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Margot HomanDe Gedachte The Thought Bronze Sculpture Contemporary ClassicCirca 2015
Circa 2015
$7,116.69
£5,305.81
€6,000
CA$9,773.71
A$10,938.71
CHF 5,711.72
MX$133,452.94
NOK 72,502.73
SEK 68,800.63
DKK 45,701.27
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About the Item
De Gedachte The Thought Bronze Sculpture Contemporary Classic . Size is including pedestal
The sculptures of Margot Homan (1956, Oss) show a perfect command of the old craft of modelling and sculpting, with which she continually develops an age old tradition. In her artistic education at the Tilburg Art Academy, the possibility to study and create figurative work lacked, so Homan felt obliged to study the anatomy of the human body all by herself. Homan looks for the inner balance in humans, which she literally translates in her sculptures. The connection to sculptures from antiquity is strong, but also bears apparent differences. An important feature of antique sculptures is their ultimate calm, while Homan’s sculptures are captured in movement, balanced, dancing or floating. The focus is on energy and willpower. The aim of the artist is to communicate from the heart, to provide rest, comfort and beauty to the viewer.
- Creator:Margot Homan (1956, Dutch)
- Creation Year:Circa 2015
- Dimensions:Height: 24.02 in (61 cm)Width: 7.88 in (20 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Utrecht, NL
- Reference Number:1stDibs: LU1597210522462
Margot Homan
The sculptures of Margot Homan (1956, Oss) show a perfect command of the old craft of modelling and sculpting, with which she continually develops an age old tradition. In her artistic education at the Tilburg Art Academy, the possibility to study and create figurative work lacked, so Homan felt obliged to study the anatomy of the human body all by herself. Homan looks for the inner balance in humans, which she literally translates in her sculptures. The connection to sculptures from antiquity is strong, but also bears apparent differences. An important feature of antique sculptures is their ultimate calm, while Homan’s sculptures are captured in movement, balanced, dancing or floating. The focus is on energy and willpower. The aim of the artist is to communicate from the heart, to provide rest, comfort and beauty to the viewer.

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Pollès was born in Paris in 1945
Like Leonard de Vinci in an anatomical search of perfection, of representation of movement,with an almost scientifical or medical glance, Pollès holds the utmost passion of anatomy: he learns about the human body, the complicated hank of muscles, movements of members and all the bodily mechanics. That’s why in 1964 he starts medicine school and along side goes to the Charpentier Academy where he follows art lessons.
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According to Pollès, this is the most beautiful one, the most harmonious one.
“When we are looking at a feminine body, it is splendid, it is musical”.
His love of women, the sensuality, the complexity, the shapes and passions, brought him to explore the female form. Since the beginning he has created a singularly stylized cubist form; this becoming his signature form.
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Pollès was recently honored in an exhibition outside Paris, sponsored by the French Government, called “Sculptors From Rodin to The Present”. He was one of the few living sculptors to be so honored; the others include Abakanowicz, Arman, Saint-Phalle & Wesselmann.
Maurice Rheims, a respected Art Critic, and a member of The French Academy, has said “I consider Pollès to be one of the outstanding sculptors of our time.”
His show in the Bagatelle Gardens in Paris in 1998 was a major honor as he was one of only two artists who have ever been allowed to present their work in the Bagatelle. The other artist is Henry Moore.
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