17th Century Italy Small Bronze Technique Lost Wax "La Pietà" by Stefano Landi

A very detailed, exquisite statuette, entirely executed in bronze with the lost-wax casting technique depicting "Birth of Venus". The patinated bronzes figure is mounted on a beautif...

Very rare and precious 1600s Italian massive silver crucifix in bulletin board golden wood frame Measures cm: H 40, W 26, D 6 About: On an iconogr...

Italy 1955 head of woman in painted clay signed TZ55 attributed to Tono Zancanaro from Padua. About: Antonio Zancanaro (Padua, 8 April 1906 - Padua, 3 June 1985) was an important...

Table lamp and sculpture belonging to the famous Italian cellist. Measures in cm: Statue cm 40 Lamp cm 82 Basis cm 18 x 18 Notes Giovanni Lauro Malusi was born in Cervia on Ju...

This rare and extraordinary 16th-century French sculpture depicts the iconic Pietà, showcasing exceptional craftsmanship and emotional depth. Finely carved from wood and adorned with...

In a Renassaince style. Possibly Northern European or German. In the form of the Virgin Mary cradling the lifeless mortal body of Jesus Christ after his removal from the cross. This is known as the Pietà - the sixth of the "Seven Sorrows of Mary" and a common depiction in sculpture. Carved out of several joined wood blocks. Simply a wonderful antique Religious sculpture...

Bronze christ 1880 golden patina. Dimension height 20 cm for a width of 16 cm and a depth of 10 cm. Additional information: Material: Bronze.

IMPORTANT GERMAN PIETÀ FROM THE 14th CENTURY ORIGIN: GERMANY, REGION DE COLOGNE PERIOD: BEGINNING IF THE 14th CENTURY, ca. 1330 Height: 98 cm Length: 45 cm Depth: 33 cm Polychromed linden wood Good condition of conservation Provenance : particular Alsatian collection The theme of the Pietà or Vesperbild appears in Germany at the end of the 13th century, reflecting the mysticism of the late Middle Ages. Although the theme does not exist in the Gospels, it was often mentioned in contemporary devotional literature. Indeed, during the first half of the 14th century, mystical thought and devotional practices changed under the impulse of a number of religious, among them Heinrich Suso and St Bridget. In his writings, Suso placed important emphasis on contemplation and meditation in the footsteps of Christ's martyrdom. This will have great impact in the field of art, especially in Germany and later in France. The emphasis will from now on be on grief, death is shown in a straightforward way. The wounds of Christ are gaping and bloody. The suffering of Christ and the seven sorrows of the Virgin Mary are meditated upon. This piece demonstrates the interest of the faithful in these representations where pathos reigns. The virgin is represented seated in a frontal position. The bust is very elongated. She is wearing a red dress with a simple neckline and a blue mantel...