Unknown

Pieta Lime Wood Sculpture Franco Burgundian late 15th century

unfamiliar

Altorilievo in marmo della Montagnola Senese raffigurante un profilo femminile a mezzo busto, Siena, XIV secolo. L'altorilievo, nella tradizione senese del XIV secolo, si caratter...

Large stucco head with traces of polychromy, Italy, 19th century. It could be a cast of a museum sculpture made during the 19th century or a plaster sketch of a work. In any case,...

IMPORTANT GERMAN PIETÀ FROM THE 14th CENTURY ORIGIN: GERMANY, REGION DE COLOGNE PERIOD: BEGINNING IF THE 14th CENTURY, ca. 1330 Height: 98 cm Length: 45 cm Depth: 33 cm Polychromed linden wood Good condition of conservation Provenance : particular Alsatian collection The theme of the Pietà or Vesperbild appears in Germany at the end of the 13th century, reflecting the mysticism of the late Middle Ages. Although the theme does not exist in the Gospels, it was often mentioned in contemporary devotional literature. Indeed, during the first half of the 14th century, mystical thought and devotional practices changed under the impulse of a number of religious, among them Heinrich Suso and St Bridget. In his writings, Suso placed important emphasis on contemplation and meditation in the footsteps of Christ's martyrdom. This will have great impact in the field of art, especially in Germany and later in France. The emphasis will from now on be on grief, death is shown in a straightforward way. The wounds of Christ are gaping and bloody. The suffering of Christ and the seven sorrows of the Virgin Mary are meditated upon. This piece demonstrates the interest of the faithful in these representations where pathos reigns. The virgin is represented seated in a frontal position. The bust is very elongated. She is wearing a red dress with a simple neckline and a blue mantel...

Italian important 17th century small bronze technique lost wax "La Pietà" by STEFANO LANDI . Measures cm: H 20 x W x 20 x D 20 "La Pietà" was a very popu...