing Figure, 1998. Carved wood and polymer paint. Measures 17.5 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...

Dina Recanati Cosmos Series (they look like outer space or abstract desert landscapes) 2002 Metallic paint, acid etched on aluminum, wood Hand signed and dated on side Dina Recanati (born Diane Hettena; 1928 – 2021) was an Israeli artist, sculptor and painter. Diane Hettena was born in Cairo, Egypt. In 1946, she married Raphael Recanati in Tel Aviv, Mandatory Palestine. Went to London to study History and Art 1946-1948. Moved to New York 1948. Raised two sons, Oudi and Michael. Attended Art Student League 1959-1962. Studied with Jose de Creft and John Hovannes. Beginning in 1964, she was active on the board of the America-israel Cultural Foundation. In the 1970s, she was a member of the board of the Israel Museum and in the 1980s Bezalel Academy of Art & Design, Jerusalem. At the same time as she was working as an artist, she was also collecting artwork. She lives and works in Herzliya and New York. Most of Recanati's work is in the medium of sculpture. Her works, which contain images of books or parchment, have been influenced by American abstract expressionism in their use of swaths of color. In the 1980s and 1990s, she worked widely in sculptures in the public domain. Dina Recanati was a proponent of Israeli art and supported many Israeli artists. In the 1950s and 1960s, she showcased the work of beginning artists at the 5th Avenue branch of Israel Discount Bank in New York City, while growing Discount Bank’s art collection. She has gone on to exhibit worldwide with permanent works in the Israel Museum, Tel Aviv Museum, Ben Gurion Airport, The Jewish Museum (New York) among others. She is the recipient of the AICF AVIV Award and The Council for a Beautiful Israel Yakir Award. She was represented by Flomenhaft Gallery in New York City (was included in the Feminist Art Project along with Miriam Schapiro) and Gordon Gallery in Tel Aviv. Recanati died in Herzliya Pituah at the ate of 93. Israeli Art: Painting, Sculpture, Graphic Work. Tel Aviv Museum of Art, Tel Aviv 1971 Artists: Igael Tumarkin, Bezalel Schatz, Yehiel Shemi, Buky Schwartz, Dina Recanati, Menashe Kadishman, David Palombo, Itzhak Danziger, Sorel Etrog, Yaacov Agam, Jakob Steinhardt, Louise Schatz, Anna Ticho, Ruth Schloss, Moshe Castel, Yohanan Simon, Lea Nikel, Marcel Janco, Mordecai Ardon etc. 40 From Israel: Contemporary Sculpture & Drawing Israel: Contemporary Sculpture & Drawing Brooklyn...

This textured abstract diptych by Teodora Guererra features a light blue-green palette with warm yellow accents throughout. The artist layers thick strokes of paint using a palette k...

"Dust & Daydreams" Abstract Sculpture 68" x 24" x 24" in by Shawn Kolodny Medium: Steel & Automotive Paint Shawn Kolodny is an artist based in Miami, FL. For the past 15 years, he ...