Nili Pincas

Son of Chronos Nili Pincas Contemporary art sculpture terracotta mythology totem

2005

Unique terracotta sculpture Signed by the artist The contemplative creatures of Nili Pincas, of an extreme refinement, invite silence. This isolation of the sculpted being seizes an...

Unique terracotta sculpture Signed by the artist The contemplative creatures of Nili Pincas, of an extreme refinement, invite silence. This isolation of the sculpted being seizes an...

Unveiling is a contemporary artwork realized by Maryam Pezeshki in 2021 Terracotta sculpture. Original title: Svelamento Maryam Pezeshki was born in Tehran on August 18, 1977. SHe began to paint at the age of three. Her first painting was a Pinocchio. Participate in national and international painting competitions and festivals among Asian and Iranian children, winning first prize each time. At the age of ten she participated in a television program entitled "Little Great Artists". At the age of fourteen she won the prize for the best drawing and sculpture among Iranian teenagers, and she enrolled in the artistic high school, continuing to do her first personal exhibitions of sculpture, painting and drawing. From the age of seventeen to nineteen she won the national prize for best sculpture at the youth festival for three consecutive years. At seventeen he enrolled at the University of Art in the graphics sector and at twenty-one he graduated with full marks. In the same year she began studying for the master of graphics and managed to be among the seven students admitted. At the age of twenty-five she finished his studies and won a competition for teaching drawing and sculpture at the University of Art. In the meantime, visit the European and Indian museums...

Torso of a Woman by Marcel GIMOND (1894-1961) Avery fine nuanced brown chamotte sandstone sculpture raised on a dark grey marble base signed on the arm with the monogram "MG" for Marcel Gimond inscribed with the monogram "GS" for Georges Serré stamped by the galerie Rouard France 1927 total height 50 cm width 20,5 cm depth 20 cm After a model by Marcel Gimond, this bust was made in 1927 by Georges Serré at the Manufacture de Sèvres, sold exclusively by the Rouard Gallery, and exhibited the same year at the Paris Fall Fair (Salon d'Automne). Reproduced in "Sculpteurs nouveaux, Marcel Gimond", Paul Fierens, Nrf, 1930, cover. Biographies : Marcel Gimond (1894-1961) was a French sculptor. He studied in Lyon, then at the School of Fine Arts in Lyon where he graduated in 1917. Finally he arrived in Paris the same year and settled in Marly-Le-Roi. Student of Aristide Maillol, he also met Raoul Dufy and Auguste Renoir. Gimond worked with Maillol until 1920, and left him to settle in Paris and regain his independence. He then moved into Renoir's former studio, made available by Jean Renoir. He exhibited at the Salon des Indépendants and the Salon d'Automne in 1922. In 1940, Gimond left Paris to settle in the South zone, in Lyon, then in Aix en Provence; He spent his summers at Saint-Félicien, at the house of poet Charles Forot. At the Liberation, in 1944, he returned to Paris and his workshop rue Ordener, he left only a few months before his death. From 1946 to 1960, he directed a workshop at the Ecole des Beaux-Arts in Paris. Marcel Gimond was known for his busts of political and artistic personalities. He also owed two bas-reliefs located in the lobby of the newspaper "L'Humanité", in tribute to Marcel Cachin and Gabriel Péri. Georges Serré (1889-1956) was a French ceramist. He worked at the Sèvres factory until 1914, when he was mobilized to go to war. He then went to Indochina where he taught ceramics at the art school of Bien-hoa for five years. On his return to France, he moved to Sèvres, rue Brongniart, but encountered difficulties in producing his works, until the intervention of the ceramist Emile Decoeur who obtained him help to build an oven for firing his ceramics. It was Georges Rouard and his gallery located on avenue de l'Opéra in Paris, who had noticed him at the International Exhibition of Modern Decorative and Industrial Arts of 1925, which presented him during his "exhibitions of contemporary French artisans". Georges Serré's taste for these sandstones came to him, among other things, from Khmer sculptures...