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Mosheh OvedRARE Judaica Brutalist Animal Holocaust Memorial Menorah Bronze Sculpture
$7,500
£5,690.83
€6,506.95
CA$10,475.47
A$11,647.29
CHF 6,081.57
MX$141,775.92
NOK 77,598.23
SEK 72,705.84
DKK 48,562.58
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About the Item
Moshe Oved (aka Edward Good) was a Polish-British, jeweler, artist, sculptor and Yiddish author and founder of the antique jewelry shop Cameo Corner. He left his native Poland for England in 1903 and settled in London’s East End, where he initially worked as a watchmaker. He was a founding member of the Ben Uri Society and a great supporter of Yiddish culture, holding an honorary office within Ben Uri from 1915–56 and always maintaining that its main goal should be to collect pictures and open a gallery. The collection in these years was influenced by his taste as he helped to fund and facilitate the acquisition of a number of important early works by artists including Simeon Solomon, Jacob Kramer, David Bomberg and Samuel Hirszenberg. Oved was a great character, who presided over Cameo Corner in Museum Street in flowing purple robes regaling his customers – among whom Queen Mary was a regular – with well-honed anecdotes – and building a reputation as a recognized authority on cameos, antique watches and clocks. Anecdotal evidence suggests that in 1933 Oved sold the Mosaic Faberge Egg to King George V for £250 pounds, possibly as a gift for Queen Mary’s birthday.
Oved’s first book in Yiddish, Aroys fun Khaos (Out of Chaos, 1918), was followed by Lebns Lider (1924). In Visions and Jewels (1925), a collection of 124 autobiographical stories and short tales, he wrote about Nahum Sokolow, Max Nordau, Sholem Asch and Jacob Epstein, who all came to speak at Ben Uri, among many others. The Book of Affinity (1933) was a deluxe production with original colour lithographs by Epstein; Oved also presented two busts by Epstein, and to the Ben Uri, both in 1947. According to one story, it was while sheltering in the basement of Cameo Corner during the Blitz, that Oved first began modelling animal design rings to steady his trembling hands. He took up sculpting at the end of the war in his sixties and created a series of small bronze heads and a number of candelabra to commemorate the victims of the Holocaust. Mosheh Oyved (there are variant spellings of his name)
He designed his own extremely original jewellery, and sculpted a series of Jewish ritual objects He was also a writer and poet.
He was very interested in sculpture, produced several busts himself, and also collected the work of his friend Jacob Epstein. He helped the Ben Uri to purchase several significant works of art, and presented three busts by Epstein to the Society in 1946.
- Creator:
- Dimensions:Height: 11.75 in (29.85 cm)Width: 10.75 in (27.31 cm)Depth: 13.75 in (34.93 cm)
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- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38211400452
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EDUCATION
Otis Art Institute, MFA, BFA. Boston Museum School. Sarah Lawrence College, BA.
MUSEUM SOLO EXHIBITIONS
Las Vegas Art Museum, Las Vegas, Nevada.
Bergen Museum of Art, Paramus, New Jersey.
Institute for Art and Urban Resources, PS1 Long Island City, New York.
Institute of Contemporary Art, Los Angeles, California.
Milwaukee Art Museum, Milwaukee, Wisconsin.
Newport Harbor Art Museum, Newport Beach, California. Queens Museum, Flushing, New York.
Installation, Longhouse Reserve, East Hampton, New York.
MUSEUM GROUP EXHIBITIONS
Review of Acquisitions Since 1980, Aldrich Museum, Ridgefield, Connecticut.
Recent International Forms in Art, Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia.
Whimsy in Art, Bergen Museum of Art, Paramus, New Jersey.
100th Anniversary Exhibition, Denver Art Museum, Denver, Colorado. Recent Acquisitions, Denver Art Museum, Denver, Colorado.
The Permanent Collection, Downey Museum of Art, Los Angeles, California.
Juried Exhibition, Fine Arts Gallery, San Diego, California.
Southern California Artists, Institute of Contemporary Art, Los Angeles, California. Made in LA: Prints of Cirrus Editions, Los Angeles County Museum of Art, Los Angeles, California.
The Other Things Artists Make, Los Angeles Municipal Gallery, Los Angeles, California. American Art, Centrum Sztuki Museum, Warsaw, Poland.
Painted Metal, City without Walls, Newark, New Jersey.
Painters of California, Palm springs Desert Art Museum, Palm springs, California.
Mirrors: Second Design Biennial, Parrish Art Museum, Southampton, New York. Kisch/Wenzel, Soho Center for Visual Artists, New York, New York.
Design for Living: Post War Furniture from the Permanent Collection, Virginia Museum of Fine Arts, Richmond, Virginia.
MUSEUM AND CORPORATE COLLECTIONS
Aldrich Museum of contemporary Art, Ridgefield, Connecticut.
Bergen Museum of Art, Paramus, New Jersey.
Centrum Sztuki Museum, Warsaw, Poland.
Los Angeles County Museum of Art, Los Angeles, California.
Mildura Art Museum, Melbourne, Australia.
Milwaukee Art Museum, Milwaukee, Wisconsin.
Neuberger Museum, Purchase, New York.
Newport Harbor Art Museum, Newport Beach, California.
Otis Art Institute, Los Angeles, California.
Palm Springs Desert Art Museum, Palm Springs, California.
Vassar college Art Museum, Poughkeepsie, New York.
Virginia Museum of Fine Arts, Richmond, Virginia.
Best Product Corporation, Richmond, Virginia. Community Bank, Holyoke, Massachusetts.
Equitable Corporation, New York, New York.
Hartz Mountain Industries, Secaucus, New Jersey. Security Pacific Bank, Los Angeles, California.
Soho Grand Hotel, New York, New York.
SELECTED GALLERY SOLO EXHIBITIONS
Art et Industrie, New York, New York.
Benson Gallery, Bridgehampton, New York.
California State University, Los Angeles, California. Cirrus Gallery, Los Angeles, California.
Donahue/Sosinski Art, New York, New York.
Janus Gallery...
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David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional family and immigrated to the Land of Israel with his parents in 1923. They lived in the Nahalat Shiva neighborhood of Jerusalem. In 1940 he began his studies at Bezalel Academy of Arts and Design, and from 1942 was a student of sculptor Ze’ev Ben-Zvi. For a period of time, Palombo was an assistant at Ben-Zvi’s studio and also taught at Bezalel. During this period he was also a member of the “Histadrut HaNoar HaOved VeHaLomed” (The General Federation of Students and Young Workers in Israel). In the 1940s he took art lessons at night. In 1948 he went to Paris, where he visited the studio of the sculptor Constantin Brancusi whose work influenced him. Around 1958 he married the artist Shulamit Sirota. In 1960 he quit his job to devote himself to art. In 1964 he married for the second time to the artist Yona Palombo. The two of them went to live in an abandoned home on Mount Zion in Jerusalem. In 1966 he was killed when the motorcycle on which he was riding ran into a chain stretched across the street to prevent the desecration of Shabbat. His widow opened a museum in their home that was active until the year 2000.
Work by Palombo is included in the Judaic collection of the Jewish Museum (a well known Hanukkah menorah). Palombo executed the impressive metal gates of the Tent of Remembrance at the Yad Vashem, the memorial to the martyrs of the holocaust, as well as the gates to the Knesset Building the United Nations Educational Scientific and Cultural Organization (Unesco award) awarded him a scholarship for study in Japan. He worked in marble, granite, bronze, iron and steel. as well as with glass mosaic tiles. Palombo’s early works, in the 1950s, were influenced by modernist sculptors such as Brancusi. These works were composed of abstract images from nature and were carved out of stone or wood. At the end of the 1950s he began making metal sculptors, using the technique of welding. His work took on a more abstract and expressive character.
Education
1940 Painting with Isidor Ascheim, New Bezalel School for Arts and Crafts, Jerusalem
1942 Sculpture with Zeev Ben Zvi, Jerusalem
1956 Mosaic, Ravenna, Italy
1958 Welding Course
Awards And Prizes
1966 UNESCO Award
Exhibitions:
Sculpture in Israel, 1948-1958 Mishkan Museum of Art, Kibbutz Ein Harod
Artists: Zvi Aldouby, Yitzhak Danziger, Arieh Merzer, Dov Feigin, Aaron Priver, David Palumbo, Menashe Kadishman, Kosso Eloul, Yehiel Shemi, Zahara Schatz.
The Spring Exhibition of Jerusalem Artists, Artists' House, Jerusalem
Artists: Palombo, David Bezalel Schatz, Mordechai Levanon, Fima, Ludwig Blum
12 Artists, The Bezalel National Museum, Jerusalem
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Aharon Bezalel (born Afghanistan 1926) Born in Afghanistan in 1926 and immigrated to Israel at an early age. As a youth was engaged as a silversmith and craftsman, and was a student of the sculptor Zev Ben-Zvi from whom he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources.
Aharon Bezalel works and resides in Jerusalem, he taught art for many years.
“I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.”
(Aharon Bezalel, excerpt from an interview with David Gerstein)
“The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome[…] the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together.
The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense.
Two poles of unity, potentially alone, exist in A. Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in A. Bezalel’s figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously.
(Gideon Ofrat)
EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordechai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi, Yosl Bergner and others.
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Many Jewish sculptors from all parts of the world, beginning with Antokolski, are represented in the collection. In the sculpture courtyard there are works by Chana Orloff, Jacob Epstein (the works he bequeathed to the Museum), Glicenstein, Loutchansky, Constant and Indenbaum from Western Europe; Glid from Yugoslavia; Zorach, Gross and Harkavy from the United States; and most of the outstanding sculptors of Israel : Ben-Zvi, Lishansky, Ziffer, Lehmann, Feigin, Sternschuss, Palombo ( who executed the iron gate...
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