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Medium: Pigment
"Abstract Arrangement "Cement, Resin, Plastic, Zip-ties scuplture
By Duane Paul
Located in West Hollywood, CA
Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Resin, Plastic, Wood, Pigment
John Van Alstine - Blue Ara, Sculpture 2018
Located in Greenwich, CT
RECLINING FIGURE, John Van Alstine.
This sculpture will be shipped directly from the artist's studio.
Stone and metal, usually granite or slate and found object steel are central i...
Category
21st Century and Contemporary Abstract Pigment Abstract Sculptures
Materials
Granite, Steel
Art in motion n°5 by Gilbert Pauli - Concrete sculpture 64x96 cm
Located in Geneva, CH
"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Concrete
$3,200 Sale Price
20% Off
Art in motion n°3 by Gilbert Pauli - Acrylic and concrete 65x97 cm
Located in Geneva, CH
Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...
Category
21st Century and Contemporary Abstract Pigment Abstract Sculptures
Materials
Concrete
Art in motion n°13 by Gilbert Pauli - Sculpture concrete 64x96 cm
Located in Geneva, CH
"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Concrete
Art in motion n°11 by Gilbert Pauli - Concrete sculpture 96x64 cm
Located in Geneva, CH
"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Concrete
$3,200 Sale Price
20% Off
Farbenlichthaut no. 140 - contemporary modern organic sculpture painting relief
Located in Doetinchem, NL
Farbenlichthaut no. 140 is a contemporary modern organic sculpture painting relief by German artist Freddie Michael Soethout. The relief is made from a few hundred of hand-cut two mi...
Category
2010s Contemporary Pigment Abstract Sculptures
Materials
Silicone, Plate Glass, Pigment
"Playground Punching Bag" Mixed Media Sculpture
By Duane Paul
Located in West Hollywood, CA
Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and sensual experience of his work covertly explores sexuality, gender traditions, sex, and race. "My artistic mission is to stimulate productive public conversation around these topics."
"Playground Punching Bag...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Resin, Wood, Pigment
"MATHEMATICAL THEOREM", sculpture, clay, relief, abstract, contemporary, ceramic
Located in Toronto, Ontario
MATHEMATICAL THEOREM, a ceramic relief sculpture of high-fired clay pigmented with engobes, is a recent work by artist Harold Wortsman. This black & wh...
Category
21st Century and Contemporary Contemporary Pigment Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"MIDNIGHT BLUE", sculpture, clay, relief, abstract, contemporary, ceramic
Located in Toronto, Ontario
Midnight Blue, a ceramic relief sculpture of high-fired porcelain pigmented with oxides, paint and epoxy, is a recent work by New York artist Harold Wortsman. This sculpture is ready to be mounted to the wall. Note the artist's hand in the mark-making – cuts and radiating lines, the suggestion of maps, geometry and counting systems – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
Midnight Blue was recently exhibited at Harold Wortsman: Time and Space, Orange Art Foundation, New York City, February 2022.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium, Porcelain, Epoxy Resin
Contemporary, Abstract, Porcelain, Sculpture, Ceramic, "Inside Out Vases"
By Kyle Johns
Located in St. Louis, MO
Contemporary, Abstract, Porcelain, Sculpture, Ceramic, "Inside Out Vases"
Kyle began his studies at Southern Illinois University Edwardsville (SIUE). Following undergraduate, he rec...
Category
2010s Contemporary Pigment Abstract Sculptures
Materials
Ceramic, Porcelain, Pigment
Asterie
Located in Westport, CT
Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Acrylic Polymer, Pigment
$26,250
"VERTICAL 7", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 7, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 7 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"Sacandaga River Landscape XI", Industrial, Abstract Sculpture in Metal & Stone
Located in New York, NY
"Sacandaga River Landscape XI" by John Van Alstine
NY State green granite, pigmented and sealed steel
The sculpture of John Van Alstine beautifully, and powerfully, balances the uni...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Stone, Granite, Metal, Steel
"Abstract Arrangement - Cement, Resin, Plastic, Zip-ties, Industrial Strapping
By Duane Paul
Located in West Hollywood, CA
Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Resin, Plastic, Wood, Pigment
"Forked Tongues Consequences " Mixed Media Sculpture
By Duane Paul
Located in West Hollywood, CA
Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Resin, Foam, Pigment
"HER DREAM", sculpture, clay, abstract, organic, contemporary, ceramic, tribal
Located in Toronto, Ontario
HER DREAM, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is ch...
Category
21st Century and Contemporary Contemporary Pigment Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Gradient No.10
Located in Los Angeles, CA
Lisa Bartleson is a Northern California - based mixed-media artist whose work is inspired by the Light and Space movement from the 1960’s and 1970’s. Her work has a luminous quality ...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Resin, Wood Panel, Pigment
"Pointe (kyklos III)", Industrial, Abstract Sculpture in Metal & Stone
Located in New York, NY
"Pointe (kyklos III)" by John Van Alstine
Slate, pigmented and sealed steel
The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, whi...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Stone, Slate, Metal, Steel
"RAKU RED AND WHITE", wheel formed white glaze, copper red, gold leaf, sculpture
Located in Toronto, Ontario
"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity.
Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used."
Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives.
He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial.
Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City.
He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...
Category
21st Century and Contemporary Contemporary Pigment Abstract Sculptures
Materials
Gold, Gold Leaf
"VERTICAL 4", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 4, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 4 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
John Van Alstine, Kerf V, Sculpture 2024
Located in Greenwich, CT
Kerf V
Granite/pigmented and sealed steel
12" (height) x 14" (width) x 5" (depth)
Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The ...
Category
21st Century and Contemporary Contemporary Pigment Abstract Sculptures
Materials
Granite, Steel
"ROCKSLIDE D.T.’s", Industrial Abstract Sculpture in Metal & Stone
Located in New York, NY
"ROCKSLIDE D.T.’s" by John Van Alstine
Slate, pigmented and sealed steel
The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, while ...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Stone, Slate, Metal, Steel
Joel Urruty - Red stripes, Sculpture 2024
By Joel Urruty
Located in Greenwich, CT
Medium: reclaimed wood, dye , lacquer
As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the ...
Category
2010s Contemporary Pigment Abstract Sculptures
Materials
Steel
Joel Urruty - Aya, Sculpture 2024
By Joel Urruty
Located in Greenwich, CT
Medium: reclaimed wood, pigment
As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual...
Category
2010s Contemporary Pigment Abstract Sculptures
Materials
Steel
Bad Moon Ascending, Abstract Steel Sculpture, 2020
Located in Boston, MA
Artist Commentary:
Bad Moon Ascending is a result of a lyric in the CCR song "Bad Moon Rising", the impact of the Covid-19 pandemic, and my sculptural pursuits of my "Event" series.
Keywords: abstract, welded metal
Artist Biography:
Fred Klingelhofer, a primarily self-taught artist, grew up in a Chicago south side neighborhood. He received a BS degree in physics from Roosevelt University and worked as an engineer for 30 years. During those years he enrolled in art workshops and classes at a nearby community college completing courses in figure drawing, 2D and 3D design, ceramics, sculpting the figure, welding and metal sculpture. His focus has been on creating sculpture since 2006. Fred has exhibited his sculpture in a number of group exhibitions with Chicago Sculpture International, Art Prize (Grand Rapids, Michigan), Sculpture in the Park (St Charles, Illinois), Sculpture Walk Sioux Falls...
Category
21st Century and Contemporary Abstract Pigment Abstract Sculptures
Materials
Steel
"Sisyphean Circle 8-14-17", Industrial, Abstract Sculpture in Metal & Stone
Located in New York, NY
"Sisyphean Circle 8-14-17" by John Van Alstine
Granite, galvanized and powder-coated steel
The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Stone, Granite, Metal, Steel
Joel Urruty - State of Mind, Sculpture 2024
By Joel Urruty
Located in Greenwich, CT
Medium: reclaimed wood, pigment and lacquer
As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used a...
Category
2010s Contemporary Pigment Abstract Sculptures
Materials
Wood, Lacquer, Pigment
"QUILL II (Slate Rocker)", Industrial Abstract Sculpture in Metal & Stone
Located in New York, NY
"QUILL II (Slate Rocker)" by John Van Alstine
NY State slate, pigmented and sealed steel
The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone a...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Stone, Slate, Metal, Steel
"ALTAR", sculpture, clay, ceramic, abstract, contemporary, tribal, pattern, mark
Located in Toronto, Ontario
Altar, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Altar was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"FOR THE OLD ONES", sculpture, clay, abstract, contemporary, ceramic, tribal
Located in Toronto, Ontario
FOR THE OLD ONES, a ceramic sculpture of high-fired clay pigmented with oxides, sitting on a slab of limestone. It is a recent work by artist Harold Wortsman. Note the blending of volumetric and organic form in this work, the mark-making and perforations on the surface, the striking colors of black and copper in variable stripes – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Abstract Sculptures
Materials
Limestone
"Sisyphean Circle (twirl IV)", Industrial, Abstract Sculpture in Metal & Stone
Located in New York, NY
"Sisyphean Circle (twirl IV)" by John Van Alstine
Granite, galvanized and powder-coated steel
The sculpture of John Van Alstine beautifully, and powerfully, balances the union of st...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Stone, Granite, Metal, Steel
"RED, BLACK & BROWN", sculpture, clay, ceramic, abstract, tribal, pattern
Located in Toronto, Ontario
Red, Black & Brown, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Red, Black & Brown was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"Sisyphean Circle (diagonally down)", Industrial, Abstract Sculpture
Located in New York, NY
"Sisyphean Circle (diagonally down)" by John Van Alstine
Slate, pigmented and sealed steel
The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Stone, Slate, Metal, Steel
"MONUMENT", sculpture, clay, abstract, geometry, contemporary, ceramic, tribal
Located in Toronto, Ontario
MONUMENT, a ceramic sculpture of high-fired clay pigmented with oxides, is a recent work by artist Harold Wortsman. Note the volumetric geometry inhere...
Category
21st Century and Contemporary Contemporary Pigment Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Fugue (Dialect. series)
Located in Ciudad de México, MX
“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between
painting, sculpture, and drawing. My aim is to produ...
Category
21st Century and Contemporary Abstract Geometric Pigment Abstract Sculptures
Materials
Clay, Acrylic, Handmade Paper, Pigment
Soninka
Located in Westport, CT
Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the physicality of his body. Moving is an expression, just as is the color. The paintings are actual authentic gestures. Once completed, they look like relief on the wall.
The artist is represented by galleries in Europe, the US and
Australia. Additionally, his work is in the permanent collections of the Crocker Art Museum in Sacramento, CA; the Amon Carter Museum of American Art in Fort Worth, TX; the Newcomb Art Museum at Tulane University in New Orleans, LA; the FWMoA, Fort Wayne, IN and the Lamborghini Museum in Bologna, Italy.
In 2015 Martiny received a commission from the Durst Organization to create two monumental paintings that are permanently installed in the lobby of One World Trade Center in New York City.
His work is in numerous collections, including: Graham Gund Family Foundation (Cambridge, MA); Patrick Duffy (Chairman, Las Vegas Art...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Acrylic Polymer, Pigment
$30,000
Untitled contemporary sculpture
Located in Palm Desert, CA
A central figure in the California Light and Space movement, Laddie John Dill has been crafting light and earthy materials like concrete, glass, sand, and metal into luminous sculptu...
Category
21st Century and Contemporary Abstract Pigment Abstract Sculptures
Materials
Glass, Wood, Pigment
Moutarde
Located in Westport, CT
Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Acrylic Polymer, Pigment
$21,000
Platonic Flower: Contemporary Abstract Sculpture
Located in New York, NY
Contemporary Abstract Sculpture
Platonic Flower, 2022
Engineered concrete & pigment
7’’, 9’’, 10’’
About The Artist
Miguel A Otero Fuentes is a Puerto Rico-born USA migrant, a univ...
Category
2010s Contemporary Pigment Abstract Sculptures
Materials
Concrete
$2,592 Sale Price
25% Off
"Untitled #2 (Tupperware)" Red, Yellow, & White Realistic Beeswax Cup Sculpture
Located in Houston, TX
Modern collection of realistically rendered tupperware cups made out of beeswax and pigment by California artist George Stoll. The piece features a set of...
Category
1960s Pop Art Pigment Abstract Sculptures
Materials
Wax, Pigment
Space - black blue contemporary modern abstract sculpture painting relief
Located in Doetinchem, NL
Space is a unique contemporary modern sculpture painting by Dutch artist Michiel Jansen. This wall relief is made from dozens of indivually cut strips of pure grey black slate. First...
Category
2010s Contemporary Pigment Abstract Sculptures
Materials
Slate
"Money Tree" Handmade Paper, Mixed Media, Wall Relief Sculpture, Vertical
Located in New York, NY
"Money Tree" by Joan Giordano from her "Presences" series of vertical wall scrolls
Handmade Kozo Paper, Yellow Pigment, Bamboo, Encaustic
Museum-shown and...
Category
21st Century and Contemporary Abstract Pigment Abstract Sculptures
Materials
Paper, Handmade Paper, Pigment
"Untitled Abstract Arrangement"- Cement, Resin, Plastic, Zip-ties
By Duane Paul
Located in West Hollywood, CA
Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Resin, Plastic, Wood, Pigment
John Van Alstine, Auger Falls Landscape (Low Gear), Sculpture 2024
Located in Greenwich, CT
Auger Falls Landscape (Gear Bottom)
Green granite and sealed steel
15" (height) x 18" (width) x 5" (depth)
Stone and metal, usually granite or slate, and found object steel are cent...
Category
21st Century and Contemporary Contemporary Pigment Abstract Sculptures
Materials
Granite, Steel
John Van Alstine, Sacandaga River Confluence, Sculpture 2022
Located in Greenwich, CT
Sacandaga River Confluence
NY State slate/pigmented and sealed steel
12.5" (height) x 22" (width) x 5" (depth)
Stone and metal, usually granite or slate, and found object steel are ...
Category
21st Century and Contemporary Contemporary Pigment Abstract Sculptures
Materials
Slate, Steel
"Sacandaga River Landscape IX", Industrial, Abstract Sculpture in Metal & Stone
Located in New York, NY
"Sacandaga River Landscape IX" by John Van Alstine
Stone, pigmented and sealed steel
The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and m...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Stone, Metal, Steel
Dreamweaver (Dialect series)
Located in Ciudad de México, MX
“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between
painting, sculpture, and drawing. My aim is to produ...
Category
21st Century and Contemporary Contemporary Pigment Abstract Sculptures
Materials
Clay, Acrylic, Handmade Paper, Newsprint, Pigment
Holding Space (Dialect series)
Located in Ciudad de México, MX
“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between
painting, sculpture, and drawing. My aim is to produ...
Category
21st Century and Contemporary Abstract Expressionist Pigment Abstract Sculptures
Materials
Acrylic, Handmade Paper, Pigment
Code Breaker (Dialect series)
Located in Ciudad de México, MX
“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between
painting, sculpture, and drawing. My aim is to produ...
Category
21st Century and Contemporary Abstract Pigment Abstract Sculptures
Materials
Sandstone
Queen of the Night (Dialect: series)
Located in Ciudad de México, MX
“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between
painting, sculpture, and drawing. My aim is to produ...
Category
21st Century and Contemporary Contemporary Pigment Abstract Sculptures
Materials
Copper
Yann Barrere - Akua’ba - Original Sculpture
Located in Collonge Bellerive, Geneve, CH
Yann Barrere - Akua’ba - Original Sculpture
Dimensions: 82 x 23 x 16 cm
Materials: Brazilian mica-fuschite, Alabaster
"For me, the pleasure of sculpture is al...
Category
2010s Modern Pigment Abstract Sculptures
Materials
Alabaster
Light-Glyph (Orange)
Located in Santa Monica, CA
With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spat...
Category
2010s Pigment Abstract Sculptures
Materials
Acrylic Polymer, Pigment
Vacuum Vertical Light-Glyph (Rose Gold)
Located in Santa Monica, CA
With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spat...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Acrylic Polymer, Pigment
Sea Cactus: Contemporary Abstract Sculpture
Located in New York, NY
Sea Cactus (2022) is a small contemporary abstract sculpture, featuring a concrete triangular prism, with weathered details to create a rugged effect. Expertly balanced on the tip of the triangular prism is a dark ball...
Category
2010s Contemporary Pigment Abstract Sculptures
Materials
Concrete
$1,373 Sale Price
20% Off
Light-Glyph (Blue)
Located in Santa Monica, CA
In the first of his newest series, Light-Glyphs, a range of colors illuminate the interior of translucent sculptural boxes. The color is muted and light diffused through frosted surf...
Category
2010s Pigment Abstract Sculptures
Materials
Acrylic Polymer, Pigment
Light-Glyph 60
Located in Santa Monica, CA
In the first of his newest series, Light-Glyphs, a range of colors illuminate the interior of translucent sculptural boxes. Light diffuses through their frosted surfaces and softens ...
Category
2010s Abstract Geometric Pigment Abstract Sculptures
Materials
Acrylic Polymer, Pigment
Light Glyph VFSV
Located in Santa Monica, CA
Light-Glyphs, a range of colors illuminate the interior of translucent sculptural boxes. The color is muted and light diffused through frosted surfaces. At center, a thin blade of co...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Acrylic Polymer, Pigment
Light-Glyph (Silver)
Located in Santa Monica, CA
With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spat...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Acrylic Polymer, Pigment
Light-Glyph (Gold)
Located in Santa Monica, CA
With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spat...
Category
2010s Abstract Pigment Abstract Sculptures
Materials
Acrylic Polymer, Pigment
Pigment abstract sculptures for sale on 1stDibs.
Find a wide variety of authentic Pigment abstract sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract sculptures created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include John Van Alstine, Casper Brindle, Harold Wortsman, and Gilbert Pauli. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Pigment abstract sculptures, so small editions measuring 0.25 inches across are also available