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Medium: Pigment
Three Root Systems
Located in Santa Fe, NM
Diptych Fused Glass created in a kiln. method Relatively simple materials. Beginning with float (recycled window) or plate glass, pieces are cut and arranged with hand-cut glass s...
Category

2010s Pigment Abstract Sculptures

Materials

Glass, Mica

Oval Chain 1
Located in Santa Fe, NM
Diptych Fused Glass created in a kiln. method Relatively simple materials. Beginning with float (recycled window) or plate glass, pieces are cut and arranged with hand-cut glass s...
Category

2010s Pigment Abstract Sculptures

Materials

Glass, Mica

Pinnate Field Chain
Located in Santa Fe, NM
Diptych Fused Glass created in a kiln. method Relatively simple materials. Beginning with float (recycled window) or plate glass, pieces are cut and arranged with hand-cut glass s...
Category

2010s Pigment Abstract Sculptures

Materials

Glass, Mica

John Van Alstine - ACCIACCATO III, Sculpture 2015
Located in Stamford, CT
slate/pigmented and sealed steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. O...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Slate, Steel, Cut Steel, Stainless Steel

Farbenlichthaut no. 140 - contemporary modern organic sculpture painting relief
Located in Doetinchem, NL
Farbenlichthaut no. 140 is a contemporary modern organic sculpture painting relief by German artist Freddie Michael Soethout. The relief is made from a few hundred of hand-cut two mi...
Category

2010s Contemporary Pigment Abstract Sculptures

Materials

Silicone, Plate Glass, Pigment

"Sisyphean Circle 8-14-17", Industrial, Abstract Sculpture in Metal & Stone
Located in New York, NY
"Sisyphean Circle 8-14-17" by John Van Alstine Granite, galvanized and powder-coated steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Stone, Granite, Metal, Steel

Joel Urruty - State of Mind, Sculpture 2024
Located in Stamford, CT
Medium: reclaimed wood, pigment and lacquer As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used a...
Category

2010s Contemporary Pigment Abstract Sculptures

Materials

Wood, Lacquer, Pigment

Joel Urruty - Red stripes, Sculpture 2024
Located in Stamford, CT
Medium: reclaimed wood, dye , lacquer As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the ...
Category

2010s Contemporary Pigment Abstract Sculptures

Materials

Steel

Joel Urruty - Free form #1, Sculpture 2024
Located in Stamford, CT
Medium: oak As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figur...
Category

2010s Contemporary Pigment Abstract Sculptures

Materials

Steel

Joel Urruty - Free form #4, Sculpture 2024
Located in Stamford, CT
Medium: whitewashed oak As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual languag...
Category

2010s Contemporary Pigment Abstract Sculptures

Materials

Steel

Hand Crocheted Ceramic Sculpture, Colored Porcelain, Tea Cup, Multicolored
Located in St. Louis, MO
Hand Crocheted Ceramic Sculpture, Colored Porcelain, Tea Cup, Multicolored Jeremy R. Brooks was born in Detroit, MI in 1979. He received his BFA from Grand Valley State University &...
Category

2010s Contemporary Pigment Abstract Sculptures

Materials

Ceramic, Porcelain, Pigment

Honfleur
Located in Westport, CT
Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Acrylic Polymer, Pigment

Asterie
Located in Westport, CT
Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Acrylic Polymer, Pigment

Farbenlichthaut no. 160 - contemporary modern organic sculpture painting relief
Located in Doetinchem, NL
Farbenlichthaut no. 160 is a brand new unique small size contemporary modern organic sculpture painting relief by German artist Freddie Michael Soethout. The relief is made from doze...
Category

2010s Contemporary Pigment Abstract Sculptures

Materials

Silicone, Plate Glass, Pigment

"RED, BLACK & BROWN", sculpture, clay, ceramic, abstract, tribal, pattern
Located in Toronto, Ontario
Red, Black & Brown, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Red, Black & Brown was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Pigment Abstract Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

Center - black red contemporary modern abstract sculpture painting relief
Located in Doetinchem, NL
Center is a unique contemporary modern sculpture painting by Dutch artist Michiel Jansen. This wall relief is made from dozens of indivually cut strips ...
Category

2010s Contemporary Pigment Abstract Sculptures

Materials

Slate

"VERTICAL 7", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 7, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 7 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Pigment Abstract Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

"VERTICAL 4", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 4, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 4 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Pigment Abstract Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

"Orange Pitcher #3", Contemporary, Ceramic, Mixed Media, Sculpture, Stoneware
Located in St. Louis, MO
Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research into the chemistry of kiln firing. He includes materials such as glass, metals,...
Category

2010s Contemporary Pigment Abstract Sculptures

Materials

Ceramic, Stoneware, PVC, Pigment

"4+4", sculpture, clay, ceramic, abstract, contemporary, tribal, disc, geometry
Located in Toronto, Ontario
4+4, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Pigment Abstract Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

"MONUMENT", sculpture, clay, abstract, geometry, contemporary, ceramic, tribal
Located in Toronto, Ontario
MONUMENT, a ceramic sculpture of high-fired clay pigmented with oxides, is a recent work by artist Harold Wortsman. Note the volumetric geometry inhere...
Category

21st Century and Contemporary Contemporary Pigment Abstract Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

"FOR THE OLD ONES", sculpture, clay, abstract, contemporary, ceramic, tribal
Located in Toronto, Ontario
FOR THE OLD ONES, a ceramic sculpture of high-fired clay pigmented with oxides, sitting on a slab of limestone. It is a recent work by artist Harold Wortsman. Note the blending of volumetric and organic form in this work, the mark-making and perforations on the surface, the striking colors of black and copper in variable stripes – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Pigment Abstract Sculptures

Materials

Limestone

"ALTAR", sculpture, clay, ceramic, abstract, contemporary, tribal, pattern, mark
Located in Toronto, Ontario
Altar, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Altar was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Pigment Abstract Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

"HER DREAM", sculpture, clay, abstract, organic, contemporary, ceramic, tribal
Located in Toronto, Ontario
HER DREAM, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is ch...
Category

21st Century and Contemporary Contemporary Pigment Abstract Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

Contemporary, Colored, Porcelain, Sculpture, YOR Spectrum Loop Dispersion
Located in St. Louis, MO
Contemporary, Colored, Porcelain, Sculpture, YOR Spectrum Loop Dispersion Kyle began his studies at Southern Illinois University Edwardsville (SIUE). Following undergraduate, he rec...
Category

2010s Contemporary Pigment Abstract Sculptures

Materials

Ceramic, Porcelain, Glaze, Pigment

"Sisyphean Circle (diagonally down)", Industrial, Abstract Sculpture
Located in New York, NY
"Sisyphean Circle (diagonally down)" by John Van Alstine Slate, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Stone, Slate, Metal, Steel

Contemporary, Abstract, Mixed Media, Ceramic, Sculpture, PVC, Pigmented
Located in St. Louis, MO
Contemporary, Abstract, Mixed Media, Ceramic, Sculpture, PVC, Pigmented Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research into t...
Category

2010s Contemporary Pigment Abstract Sculptures

Materials

Ceramic, Stoneware, PVC, Pigment

John Van Alstine, Auger Falls Landscape (Low Gear), Sculpture 2024
Located in Stamford, CT
Auger Falls Landscape (Gear Bottom) Green granite and sealed steel 15" (height) x 18" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are cent...
Category

21st Century and Contemporary Contemporary Pigment Abstract Sculptures

Materials

Granite, Steel

"Untitled #2 (Tupperware)" Red, Yellow, & White Realistic Beeswax Cup Sculpture
Located in Houston, TX
Modern collection of realistically rendered tupperware cups made out of beeswax and pigment by California artist George Stoll. The piece features a set of...
Category

1960s Pop Art Pigment Abstract Sculptures

Materials

Wax, Pigment

John Van Alstine - Cambre V (Slate), Sculpture 2012
Located in Stamford, CT
slate, pigmented and sealed steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. ...
Category

2010s Abstract Geometric Pigment Abstract Sculptures

Materials

Stone, Slate, Steel, Cut Steel, Stainless Steel

John Van Alstine - CAMBRE IV, Sculpture 2004
Located in Stamford, CT
oil enamel on steel stone Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the m...
Category

21st Century and Contemporary Abstract Geometric Pigment Abstract Sculptures

Materials

Stone, Enamel, Steel, Cut Steel, Stainless Steel

John Van Alstine - Blue Ara, Sculpture 2018
Located in Stamford, CT
RECLINING FIGURE, John Van Alstine. This sculpture will be shipped directly from the artist's studio. Stone and metal, usually granite or slate and found object steel are central i...
Category

21st Century and Contemporary Abstract Pigment Abstract Sculptures

Materials

Granite, Steel

John Van Alstine - Schaats V, Photography 2020
Located in Stamford, CT
Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level, the work ...
Category

2010s Contemporary Pigment Abstract Sculptures

Materials

Stone, Steel

Untitled beautiful colorful abstract contemporary sculpture
Located in Palm Desert, CA
A central figure in the California Light and Space movement, Laddie John Dill has been crafting light and earthy materials like concrete, glass, sand, and metal into luminous sculptures, wall pieces, and installations since the 1970s. Referring to his choice of materials, Dill explains: “I was influenced by [Robert] Rauschenberg, Keith Sonnier, Robert Smithson...
Category

21st Century and Contemporary Abstract Pigment Abstract Sculptures

Materials

Glass, Wood, Pigment

"Round Mountain Landscape", Industrial, Abstract Sculpture in Metal & Stone
Located in New York, NY
"Round Mountain Landscape" by John Van Alstine Granite and steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, while explorin...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Stone, Granite, Metal, Steel

Art in motion n°17 by Gilbert Pauli - Sculpture concrete 64x96 cm
Located in Geneva, CH
"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Concrete

Art in motion n°13 by Gilbert Pauli - Sculpture concrete 64x96 cm
Located in Geneva, CH
"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Concrete

Art in motion n°11 by Gilbert Pauli - Concrete sculpture 96x64 cm
Located in Geneva, CH
"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Concrete

American Contemporary Sculpture by Scott Troxel - Wavy Yellow
Located in Paris, IDF
Pigmented Satin Lacquer on maple Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NYC, Texas Contempor...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Maple, Lacquer, Pigment

American Contemporary Sculpture by Scott Troxel - Flow Meter
Located in Paris, IDF
Pigmented satin lacquer on solid maple Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NYC, Texas Con...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Maple, Lacquer, Pigment

"QUILL II (Slate Rocker)", Industrial Abstract Sculpture in Metal & Stone
Located in New York, NY
"QUILL II (Slate Rocker)" by John Van Alstine NY State slate, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone a...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Stone, Slate, Metal, Steel

Contemporary, Porcelain, Sculpture, Pigment, B2Y Spectrum Loop Dispersion
Located in St. Louis, MO
Contemporary, Porcelain, Sculpture, Pigment, B2Y Spectrum Loop Dispersion Kyle began his studies at Southern Illinois University Edwardsville (SIUE). Following undergraduate, he rec...
Category

2010s Contemporary Pigment Abstract Sculptures

Materials

Ceramic, Porcelain, Glaze, Pigment

"Untitled Abstract Arrangement"- Cement, Resin, Plastic, Zip-ties
Located in West Hollywood, CA
Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Resin, Plastic, Wood, Pigment

John Van Alstine, Lunge 9-22 (Red Tail), Sculpture 2022
Located in Stamford, CT
Lunge 9-22 (Red Tail) NY State slate/pigmented and sealed steel 23" (height) x 26" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central...
Category

21st Century and Contemporary Contemporary Pigment Abstract Sculptures

Materials

Slate, Steel

John Van Alstine, Sisyphean Circle (Rocker 16), Sculpture 2016
Located in Stamford, CT
Sisyphean Circle (Rocker 16) Slate/pigmented and sealed steel 33" (height) x 40" (width) x 9" (depth) Stone and metal, usually granite or slate, and found object steel are central i...
Category

21st Century and Contemporary Contemporary Pigment Abstract Sculptures

Materials

Slate, Steel

John Van Alstine - Lunge XI, Sculpture 2014
Located in Stamford, CT
Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Slate, Stainless Steel

John Van Alstine - Sisyphean Holiday 35 (Speckled Stone), Sculpture 2017
Located in Stamford, CT
Riverstone/ Pigmented and sealed steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major fo...
Category

21st Century and Contemporary Abstract Pigment Abstract Sculptures

Materials

Stone, Metal, Steel

Moutarde
Located in Westport, CT
Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Acrylic Polymer, Pigment

Queen of the Night (Dialect: series)
Located in Ciudad de México, MX
“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between painting, sculpture, and drawing. My aim is to produ...
Category

21st Century and Contemporary Contemporary Pigment Abstract Sculptures

Materials

Copper

Untitled contemporary sculpture
Located in Palm Desert, CA
A central figure in the California Light and Space movement, Laddie John Dill has been crafting light and earthy materials like concrete, glass, sand, and metal into luminous sculptu...
Category

21st Century and Contemporary Abstract Pigment Abstract Sculptures

Materials

Glass, Wood, Pigment

"Sisyphean Circle Beijing Series XXXII", Industrial Abstract Sculpture
Located in New York, NY
"Sisyphean Circle Beijing Series XXXII" by John Van Alstine Slate, pigmented steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and met...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Stone, Slate, Metal, Steel

"Hamilton Co. Rockslide", Industrial, Abstract Sculpture in Metal & Stone
Located in New York, NY
"Hamilton Co. Rockslide" by John Van Alstine Green granite, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Stone, Granite, Metal, Steel

"PORTALS AND PASSAGES 4-20", Industrial Abstract Sculpture in metal
Located in New York, NY
"PORTALS AND PASSAGES 4-20" by John Van Alstine Bronze, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and met...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Metal, Steel, Bronze

"Sisyphean Circle (twirl IV)", Industrial, Abstract Sculpture in Metal & Stone
Located in New York, NY
"Sisyphean Circle (twirl IV)" by John Van Alstine Granite, galvanized and powder-coated steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of st...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Stone, Granite, Metal, Steel

"ROCKSLIDE D.T.’s", Industrial Abstract Sculpture in Metal & Stone
Located in New York, NY
"ROCKSLIDE D.T.’s" by John Van Alstine Slate, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, while ...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Stone, Slate, Metal, Steel

"Pointe (kyklos III)", Industrial, Abstract Sculpture in Metal & Stone
Located in New York, NY
"Pointe (kyklos III)" by John Van Alstine Slate, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, whi...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Stone, Slate, Metal, Steel

"Sacandaga River Landscape IX", Industrial, Abstract Sculpture in Metal & Stone
Located in New York, NY
"Sacandaga River Landscape IX" by John Van Alstine Stone, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and m...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Stone, Metal, Steel

"RIVER LANDSCAPE (tailfin)", Industrial Abstract Sculpture in Metal & Stone
Located in New York, NY
"RIVER LANDSCAPE (tailfin)" by John Van Alstine Slate, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and meta...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Stone, Slate, Metal, Steel

"Sacandaga River Landscape XI", Industrial, Abstract Sculpture in Metal & Stone
Located in New York, NY
"Sacandaga River Landscape XI" by John Van Alstine NY State green granite, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the uni...
Category

2010s Abstract Pigment Abstract Sculptures

Materials

Stone, Granite, Metal, Steel

Hand-blown glass sculpture, Tabletop, Abstract Celestial Black and Clear Glass
Located in San Francisco, CA
This beautiful hand blown glass sculpture by Minami Oya infuses mica speckles into the black glass to add sparkle and evoke stars in the universe. The center is hollow so you can see...
Category

2010s Pigment Abstract Sculptures

Materials

Blown Glass, Mica

Pigment abstract sculptures for sale on 1stDibs.

Find a wide variety of authentic Pigment abstract sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract sculptures created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include John Van Alstine, Casper Brindle, Harold Wortsman, and Gilbert Pauli. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Pigment abstract sculptures, so small editions measuring 0.25 inches across are also available

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