Vulture Figurative Sculptures

Nicholas Crombach has made a bold choice by depicting a vulture in this dramatic contemporary outdoor sculpture. The reputation of these ancient birds of...

Gier no. 2 Vulture Prey Bird Bronze Sculpture Wild Animal Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sculptor at the Rotterdam ...

Lubomir Tomaszewski (Polish-American, 1923-2018) Eagle Stone and copper Signed on back 18 x 11 x 7 inches Lubomir Wojciech Tomaszewski was a Polish-American painter, sculptor and designer born in Warsaw, Poland. Son of Lubomir and Lucyna née Bartłomiejczyk. He was an alumnus of the Warsaw Academy of Fine Arts. Student of the Warsaw University of Technology In 1966 he emigrated to New York City in the United States. In the 1970s, he moved to Easton, Connecticut where he lived until his death in 2018. He fought as a soldier of Polish Home Army through all the 63 days of Warsaw Uprising. He was a commander of anti-tank unit. He witnessed the death of his younger brother and many friends. Tomaszewski started his artistic work in the 1950s in Institute of Industrial Design in Warsaw, an innovative institution with an aim to create modern living in post-war Poland. He cooperated with designers like Henryk Jędrasiak, Mieczysław Naruszewicz i Hanna Orthwein. He created popular porcelain figurines and "Ina" and "Dorota" coffee sets, which were exhibited at the International Exhibition of the Board of the Industrial Designers’ Association (ICSID) in Paris in 1963. In 1994, he established an international art movement called Emotionalism, together with a group of painters, sculptors, photographers and even dancers and musicians. He started creating his unique fire and smoke paintings. His sculptures were recognized by The New York Times in 1975: “The most effective among the pieces are the animals or birds that convey the state of tension or movement or brute strength, something that struggles against gravity to maintain its force.” Tomaszewski took part in over 150 individual and group exhibitions around the world. His works are in renowned museum and private art collections of, among others: National Museum in Warsaw, National Museum in Cracow, Warsaw Uprising Museum, Hale Museum in Germany, Robert Marston, Rockefeller Family and Jimmy Carter. Awards: 1955 – First prize for sculpture in surrounding of the Palace of Culture and Science in Warsaw 1964 – Golden Cross for accomplishments in industrial design, Poland 1984 – Award for Achievement in Sculpture, Perspective Magazine, USA 1991 – Best in Show O.A.F., Bruce Museum, USA 2005 – First reward for sculpture ‘Spectrum’, New Canaan Society for the Arts, USA 2006 – People’s Choice Award, National Sculpture Society, New York 2008 – First Award for a sculpture ‘Mythical Giant’, New Canaan Society for the Arts, USA 2010 – American Society of Contemporary Artists, New York, award for sculpture ‘Joy of Dance’ 2011 – Second prize for sculpture ‘Illusion’, New Canaan Society for the Arts, USA 2013 – First prize for the sculpture ‘Flight above the Stage’ od New Canaan Society for the Arts 2014 – First prize for ‘Music of the Forest’ from New Canaan Society for the Arts, USA 2014 – ‘Lifetime Achievement Award’, University of Bridgeport 2014 – Award for ‘Merit in Inventiveness’ 2014 – Gold Medal ‘Gloria Artis’ 2016 – ‘Outstanding Pole’ 2017 – Medal ‘Ignacy Paderewski Arts and Music Award’ USA Exhibitions: 1964 – Sculpture...

"On the Wings of an Eagle by Chester Fields is one of his most popular sculptures. This is number 26 of 75 made. It is made with the following: Bronze Casting Deluxe Patina Gold Beak...

This evocative double figure sculpture by Guido Righetti, titled Two African Marabous, is a masterful composition created in 1914. Depicting two marabou storks—a species often associ...

A large, bronze baby macaw struggles and screeches from an awkward position on the ground. Loud, self-confident and active, macaws are the symbol of creative intelligence, inspiratio...

"Spring Plumage Study" by Kent Ullberg 14"high signed and numbered AP/30 Bronze heron in repose This particular casting is available on the secondary market from an original purchaser. It is in excellent condition, sold as pictured. This artist's proof has been in the possession of another bronze artist who got the sculpture directly from Kent Ullberg. It has been very well cared for. The casting is heavier than most, appears to be a solid casting. ABOUT THE ARTIST: A native of Sweden, Kent Ullberg is recognized as one of the world's foremost wildlife sculptors. He studied at the Swedish University College of Art in Stockholm and worked at museums in Germany, the Netherlands, France, Africa and Denver, CO. After living in Botswana, Africa, for seven years he has made his home permanently in the United States where he now lives on Padre Island, Corpus Christi, TX. He also maintains a studio in Loveland, CO. Ullberg is a member of numerous art organizations and has been honored with many prestigious awards. In 1990 his peers elected him a Full Academician (NA), thus making him the first wildlife artist since John James Audubon to receive one of the greatest tributes in American art. A selection of his memberships include the National Sculpture Society; the American Society of Marine Art; the Allied Artists of America; Nature in Art, Sandhurst, UK; the National Academy of Western Art in Oklahoma City, OK which awarded him the Prix de West, the foremost recognition in Western Art. In 2010 he received the Briscoe Legacy Award and in 2016 the lifetime achievement award from the Society of Animal Artists. Best known for his monumental works executed for museums and municipalities across the globe, his Fort Lauderdale, FL, and his Omaha, NE installations are the largest bronze wildlife compositions ever done, spanning several city blocks. Both earned him the coveted Henry Hering...

"Flying duck" is a bronze sculpture. The bronze is covered with patina. It is created by the artist Maestro Willem Botha. About the artwork Edition : 2 of 15 in total Certificate of authenticity: issued by Snow Pearl art gallery NEW MOVEMENT & STYLE: Contemporary Maestro Willem Botha The masterpiece is suitable for representative offices, gardens, parks, homes etc. “The impressions of this artwork on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination. All his sculptures bring positive energy, emotion, represented by the vast creative power of the author's talent.” Maestro Willem Botha was born in South Africa in 1962. Today he lives in Bulgaria and works in a creative workshop in Sofia. Willem started his career as Sculptor at Shows and Exhibitions in the South African Defense Force in 1981. He was mentored by Artists like Andre Prinsloo and Jan van Der Merwe. In 1986, he moved to Namibia where he was a Sculptor for the Windhoek State Museum. During the time in Windhoek, he had several one man and group expeditions in various galleries in Windhoek and Swakopmund. In 1988 he was commissioned to remake the Atlas Sculpture on the House Hohenzollern Building in Swakopmund. In 1990, he moved to Town where he sculpted full time. Willem did some freelance work for Jean Doyle, helping with the bronze casting of her work. During his time in Cape Town, he exhibited in several galleries in and around Cape Town. In 1991, he moved to Graskop, where he continued full time sculpting and he opened his own foundry. He moved back to Pretoria in 1992, to continue sculpting and established Art Cast Foundry. In the same year he was commissioned to do several decorative works for the Palace of Sun City, that includes, all the doors bronze handles. Sculptors that he did castings for are to name but a few, the late Bobby Lawrence, Niko van Rensberg, Maureen Quinn, Anton Smit, Andre Prinsloo, Barry Jackson...

Great king vulture on tree trunk Porcelain, Model by J.J. Kaendler 1734. This present porcelain sculpture was made after the model by Kaendler, in the 19th or 20th Century. There are no visible marks. Kaendler and Porcelain: Dresden in the 18th century owed its Europe-wide fame as a centre of courtly splendour to the elector Frederick Augustus I (1670-1733). 'August the Strong' had a distinct passion for collecting and was not only a patron and lover of the arts, but also an enthusiastic patron of science. His natural history cabinet was regarded as the most important collection of its kind in Europe and contained a large number of exotic animals. He financed expeditions, from which the researchers were to bring the 'most possible species of their animals alive or in skins and skeletons or even crushed' back to Dresden. Johann Joachim Kaendler had this extensive collection of partly living exhibits at his disposal when he was commissioned to design life-sized animal sculptures for the 'Japanese Palace...