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Lesley DillGOWN OF BLUEPRINT2014
2014
About the Item
hand-painted metal with oil paint on metal armature
text by Tom Sleigh: BLUEPRINT - 2007
I had a blueprint
of history
in my head —
it was a history of the martyrs
of love, the fools
of tyrants, the tyrants
themselves weeping
at the fate of their own soldiers —
a sentimental blueprint,
lacking depth —
a ruled axis X and Y
whose illusions
were bearable . . .
then unbearable . . .
In that blueprint, I wanted to speak
in a language
utterly other, in words
that mimicked
how one of Homer's warriors
plunges through breastplate
a spear past
breastbone, the spearpoint searching
through the chest
like a ray of light searching
a darkened room
for the soul
unhoused, infantile,
raging —
but my figure of speech,
my "ray of light" —
it was really a spearpoint
piercing the lung
of great-hearted Z
who feels death loosen
his knees, the menos
in his thumos
flying out of him —
the fate of his own soul
to confront me
beyond the frame:
no room, no X, no Y, no "ray of light,"
no menos, no thumos, no Z —
only sketched-in plane
after plane after plane
cantilevering upward and forever throughout space.
- Creator:Lesley Dill (1950, American)
- Creation Year:2014
- Dimensions:Height: 78 in (198.12 cm)Width: 58 in (147.32 cm)Depth: 58 in (147.32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU859590372
Lesley Dill
Lesley Dill is an American artist working at the intersection of language and fine art. Exploring the power of words to cloak and reveal the psyche, Dill invests new meaning in the human form. Fluid metaphors, appropriated from the poetry and writings of Emily Dickinson, Salvador Espriu, Tom Sleigh, Franz Kafka, and Rainer Maria Rilke, connect the diverse media that Dill employs. Paper, wire, horsehair, photography, foil, bronze, and music comprise elements through which the artist conveys the complexities of communication. Dill challenges the viewer to confront our linguistic relationships as well as perceptions of language itself. Born and raised in Maine, Dill received her Master of Arts from Smith College in 1974, and her Master of Fine Arts from Maryland Institute College of Art in 1980. She soon emerged as a sculptor and multi-media artist. Her interest in language and allusions to strong feminine identity reflect her friendship with the late artist, Nancy Spero (1926 – 2009), who used text and depictions of the female form, often appropriated as classical goddesses, in her scroll paintings. She has received a John Simon Guggenheim fellowship in addition to the Joan Mitchell Foundation Grant, National Endowment for the Arts Fellowship, and Anonymous Was A Woman, among others. Dill conceived and directed an opera, Divide Light, based on the poems of Emily Dickinson that premiered in at the Montalvo Arts Center in Saratoga, CA in 2008. In April, 2018, the New Camerata Opera Company will perform Divide Light in New York City. Dill’s artworks are in the collections of over fifty museums, including the Metropolitan Museum of Art, the Museum of Modern Art in New York, and the Whitney Museum of American Art. The artist lives and works in Brooklyn, New York.
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