Items Similar to Maquette for Laureate (unique sculpture)
Want more images or videos?
Request additional images or videos from the seller
1 of 3
Seymour LiptonMaquette for Laureate (unique sculpture)1968-1969
1968-1969
About the Item
Seymour Lipton
Maquette for Laureate, ca. 1968-1969
Nickel silver on monel metal
Unique
18 × 8 1/2 × 7 inches
Marlborough-Gerson Gallery, New York
Acquired from the above by the previous owner, 1969
thence by descent
Christie's New York: Monday, June 30, 2008 [Lot 00199]
Acquired from the above Christie's sale This unique sculpture by important Abstract Expressionist sculptor Seymour Lipton is a maquette of the monumental sculpture "Laureate" - one of Lipton's most iconic and influential works located on the Riverwalk in downtown Milwaukee, Wisconsin. Laureate is a masterpiece that was commissioned by the Allen-Bradley Company in memory of Harry Lynde Bradley and as an enhancement for the newly constructed Performing Arts Center. It is located on the east bank of the Milwaukee River at 929 North Water Street. The Bradley family in Milwaukee were renowned patrons of modernist sculpture, known for their excellent taste who also founded an eponymous sculpture park. For reference only is an image of the monumental "Laureate" one of Milwaukee's most beloved public sculptures. According to the Smithsonian, which owns a different unique variation of this work, "The full-size sculpture Laureate was commissioned by the Marcus Center for the Performing Arts in Milwaukee. In the initial drawings, Seymour Lipton combined details from the architectural plan with a wide variety of images, ranging from musical instruments to a lighthouse on the island of Tobago. He transformed the basic shapes from these sketches into a welded sculpture, which evokes a figure composed of columns, harp strings, and coiled rope. Lipton created this piece to celebrate achievement in the arts. The dramatic silhouette commands your attention, reflecting the title Laureate, which means worthy of honor and distinction. The final version of the piece is over twelve feet high and stands out against the pale, flat buildings of the arts center.,,"
Provenance
Marlborough-Gerson Gallery, New York
Acquired from the above by the previous owner, 1969
thence by descent
Christie's New York: Monday, June 30, 2008 [Lot 00199]
Acquired from the above Christie's sale
About Seymour Lipton:
Born in New York City in 1903, Seymour Lipton (1903-1986) grew up in a Bronx tenement at a time when much of the borough was still farmland. These rural surroundings enabled Lipton to explore the botanical and animal forms that would later become sources for his work. Lipton’s interest in the dialogue between artistic creation and natural phenomena was nurtured by a supportive family and cultivated through numerous visits to New York’s Museum of Natural History as well as its many botanical gardens and its zoos. In the early 1920s, with the encouragement of his family, Lipton studied electrical engineering at Brooklyn Polytechnic Institute and pursued a liberal arts education at City College. Ultimately, like fellow sculptor Herbert Ferber, Lipton became a dentist, receiving his degree from Columbia University in 1927. In the late 1920s, he began to explore sculpture, creating clay portraits of family members and friends.
In addition to providing him with financial security, dentistry gave Lipton a foundation in working with metal, a material he would later use in his artwork. In the early 1930s, though, Lipton’s primary sculptural medium was wood. Lipton led a comfortable life, but he was also aware of the economic and psychological devastation the Depression had caused New York. In response, he generally worked using direct carving techniques—a form of sculpting where the artist “finds” the sculpture within the wood in the process of carving it and without the use of models and maquettes. The immediacy of this practice enabled Lipton to create a rich, emotional and visual language with which to articulate the desperation of the downtrodden and the unwavering strength of the disenfranchised. In 1935, he exhibited one such early sculpture at the John Reed Club Gallery in New York, and three years later, ACA Gallery mounted Lipton’s first solo show, which featured these social-realist-inspired wooden works. In 1940, this largely self-taught artist began teaching sculpture at the New School for Social Research, a position he held until 1965.
In the 1940s, Lipton began to devote an increasing amount of time to his art, deviating from wood and working with brass, lead, and bronze. Choosing these metals for their visual simplicity, which he believed exemplified the universal heroism of the “everyman,” Lipton could also now explore various forms of abstraction. Lipton’s turn towards increasing abstraction in the 1940s allowed him to fully develop his metaphorical style, which in turn gave him a stronger lexicon for representing the horrors of World War II and questioning the ambiguities of human experience. He began his metal work with cast bronze sculptures, but, in 1946, he started welding sheet metal and lead. Lipton preferred welding because, as direct carving did with wood, this approach allowed “a more direct contact with the metal.”[ii] From this, Lipton developed the technique he would use for the remainder of his career: “He cut sheet metal, manipulated it to the desired shapes, then joined, soldered, or welded the pieces together. Next, he brazed a metal coating to the outside to produce a uniform texture.”[iii]
In 1950, Lipton arrived at his mature style of brazing on Monel metal. He also began to draw extensively, exploring the automatism that abstract expressionist painters were boasting at the time. Like contemporaries such as Jackson Pollock, Lipton was strongly influenced by Carl Jung’s work on the unconscious mind and the regenerative forces of nature. He translated these two-dimensional drawings into three-dimensional maquettes that enabled him to revise his ideas before creating the final sculpture.The forms that Lipton produced during this period were often zoomorphic, exemplifying the tension between the souls of nature and the automatism of the machine.
In the years following the 1950s, Lipton’s optimism began to rise, and the size of his work grew in proportion. The oxyacetylene torch—invented during the Second World War—allowed him to rework the surfaces of metal sculptures, thus eliminating some of the risks involved with producing large-scale finished works. In 1958, Lipton was awarded a solo exhibition at the Venice Biennale and was thus internationally recognized as part of a small group of highly regarded avant-garde constructivist sculptors. In 1960, he received a prestigious Guggenheim Award, which was followed by several prominent public commissions, including his heroic Archangel, currently residing in Lincoln Center’s David Geffen Hall.
A number of important solo exhibitions of his work followed at The Phillips Collection in Washington, DC (1964); the Milwaukee Art Center and University of Wisconsin, Milwaukee (1969); the Virginia Museum of Fine Arts in Richmond (1972); the Everson Museum in Syracuse, NY (1973); the Herbert E. Johnson Museum of Art of Cornell University in Ithaca, NY (1973); the National Collection of Fine Arts, Smithsonian Institution (now the Smithsonian American Art Museum) in Washington, DC (1978); and a retrospective in 1979 at The Jewish Museum in New York. In 1982 and 1984 alone, two exhibitions of his sculpture, organized respectively by the Mint Museum (Charlotte, NC) and the Hillwood Art Gallery of Long Island University (Greenvale, NY), traveled extensively across museums and university galleries around the nation. In 2000, the traveling exhibition An American Sculptor: Seymour Lipton was first presented by the Palmer Museum of Art of Pennsylvania State University in University Park. Most recently, in 2009, the Ackland Art Museum in Chapel Hill, NC mounted The Guardian and the Avant-Garde: Seymour Lipton’s Sentinel II in Context.
Since 2004, Michael Rosenfeld Gallery has been the exclusive representative of the Estate of Seymour Lipton and has presented two solo exhibitions of his work—Seymour Lipton: Abstract Expressionist Sculptor (2005) and Seymour Lipton: Metal (2008). In 2013, Michael Rosenfeld Gallery presented Abstract Expressionism, In Context: Seymour Lipton, which included twelve major sculptures by the artist, along with works by Charles Alston, Norman Bluhm, Beauford Delaney, Willem de Kooning, Jay DeFeo, Michael Goldberg, Adolph Gottlieb, Hans Hofmann, Lee Krasner, Norman Lewis, Conrad Marca-Relli, Boris Margo, Alfonso Ossorio, Richard Pousette-Dart, Milton Resnick, Charles Seliger, Alma Thomas, Mark Tobey, Jack Tworkov and Hale Woodruff.
Other notable group exhibitions in recent years include: Abstract Expressionist New York at the Museum of Modern Art in New York (2010); Encounters with the 1930s at the Museo Nacional Centro de Arte Reina Sofía in Madrid, Spain (2012); Its Surreal Thing: The Temptation of Objects at the Sheldon Museum of Art, University of Nebraska in Lincoln (2013); Abstraction: Drawings by Sculptors at The Metropolitan Museum of Art in New York (2015) and Marvelous Objects: Surrealist Sculpture from Paris to New York at the Hirshhorn Museum and Sculpture Garden in Washington, DC (2015). In 2018, the Art Gallery of Ontario in Toronto included Lipton’s work in the reinstallation of their permanent collection, Look:Forward.
Seymour Lipton’s works are in numerous museum collections worldwide including the Albright-Knox Art Gallery, Buffalo, NY; Arkansas Art Center, Little Rock, AR; Art Gallery of Ontario, Toronto, Canada; Baltimore Museum of Art, Baltimore, MD; Brooklyn Museum of Art, Brooklyn, NY; Cantor Art Center, Stanford University, Palo Alto, CA; Cleveland Museum of Art, Cleveland, OH; Columbus Museum of Art, Columbus, OH; Corcoran Museum of Art, Washington, DC; Crystal Bridges Museum of Art, Bentonville, AR; Dallas Museum of Art, Dallas, TX; Delaware Art Museum, Wilmington, DE; Denver Art Museum, Denver, CO; Des Moines Art Center, Des Moines, IA; Detroit Institute of Arts, Detroit, MI; Didrichsen Museum, Helsinki, Finland; Governor Nelson A. Rockefeller Empire State Plaza Art Collection, Albany, NY; Grey Art Gallery, New York University, New York, NY; Hammer Art Museum, Los Angeles, CA; Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY; Hillwood Art Museum, Long Island University, Brookville, NY; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC; The Jewish Museum, New York, NY; The Metropolitan Museum of Art, New York, NY; The Mint Museum of Art, Charlotte, NC; Mobile Museum of Art, Mobile, AL; Museum of Art, Rhode Island School of Design, Providence, RI; Museum of Fine Arts, Boston, MA; The Museum of Modern Art, New York, NY; The Nelson-Atkins Museum of Art, Kansas City, MO; National Gallery of Art, Washington, DC; Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY; New Britain Museum of Art, New Britain, CT; New Orleans Museum of Art, New Orleans, LA; Newark Museum, Newark, NJ; Oklahoma City Museum of Art, Oklahoma City, OK; Pennsylvania Academy of Fine Arts, Philadelphia, PA; Philadelphia Museum of Art, Philadelphia, PA; The Phillips Collection, Washington, DC; Phoenix Art Museum, Phoenix, AZ; Portland Art Museum, Portland, OR; San Diego Museum of Art, San Diego, CA; San Francisco Museum of Modern Art, San Francisco, CA; San José Museum of Art, San José, CA; Santa Barbara Museum, Santa Barbara, CA; São Paulo Museum, São Paulo, Brazil; Smithsonian American Art Museum, Washington, DC; Tamayo Museum, Mexico City, Mexico; Tel Aviv Museum, Tel Aviv, Israel; Tucson Museum of Art, Tucson, AZ; Virginia Museum of Fine Art, Richmond, VA; Wadsworth Atheneum Museum of Art, Hartford, CT; Whitney Museum of American Art, New York, NY; Wichita Art Museum, Wichita, KS; and Yale University Art Gallery, New Haven, CT.
- Courtesy of Micheal Rosenfeld
- Creator:Seymour Lipton (1903 - 1986, American)
- Creation Year:1968-1969
- Dimensions:Height: 18 in (45.72 cm)Width: 8.5 in (21.59 cm)Depth: 7 in (17.78 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745214379432
Seymour Lipton
Seymour Lipton was an American abstract expressionist sculptor. He was a member of the New York School who gained widespread recognition in the 1950s. His early choices of medium changed from wood to lead and then to bronze, and he is best known for his work in metal. He made several technical innovations, including brazing nickel-silver rods onto sheets of Monel to create rust resistant forms. Through the medium of metal sculpture, Lipton endeavored to portray the inner complexities of the human psyche through shapes that enclose and oppose each other, interrelating convex and concave, solid and hollowed forms. Although his imagery was often based on visual stimuli, his expressive abstractions were never literal translations of the visible world. He altered and arranged shapes to create sculptures symbolizing intangible, universal concepts absorbed from sociology, psychology, and myth.
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2007
1stDibs seller since 2022
416 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Shipping from: New York, NY
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllBronze Sculpture to Isaac Bashevis Singer, Arts in Judaism Award signed Judaica
By Nathaniel Kaz
Located in New York, NY
Nathaniel Kaz
Bronze Sculpture to Isaac Bashevis Singer for Arts in Judaism Award, 1966
Bronze, Square wooden base, Metal tag
Signed and dated "66" to back of bronze portion of the w...
Category
1960s Abstract Expressionist Abstract Sculptures
Materials
Metal, Bronze
STOI V, unique dazzling large indoor painted wood sculpture by important artist
By Alexander Liberman
Located in New York, NY
Alexander Liberman
STOI V, 1986
Wood with paper and paint
97 1/2 × 28 × 37 inches
This work is hand signed twice by Alexander Liberman:
Signed on the side as well as the underside an...
Category
1980s Abstract Expressionist Abstract Sculptures
Materials
Wood, Oil, Laid Paper, Mixed Media
Voulkos, Ceramic Sculptural bowl hand signed by renowned sculptor and ceramicist
By Peter Voulkos
Located in New York, NY
Peter Voulkos
Ceramic Sculptural Dish, ca. 1985
Sculpted ceramic
Hand-signed by artist, Incised signature on the base.
1.5 x 11.5 inches
This charger plate by Voulkos features a Gree...
Category
1980s Abstract Expressionist Abstract Sculptures
Materials
Ceramic, Glaze, Mixed Media
Untitled signed sculpture, from the collection of Dick Polich, Tallix Foundry
By Stephen Talasnik
Located in New York, NY
Stephen Talasnik
Untitled sculpture, from the collection of Dick Polich, Tallix Foundry, ca. 1997
Cast light metal
signed by the artist on the work (see close up photograph)
6 3/5 × 12 × 4 inches
Provenance
Estate of Dick Polich, founder of the legendary Tallix Foundry and Polich Art works Beacon, NY
Manufacturer
Stephen Talasnik at Tallix Foundry, Beacon, New York
This work is signed by the artist (see close up photograh)
Abstract metal sculpture
The work is lightweight so it is believed to be in aluminum or an aluminum alloy,
Provenance: acquired from the Estate of Dick Polich - founder of the legendary Tallix foundry and Polich Art Works.
Polich and Tallix fabricated significant sculptural works over many years, collaborating with such as, Willem de Kooning, Jeff Koons, Roy Lichtenstein, Frank Stella, Helen Frankenthaler, ERTE, Julian Schnabel, Richard Artschwager, Isamu Noguchi, Isaac Witkin...
Category
1990s Abstract Expressionist Abstract Sculptures
Materials
Metal
Famed sculptor Nancy Graves unique signed patinated bronze sculpture NY Award
By Nancy Graves
Located in New York, NY
Nancy Graves
New York State Governor's Arts Award, 1988
Bronze, polychrome patina and baked enamel on base with Award plaque
10 1/4 × 7 × 10 1/4 inches
Hand signed and dated with inc...
Category
1980s Abstract Expressionist Abstract Sculptures
Materials
Bronze, Enamel
Holocaust Remembrance Logo Pin enamel Pendant in bespoke box incised artist name
By Judy Chicago
Located in New York, NY
Judy Chicago
Logo Pin and Pendant, 1993
Enameled pin with pendant loop in original presentation box
2 1/2 × 2 1/2 × 1/5 inches
Judy Chicago's incised name and date on the verso
Comes...
Category
1990s Abstract Geometric More Art
Materials
Metal, Enamel
You May Also Like
Brutalist Bronze Abstract Modernist Sculpture
Located in Surfside, FL
In the manner of Julio Gonzalez, mixed metal sculpture.
Neo-Dada Abstract Sculpture: Assemblages
Abstract sculpture followed a slightly different course. Rather than focusing on non-figurative subject matter, it concentrated on materials, hence the emergence of Assemblage Art - a form of three-dimensional visual art made from everyday objects, said to be 'found' by the artist (objets trouves). Popular in the 1950s and 1960s in America, assemblage effectively bridged the gap between collage and sculpture, while its use of non-art materials - a feature of Neo-Dada art - anticipated the use of mass-produced objects in Pop-Art. Assemblage sculpture is exemplified by the works of Louise Nevelson (1899-1988), such as Mirror Image 1 (1969, Museum of Fine Arts, Houston), and by Jean Dubuffet (1901-85) and his Monument with Standing Beast (1960, James R. Thompson Center, Chicago). The idiom was considerably boosted by an important exhibition - "The Art of Assemblage" - at the Museum of Modern Art, in New York, in 1961.
Other examples of the Neo-Dadaist-style "junk art...
Category
20th Century Abstract Expressionist Abstract Sculptures
Materials
Bronze, Copper
Danielle Bodine "Medusa Tree" Mixed Media, Abstract Free Form Signed
Located in Detroit, MI
SALE ONE WEEK ONLY
"Medusa Tree" is a free-flowing sculpture of cane that suggests a figure either emerging from or descending into a tangle of twisting lines. Several parts are painted red or blue or stripped that gives a contrast to the black structure and a spark of energy shooting forth. This piece seems experimental from her more conservative pieces that can be easily identified as basketry, paper forms and shaped objects.
Danielle Bodine...
Category
1990s Abstract Expressionist Abstract Sculptures
Materials
Mixed Media
"Equine Spirit I" Bronze Sculpture 14.5" x 6" inch by Ibrahim Abd Elmalak
Located in Culver City, CA
"Equine Spirit I" Bronze Sculpture 14.5" x 6" inch by Ibrahim Abd Elmalak
Double-faced
Bronze & Marble
Signed & Dated
Sculptures that mostly depict his characteristic figures of...
Category
20th Century Abstract Expressionist Figurative Sculptures
Materials
Marble, Bronze
Figure with Hat
By Varujan Boghosian
Located in Milford, NH
A fine abstract polychromed plaster bust of a figure with hat by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United ...
Category
Mid-20th Century Abstract Expressionist Figurative Sculptures
Materials
Metal
Abstract Polished Chrome Sculpture by Chinni
By Peter Chinni
Located in Long Island City, NY
This chrome sculpture by Peter Chinni, from 1968, is an modern abstract expressionist work. The reflective surface of the twist adds an element of i...
Category
1960s Abstract Expressionist Abstract Sculptures
Materials
Metal
Abstract Wall Sculpture "Synopsis" - Early Hologram Effect
By Halvorsen Vever, Elsbeth
Located in Soquel, CA
"Synopsis" by Elsbeth Halvorsen Vever (American, b. 1929). Box sculpture combines aluminum, sand, bone, glass and a magnifier. Signed "Elsbeth Vever 1982" on verso. Image, 24.50"L x 13.75"H x 4"W.
Using bone as the central image Elsbeth has assembled an optical and visual experience. One view is the magnification and juxtaposition of the floating effect of the curvature in the stainless steel background; stand back and it's a hologram effect. The first image shows clearly the hologram effect available to the eye of the viewer.
From a review of her show of box constructions in Providence, Rhode Island: "Viewing her box constructions is a lot like a walk in the moonlight. What we know, or think, to be true in the hard brightness of daytime reality dissolves into an amorphous space of multiple possibilities and perspectives."
Born in Purdys, New York, Elspeth Halvorsen is the daughter, granddaughter, and mother of professional artists. She has studied at prestigious academic and artistic institutions includingthe New School for Social Research, the Art Students League, and the Académie de la Grande Chaumière. In 1955, she moved to Provincetown, Massachusetts, establishing her home and studio in the former residence of Mark Rothko. Provincetown not only remains her home but also acts as a personal, social, and artistic source of inspiration for her work.
Shortly after arriving in Provincetown, Halvorsen and her husband, the late Tony Vevers...
Category
1980s Abstract Expressionist Abstract Sculptures
Materials
Stainless Steel
$1,480 Sale Price
20% Off
Recently Viewed
View AllMore Ways To Browse
Unique Sculpture
Sculptures Of Feet
Small Brass Sculpture
Large Crystal Sculptures
Small Silver Sculptures
Turned Wood Sculpture
Brazilian Modern Sculpture
Wood Life Size Sculpture
Mexican Metal Sculpture
Garden Sculpture Figural
Mexican Sculpture On Stand
1930s Wood Sculpture
Abstract Brass Modern Art
1920s Wood Sculpture
Wood Abstract Sculpture On Stand
Clay Architectural Sculpture
1930s Metal Sculpture
Hammered Bronze Sculpture