People Nude Sculptures

Sofia is a limited edition bronze sculpture with a brass plating and a mild steel base.

Jean Laniau (French, b. 1931) Seated Nude Woman Patinated Bronze Sculpture, depicting a female figure wrapping arms over head and through her legs, signed and marked edition "4/8" to...

Donna by Lorenzo Vignoli hand carved marble + oak wood sculpture by contemporary Italian sculptor Lorenzo Vignoli Sculpture dimensions: 30in W x 9 inch H x 19in D 75cm W x 23cm ...

Canadian artist Richard Tosczak captures the beauty and elegance of the human form in his sculptures. This piece shows a nude female in a strong pose, arms raised above her head. Masterfully cast in bronze, in an edition of 12. “The figurative works of the last few years are overtly anonymous and convey an intense introspection. Even those figures, inspired by dynamic activities such as dance and contact improvisation, give the impression they are turning inward into themselves.” Richard Tosczak Born in Belgium, Richard Tosczak studied philosophy and sculpture at the University of Alberta. At that time, Tosczak began working in steel and was influenced by a number of his professors who appreciated the work of a British abstract sculptor, Sir Anthony Caro considered one of the greatest sculptors of his generation. Further studies were pursued in France with another internationally acclaimed classic sculptor, Martine Vaugel...

PIETA III by Lorenzo Vignoli contemporary bronze sculpture by Italian sculptor Lorenzo Vignoli based in Carrara, Italy Sculpture dimensions: 20in W x 14inch H x 9inch D 52cm W x 3...

Illustrated: "Walt Kuhn, Painter, His Life and Work, by Phillip Rhys Adams, page 67, plate 27, Courtesy of Kennedy Galleries-Kuhn Estate (see photo) Kuhn’s sculptures were collected...

Two Figures Bronze Sculptures Modernist style of Botero - Picasso Bronze figurative Nude sculptures by San Francisco Bay Area artist Mike Evans (American, 20th-21st C.). A Pensive m...

The sculpture was created and shaped by the artist using Acrylic One (which is an acrylic casting resin connection). The artist then painted this sculpture expressively with oil pain...

Bronze artwork made with lost wax casting technique. This is the prototype, unique signed artist proof. Sergio Monari is an Italian sculpture, that liv...

The Waiting Time is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 72 × 26 × 21.5 cm (28.3 × 10.2 × 8.5 in). The sculpture is signed and numbered, i...

This delicately balanced, female nude figure is patinated in a dark blue and black tone. Available by commission in an edition of 8, this piece is 1/8. A former student of philosop...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the...

In this new series of wall plaques, titled "Behind Closed Doors," the artist reimagines original images from a book titled In Praise of the Backside. The book's collection features w...

A bronze sculpture by Allan Clark originally casted in 1927. A nude figure sculpture of Parvati, the Hindu goddess of love. Artist: Allan Clark (after), American (1896 - 1950) T...

Sculpture Original bronze BELLE en SONGE Wax lost bronze signed on the thigh: N °: 3/8 foundry stamp CHAPON Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance...

This sculpture is made out of bronze, by Dutch artist Martijn Soontiens. He made a series of sculptures for the latest exposition at Galerie Bonnard. Y...

"Trophy Table" is an original crocheted sculptural work by Caitlin McCormack made of crocheted cotton string, glue, enamel paint, antique lace remnant, and an antique wooden table. T...

Artist/Designer; Manufacturer: Victor Salmones (Mexican, 1937-1984) Marking(s); notes: signed, marking(s); ed. 4/10 Materials: bronze Dimensions (H, W, D): 78"h, 13"w, 14"d; 77.5"h,...

The meditation garden is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 26 × 13 × 7 cm (10.2 × 5.1 × 2.8 in). The sculpture is signed and numbered, ...

This sculptural jar is the first to feature the figure in combination with a collaged and carved surface. The women dance around in an homage to Matisse, yet the title acknowledges t...

Jesús Curiá Perez Adan bronze 23h x 7w x 7d in 58.42h x 17.78w x 17.78d cm ed. 4/8 JCP069 Jesús Curiá's sculptures arouse something more than purely aesthetic pleasure. We can anal...

Artmeis is an elegant figurative bronze sculpture by Nando Kallweit. Nando carves the marque for the body from a piece of oak using a small chain saw. The marque is then used to ma...

Edition of 12

This wall piece centers on the narrative of Job, with the woman being a direct pastiche of Leon Bonnat’s painting of Job. The woman is surrounded by the shadow of a halo and concentr...

William Zorach (American 1891-1966) First Steps, 1918 Bronze 8.5 x 5 x 4 inches, including base Born in 1887 in Lithuania, William Zorach immigrated with his family to the United States when he was just four years old, settling in Cleveland, Ohio. Zorach displayed an exceptional artistic talent at a young age and, at the recommendation of his seventh-grade teacher, began studying lithography at night at the Cleveland School of Art. It was not long before he was apprenticing at a lithography company in Cleveland. It was there that he realized he wanted to become an artist - to escape the commercial end of the field in which he was suddenly immersed. In 1907, Zorach saved enough money to move to New York and study art at the National Academy of Design, where he received several awards for his paintings and drawings. He continued his studies in Paris in 1910 at La Palette. This year abroad would turn out to be quite fruitful because in Paris he was greatly influenced by the Cubist and Fauvist movements and had several paintings exhibited at the Salon d'Automme. This influence and subsequent success fueled his career back in the states where he was honored with his first one-man exhibition. Due to this new-found stability, he married a young woman he met at school in Paris, and they moved to New York and set up a studio. Shortly after, their work was accepted into the famous 1913 Armory Show. For the next nine years, Zorach continued to think of himself as a painter, although he had already begun to experiment in sculpting. He was experiencing modest success with his painting and was therefore reluctant to abandon it completely. However, he was impelled toward sculpting, and in 1922, he painted his last oil. Zorach's involvement with sculpture began largely be accident. While he was working on a series of wood-block prints, Zorach suddenly became more interested in the butternut panel than the print and turned the panel into a carved relief. With no formal training as a sculptor, Zorach's first sculptures were of wood and his carving tools were primitive, such as a jack-knife. I n fact, his early works have a certain stylized look, suggesting the influence of various primitive arts such as African and American folk. Zorach found his sculptural direction by instinct, but was not unaware of what other sculptors were doing, both here and abroad. He soon allied himself with a growing number of modern sculptors who believed in the esthetic necessity of carving their own designs directly in the block of stone or wood rather than modeling them in clay. From the beginning he found a deep satisfaction in the slow and patient process of freeing the image from its imprisoning block, watching the forms emerge and appear. "The actual resistance of tough material is a wonderful guide," Zorach said in a lecture on direct sculpture in 1930. The sculptor "cannot make changes easily, there is no putting back tomorrow what was cut away today. His senses are constantly alert. If something goes wrong there is the struggle to right the rhythm. And slowly the vision grows as the work progresses." Zorach also found that the material itself had a constantly modifying effect on the artist's vision. The grain of the wood, the markings in the stone, the shape of the log or boulder all set limits and suggested possibilities. He was always sensitive to the characteristic qualities of his material and occasionally let them play a major role in determining his forms. In works such as these, the feel of the original material is preserved in the finished piece and is often heightened by leaving parts of the original surface untouched and other areas roughly marked by the sculptors tools...

Grand tour bronze sculpture of the "Crouching Venus" after the antique. Fine patina. 19th century. Ferdinand Barbedienne (French, 1821-1902). not signed . rare. museum...

20th Century Continental School Europa Bronze on stone base 11 in. h. x 8.5 in. w. x 4.5 in. d., overall Inspired by the Greek myth Europa and the Bull Phoenician princess abducted to Crete by Zeus...

In this new series of wall plaques, titled "Behind Closed Doors," the artist reimagines original images from a book titled In Praise of the Backside. The book's collection features w...

“This piece is a part of the Historic Jar Collection and references Bernini’s marble sculpture of the same name. While Bernini created an erotic scene to be housed in the Cornaro Cha...

Felipe Castaneda, signed marble sculpture of Beautiful Nude Woman Felipe Castaneda, Mexican, born,1933, is an internationally renowned sculptor whose ar...

"The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...

Alberto Saucedo (Born 1960) Texas Artist (Sculptor/Painter) 28" tall x 9" wide without plinth. 29" tall x 12" wide with plinth Medium: Sculpture 2014 II / IV "The Bather" Alberto was born in 1960. He was raised in Mexico City. Alberto Saucedo began his career as self-taught artist who demonstrated at a young age a remarkable talent and passion for art that eventually at seventeen years of age led him to formal studies at Universidad Nacional Autónoma de México and later on enrolled at San Diego City College. There he focused on Commercial Art and Interior Design. It was there, where he evolved his unique personal style. It was also at this time that he discovered the work of Master sculptor Francisco Zuñiga and studied sculpture with him. Sculpture subsequently became a major part of Saucedo’s work, and achieved his first real recognition in his field. Saucedo’s training has included a generous study of art history, where he incorporates his sensuous, spiritual and classical techniques, transforming it into a style that becomes evident in his work. A few Notable Clients: Bodybuilder/Actor/Governor Arnold Schwarzenegger. Actress Rita Moreno. Businessman (Founder of SeaWorld) George Millay. Mr Gary Lillian Former Vice President Marketing of PepsiCo, Inc. and now President of Javo Beverages in California. Italian Ambassador to Mexico. Exhibits 1985 – Arts and Crafts Fair, México City. 1985 – Solo show Casa Pedro Domeq, México City 1988 – 1989 – Una noche de Arte, México City 1995 – Solo show Galeria Dagen Bela, San Antonio, TX 1996 – Introspecciones (KVDA Channel 60) San Antonio, TX 1996 – Two Artist from Mexico City, Galería Sol y Luna, San Antonio, TX 1996 – Expo-Formalidades, Universidad Nacional Autónoma de México (UNAM), México City. 1998 Jamboree, San Antonio Art League Museum, San Antonio, TX 1999 – Group Show, Galería 10/10, México City. Publications: 1985 – Prepara muestra Alberto Saucedo, Excelsior, México 1989 – Revista Impacto. Alberto Saucedo escultor de raigambre prehispánica. 1994 – Southwest Art Magazine, April 1996 – Architectural Digest, Rita Moreno, April pg 204 also view letters August issue, 1996. 1996 – Mural’s wedding. San Antonio Express News 1999 – Oblate Virgin winning admirers. San Antonio Express News. 2004 – The Hill Country Edge. Art on the Edge, Alberto Saucedo. October and December magazines. 2007 – Explore Magazine. Alberto Saucedo a master in many mediums. October. 2008 – The Sun News Paper. Wild Flower Wonderlands Butterfly granite sculpture. April. 2002 – “Contemporary Chicana and Chicano Art Vol.2, Bilingual Press. Arizona State University. 2005 – Triumph of Our Communities. Four Decades of Mexican American Art. Bilingual Press. Arizona State University. Commissions: 1989 – Life size sculpture of “Sitting woman...

Nando Kallweit Sue unique bronze sculpture Dimensions: 22cm tall Serial Unique

This strongly posed female nude figure in patinated bronze was created rapidly in clay - in gestures that verge on abstraction. It has then been cast in bronze. This is the Artist...

Grand Tour Torso of Aphrodite/Venus After the Antiquity, 19th Century Marble Torso: 20 x 11 x 6 inches Including base: 22 inches high 43 lb. A "Torso of Aphrodite" refers to a sculpt...

Patinated Bronze Torso after the Antique, 19th/20th Century Bronze Torso: 22 x 13 x 11 inches Including base: 27 inches high

Luna has a minimalist yet powerful design, featuring an elongated female figure poised with arms outstretched. Dominating the composition is a circular disc representing the moon in ...

Bronze artwork made with lost wax casting technique. This is the prototype, unique signed artist proof. Title "Sleeping body" Sergio Monari is an Italia...

This expressive bronze figure "Raynie" stands on an attached wood base as shown. The artist added small strokes of red and green to highlight selected areas of the dark patina and cr...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Chaim Gross (American, 1904-1991) Patinated cast bronze sculpture, Three Acrobats, signed mounted on black marble plinth 24.5"h x 14"w x 7"d (bronze alone) Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

Bronze Gladiator Figure, Wounded Gladiator in dark patina bronze, early 1900s Italian sculpture in good condition. The work is inspired by the Hellenistic sculpture depicting the Dyi...

Fleur – Charlotte is an elegant figurative bronze sculpture by Nando Kallweit. Inspired by the the legend of the phoenix, this female figure has graceful wings instead of arms. The...

Artist/Designer; Manufacturer: Victor Salmones (1937-1989) Marking(s); notes: signed; ed. 9/10 Country of origin; materials: Mexican; bronze Dimensions (H, W, D): 10.5"h, 13"w, 11"d Additional Information: This work is one of four Victor Salmones bronzes...

Magnificent beautiful masterpiece bronze sculpture of lady with the Scottish Deer Hunter dog bronze comes with green patina; 1/10 So beautiful and a lot...

Evi is an elegant figurative bronze sculpture by Nando Kallweit. Nando carved the marque for the body from a piece of oak using a small chain saw. The marque is then used to make th...

'Spirit' by Carl Payne is a 20th Century Solid Bronze Nude Figurative Sculpture. Carl is a Staffordshire based sculptor for whom art has played a large part in his academic work taking him through the Burslem School of Art, the Henry Doulton School of Sculpture and then to Stafford College. After qualifying in Figurative Sculpture he launched his career with commission after commission which has now secured his reputation for fine quality workmanship both in life-size format and smaller decorative pieces. The list of his completed commissioned work is extensive, including many ‘house-hold’ names from the sporting world, commerce and the past. The following are just some of the private and publicly commissioned completed works that form Carl’s prestigious portfolio:- King George 5th and Queen Mary – life size portrait buste commissioned by Cunards Cruise Ships and located in the ballroom of the Queen Mary 2 (QM2) cruise ship. Ride a Cock Horse to Banbury Cross – life size and a quarter commissioned by Banbury Council, located at Banbury Cross and unveiled by Princess Anne. Randolph Turpin – life size and a quarter - commissioned by Warwick and Leamington Spa...

This Sculpture is made by Jos de Wit. It is made of pear wood. The wood, and al other material he uses for his sculptures he also uses for building instrume...

A beautiful street art, abstract Mannequin Bust decorated by artist Angel Ortiz. Here we find this stylish bust figure with the artist signature tag...

This Sculpture is made by Jos de Wit. It is made of mahogany wood. The pedestal is made of mahogany and maple wood. In the not of the fish there is a piece ...

Frieda – Emilia is an elegant figurative bronze sculpture by Nando Kallweit. Inspired by the the legend of the phoenix, this female figure has graceful wings instead of arms. The p...

This is a mid 20th century mod abstract large bronze sculpture by Wolfgang Behl (German/American, 1918-1994). The sculptural group titled "The Family" features a mother and father with two children. Numbered 20/20. Signed. 21" H x 10 1/4" x 10 1/4 Wolfgang (Johann Wolfgang) Behl (1918 - 1994) was active/lived in Connecticut, Illinois / Germany. Known for Sculpture and as an architectural carver. A carver,designer, and teacher, Wolfgang Behl was born in Berlin, Germany where he studied at the Berlin Academy of Fine Arts. His teacher was otto Hitzberger, sculptor and architecture carver. I have seen some his work, particularly in carved wood compared to Constantin Brancusi although this one seems way more reminiscent of Alberto Giacometti. In 1939, Behl came to the United States and taught briefly in Pennsylvania at the Perkiomen School and in Rhode Island at the Rhode Island School of Design. There in 1943, he won the Joseph N. Eisendrath prize for sculpture. He also became a friend of Louis Mayer...

Suspended in air, this lone figure floats in a curled pose with hands clasped . This dynamic and innovative sculpture challenges our perception of space while captivating the imagination. This sculpture hangs from the ceiling by an adjustable wire and can be installed in the middle of a room or over a buffet or credenza. The possibilities for placement are endless. This artwork can be paired with Flight I as shown in the photos, Also available on 1stDibs. Jesús Curiá Perez Dance IV...

Jesús Curiá Perez Adan Y Eva bronze 26.50h x 9.50w x 8.75d in 67.31h x 24.13w x 22.23d cm ed. 4/8 JCP070 Jesús Curiá's sculptures arouse something more than purely aesthetic pleasu...

Giorgio Ceragioli (Italian, 1861-1947) "Danza dei Flori" [Dance of the Flowers] Patinated Bronze Sculpture, 1910, the draped standing figure clutching a rose, on a circular base, tit...

Naturalistic sculpture of a woman standing and holding a small calf. The sculpture is signed "Happy Birthday 1976" and "W. R. Stevenson" on one side of the base. Artist Biography: William Robert Stevenson was born in 20 May 1925 in Eugene, Oregon. His family moved to Minneapolis, MN but he promptly returned to Oregon and Washington during the Great Depression to work in the Works Progress Administration (WPA). Hoping to study Art, his future was sidetracked when he was drafted into the United States Army at age 17 years old in early 1942. Being a strong swimmer, and having worked at stables as a child, he initially served in the last US Cavalry Corps, and also as a Swimming Instructor for the United States Army. Upon the abolition of the Cavalry Corps, he was trained as a Gunnar and Tank Commander for the M-4 Sherman Tank under General Patton...

The striking figure of a nude female, arms stretched above her head is the subject of this bronze sculpture by Canadian artist Richard Tosczak. Known for his beautiful figurative wor...

After Michel Anguier French 1612-1686 Amphitrite Bronze This remarkable bronze masterpiece was cast after a High Baroque masterwork by French sculptor Michel Anguier. After traini...